【摘要】： 喉部器官是歌唱的重要發(fā)聲器官,由會(huì)厭軟骨、甲狀軟骨、環(huán)狀軟骨及勺狀軟骨組成,且聲帶位于喉器內(nèi),通過氣息吹動(dòng)和喉部各組織器官的協(xié)調(diào)運(yùn)作,使聲帶振動(dòng)發(fā)聲,同時(shí)喉部器官位于各共鳴器官的中部,上于頭腔共鳴器官相連,下于呼吸器官相連通。從生理結(jié)構(gòu)上來看,它既承擔(dān)著發(fā)聲體的功能,又是連通上下共鳴腔體運(yùn)作的驅(qū)扭。同時(shí)由于此器官的上下活動(dòng)性,所以在歌唱中學(xué)會(huì)打開喉嚨,并保持“打開喉嚨”的狀態(tài)去歌唱就顯得至關(guān)重要。 本文包括引言從五個(gè)章節(jié)加以論述: 第一章引言,主要是對(duì)本課題的研究目的和意義、國內(nèi)外的研究現(xiàn)狀進(jìn)行論述。 第二章喉部的生理結(jié)構(gòu)及其發(fā)聲原理做了系統(tǒng)的分析,在喉部生理結(jié)構(gòu)中從喉軟骨、喉肌、喉室各組成部分闡明了個(gè)軟骨及喉肌與聲帶發(fā)聲的協(xié)作關(guān)系,并對(duì)喉室內(nèi)聲帶結(jié)構(gòu)及發(fā)聲作了細(xì)致的闡明,在發(fā)聲原理這部分中介紹了組成喉部的各軟骨和組織肌肉群在發(fā)聲時(shí)所起到的作用,以及聲帶在吸氣、呼氣時(shí)所處的狀態(tài),并從其物理原理上加以論述了聲帶的振動(dòng)原理。 第三章是本文的重點(diǎn),在此章中,從打開喉嚨的概念,及打開喉嚨與氣息、音色、共鳴腔、換聲區(qū)等各個(gè)方面與歌唱的關(guān)系上論述了打開喉嚨的重要性。然后從歌唱時(shí)喉頭所處的不同的位置狀態(tài),喉頭不穩(wěn)定的因素和影響,及從打開喉嚨喉頭穩(wěn)定后對(duì)歌唱的優(yōu)勢(shì)上論述了打開喉嚨在歌唱中的重要性。 第四章是針對(duì)以上論述提出的一些針對(duì)“打開喉嚨”的具體方法。通過對(duì)一些具體方法的探討,找到科學(xué)合理的在歌唱中打開喉嚨的方法。 第五章是提出的一些對(duì)今后聲樂學(xué)習(xí)和教學(xué)上的展望。從對(duì)此提出觀點(diǎn)的展望引申到哲學(xué)重點(diǎn)論的觀點(diǎn)上,即在我們以后的聲樂學(xué)習(xí)的諸多矛盾中能夠突出重點(diǎn),抓住事物的主要矛盾來解決今后歌唱教學(xué)與學(xué)習(xí)中出現(xiàn)的問題,做到抓主要顧整體。 結(jié)語部分是對(duì)打開喉嚨在歌唱中的重要性的論述總結(jié)。
[Abstract]:The laryngeal organ is an important vocal organ in singing. It is composed of epiglottic cartilage, thyroid cartilage, cricoid cartilage and spoon cartilage. The vocal cords are located in the laryngeal organ. The vocal cords vibrate and produce sound through breath blowing and coordinated operation of laryngeal tissues and organs. Respiratory organs are connected. Physiologically, they not only function as vocal organs, but also act as a drive to connect the upper and lower resonant cavities.
This article includes an introduction from five chapters:
The first chapter is the introduction, mainly on the purpose and significance of the research, and the current research situation at home and abroad.
In the second chapter, the physiological structure of larynx and the principle of vocalization are systematically analyzed. In the physiological structure of larynx, the cooperative relationship between cartilage, laryngeal muscle and vocal cord is clarified from the aspects of laryngeal cartilage, laryngeal muscle and the components of laryngeal chamber. The structure and vocalization of vocal cord in laryngeal chamber are elaborated in detail. The principle of vocalization is introduced in this part. The role of cartilage and muscle groups in vocalization and the state of vocal cords in inhalation and exhalation are discussed in this paper.
The third chapter is the focus of this paper. In this chapter, the importance of opening the throat is discussed from the concept of opening the throat, and the relationship between opening the throat and breath, timbre, resonant cavity, changing voice area and singing. When the head is stable, the importance of opening the throat in singing is discussed.
Chapter four is about the specific methods of "opening the throat" put forward in view of the above discussion. By discussing some specific methods, we can find a scientific and reasonable way to open the throat in singing.
The fifth chapter is about the prospects of vocal music learning and teaching in the future.From the prospects of this point of view extended to the philosophical point of view, that is, in our future vocal music learning many contradictions can highlight the key, grasp the main contradictions of things to solve the future problems in singing teaching and learning, so as to grasp. The main concern is the whole.
The conclusion is a summary of the importance of opening the throat in singing.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J616.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 宋天宇;論“打開喉嚨”在歌唱中的作用[D];吉林大學(xué);2013年

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本文編號(hào)：2184473