淺談“即興演唱”
發(fā)布時間:2018-08-23 19:41
【摘要】:"即興演唱"(Improvvisazione di canto)這種技巧從文藝復興時期以來在意大利、西班牙和法國流傳并盛行,貫穿整個歐洲的歌唱時代,按照慣例傳承下來。這種技巧之所以有它的重要性,關鍵是在它對于歷代美聲歌唱家在表演中處理和演繹聲樂作品的實際運用價值及指導意義。本文大量選用音樂實例來闡述相關音樂理論。另外,本文的相關理論對于器樂演奏也有同樣的指導意義。
[Abstract]:The technique of "improvisation" (Improvvisazione di canto) has spread and flourished in Italy, Spain, and France since the Renaissance, throughout Europe's singing age, and has traditionally been passed down. The key to this technique lies in its practical application value and guiding significance in dealing with and deducing vocal music works. In this paper, a large number of music examples to illustrate the relevant music theory. In addition, the relevant theories of this paper also have the same guiding significance for instrumental music playing.
【作者單位】: 意大利國立尼科羅·皮契尼音樂學院研究院;
【分類號】:J616.2
,
本文編號:2199719
[Abstract]:The technique of "improvisation" (Improvvisazione di canto) has spread and flourished in Italy, Spain, and France since the Renaissance, throughout Europe's singing age, and has traditionally been passed down. The key to this technique lies in its practical application value and guiding significance in dealing with and deducing vocal music works. In this paper, a large number of music examples to illustrate the relevant music theory. In addition, the relevant theories of this paper also have the same guiding significance for instrumental music playing.
【作者單位】: 意大利國立尼科羅·皮契尼音樂學院研究院;
【分類號】:J616.2
,
本文編號:2199719
本文鏈接:http://sikaile.net/wenyilunwen/mzqiyue/2199719.html
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