【摘要】：正張庚先生(1911—2003)是我國20世紀(jì)最為著名的戲劇理論家。他的一生與整個20世紀(jì)中國的戲劇、戲曲事業(yè)緊密聯(lián)系在一起。通觀張庚的一生,他青年時期即接受了"五四"新文化運動的洗禮,從研究話劇開始,逐漸關(guān)注秧歌劇、新歌劇,在探索中國新戲劇形式的道路上進(jìn)行了許多偉大的探索與實踐。他總結(jié)新歌劇的成敗得失,努力為中國戲劇找到一條嶄新的形式和道路。在這個過程中,他又對中國本土
[Abstract]:Zheng Zhang Geng (1911-2003) is the most famous drama theorist in the 20 th century. His life was closely related to the drama and drama of China in the whole 20 th century. Throughout Zhang Geng's life, he was baptized by the May 4th New Culture Movement in his youth. From the beginning of studying drama, he gradually paid attention to Yangyang opera and new opera. Many great explorations and practices have been carried out on the way of exploring the new forms of Chinese drama. He summed up the success or failure of the new opera and tried to find a new form and road for Chinese drama. In the course of this, he was also concerned about the situation in China.
【作者單位】： 中國藝術(shù)研究院戲曲研究所;
【分類號】：J617
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本文編號：2269148