【摘要】： 隨著經(jīng)濟(jì)全球化的不斷深入發(fā)展,各國文化相互交流、相互融合的趨勢越來越明顯,整體上正呈現(xiàn)出一體化的趨勢,其典型表現(xiàn)就是西方現(xiàn)代文化正在以其強(qiáng)大的“滲透性”和“霸權(quán)性”深刻地影響和改變著各國的民族文化,各國的本民族文化正在或多或少地披上西方現(xiàn)代文化的“現(xiàn)代性”這一鮮艷的外衣,世界各國文化趨向現(xiàn)代性(或者說是趨向西方性)已是不可阻擋的時(shí)代潮流。作為我國優(yōu)秀傳統(tǒng)文化重要組成部分的原生態(tài)民歌也不例外。在西方現(xiàn)代文化特別是西方現(xiàn)代音樂文化的強(qiáng)勢影響和滲透下,原生態(tài)民歌生存與發(fā)展遇到了很大的挑戰(zhàn),面臨著諸多困境。一方面,原生態(tài)民歌生存與發(fā)展的“硬”環(huán)境受到很大沖擊,即面臨著主流音樂文化的排斥、擠壓,走向邊緣化。另一方面,由于現(xiàn)代化、城市化與外來流行文化的影響與沖擊,原有少數(shù)民族地區(qū)和偏遠(yuǎn)山區(qū)在內(nèi)的生態(tài)環(huán)境遭到了不同程度的破壞和改變,人們維持了幾千年的生產(chǎn)生活習(xí)慣、民俗、思維方式等都在現(xiàn)代文化的滲透下,發(fā)生著潛移默化的改變,這是不以人的意志為轉(zhuǎn)移的。因此,維系原生態(tài)民歌傳承與發(fā)展的良性循環(huán)機(jī)制正在遭受破壞。可以說,對(duì)原生態(tài)民歌的保護(hù)工作已經(jīng)迫在眉睫。因此,原生態(tài)民歌的保護(hù)工作應(yīng)該成為當(dāng)今各級(jí)政府部門的緊迫任務(wù),同時(shí)也應(yīng)該激起廣大科研理論工作者的理論勇氣與研究熱情。但由于各種原因,目前國內(nèi)關(guān)于原生態(tài)民歌的專門系統(tǒng)的研究還付之闕如。而今,原生態(tài)民歌的生存現(xiàn)狀及發(fā)展態(tài)勢向我們提出了加強(qiáng)相關(guān)理論建設(shè)的必要性和重要性。因此,本文首次嘗試以現(xiàn)代文化為視閾對(duì)原生態(tài)民歌進(jìn)行重新審視,并試圖對(duì)它的概念、特點(diǎn)、原因、生存現(xiàn)狀進(jìn)行相應(yīng)的理論探討,最后從靜態(tài)與動(dòng)態(tài)兩個(gè)方面對(duì)原生態(tài)民歌保護(hù)的具體措施進(jìn)行系統(tǒng)闡述。不過,由于原生態(tài)民歌自身所特有的民族性及地域性這一特點(diǎn),這就使盡可能地深入各個(gè)地區(qū)和民族進(jìn)行調(diào)查研究從而收集“第一手資料”這種方式變得不太可能,因此本文主要以文獻(xiàn)研究為主,通過最大程度地收集國內(nèi)有關(guān)原生態(tài)民歌的研究文獻(xiàn),通過對(duì)這些“第二手資料”進(jìn)行仔細(xì)甄別、細(xì)致分析,歸納出本項(xiàng)研究所需要的“事實(shí)”。當(dāng)然,因本文研究主題領(lǐng)域之所需,文化學(xué)、美學(xué)、心理學(xué)、社會(huì)學(xué)、傳播學(xué)等理論知識(shí)也是必備的,所以盡可能多地運(yùn)用當(dāng)今最新的各種學(xué)科背景知識(shí)也是本文的一大特色。最后,歷史分析方法貫穿本文的各章節(jié)之中。
[Abstract]:With the deepening development of economic globalization, the trend of cultural exchanges and mutual integration between countries is becoming more and more obvious, and the overall trend of integration is taking on a trend of integration. Its typical manifestation is that the western modern culture is profoundly influencing and changing the national culture of various countries with its strong "permeability" and "hegemony". The national culture of various countries is more or less wearing the bright coat of "modernity" of the western modern culture, and it is an irresistible trend of the times that the cultures of all the countries in the world tend to modernity (or to the west). As an important part of Chinese traditional culture, the original ecological folk song is no exception. Under the strong influence and infiltration of the western modern culture, especially the western modern music culture, the survival and development of the original folk songs meet with great challenges and face many difficulties. On the one hand, the "hard" environment for the survival and development of the original ecological folk songs is greatly impacted, that is, facing the exclusion, extrusion and marginalization of the mainstream music culture. On the other hand, due to the influence and impact of modernization, urbanization and foreign popular culture, the ecological environment of the original minority areas and remote mountain areas has been damaged and changed to varying degrees. People have maintained thousands of years of production and life habits, folklore, mode of thinking and so on under the infiltration of modern culture, there is a subtle change, this is not to change the will of people. Therefore, the virtuous circle mechanism which maintains the original ecological folk song inheritance and development is being destroyed. It can be said that the protection of the original ecological folk song work has been imminent. Therefore, the protection of original ecological folk songs should become an urgent task for government departments at all levels, and at the same time, it should arouse the theoretical courage and enthusiasm of scientific research theorists. However, due to various reasons, the current domestic research on the original ecological folk songs of the special system is still lacking. Now, the existing situation and development situation of the original ecological folk song put forward the necessity and importance of strengthening the relevant theory construction. Therefore, this article first attempts to take the modern culture as the visual threshold to carry on the re-examination to the original ecology folk song, and attempts to carry on the corresponding theoretical discussion to its concept, the characteristic, the reason, the survival present situation. Finally, from static and dynamic aspects of the original ecological folk song protection specific measures are systematically expounded. However, due to the unique national and regional characteristics of the original ecological folk song itself, this makes it impossible to carry out investigations and studies as far as possible in various regions and nationalities in order to collect "first-hand information". Therefore, this paper mainly focuses on literature research, through the largest collection of domestic research literature on the original ecological folk songs, through the "second-hand materials" for careful screening, careful analysis, Generalize the "facts" needed for this study. Of course, the theoretical knowledge of culture, aesthetics, psychology, sociology, communication and so on is also necessary, so it is a major feature of this paper to use as much background knowledge as possible. Finally, the historical analysis method runs through each chapter of this article.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J607

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 田薛;地方文化風(fēng)情歌舞熱探析[D];福建師范大學(xué);2011年

2 丁相明;拉祜族民歌的文化內(nèi)涵及其音樂特征研究[D];云南大學(xué);2012年

3 崔迎杰;中國少數(shù)民族音樂在電視媒體中的傳播、發(fā)展與變遷分析[D];中央民族大學(xué);2013年

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本文編號(hào)：2225578