肖邦鋼琴音樂(lè)與貝里尼歌劇音樂(lè)共性特征初探
發(fā)布時(shí)間：2018-07-14 08:58
【摘要】：波蘭作曲家弗里德里克·肖邦(Frederic·Chopin 1810-1849)是西方音樂(lè)史上一位杰出的音樂(lè)家。他通過(guò)自己的創(chuàng)作實(shí)踐開(kāi)辟了浪漫主義時(shí)期鋼琴音樂(lè)表現(xiàn)手法的新天地并形成了獨(dú)具特色的“肖邦風(fēng)格”。百余年來(lái),他的作品以其獨(dú)特的藝術(shù)魅力激發(fā)了各國(guó)音樂(lè)學(xué)者們的研究興趣。 不同于純粹著眼于肖邦作品自身特征的研究,本文旨在通過(guò)對(duì)肖邦鋼琴音樂(lè)與貝里尼歌劇音樂(lè)共性特征的分析以了解歌劇對(duì)肖邦鋼琴音樂(lè)創(chuàng)作的影響,筆者希望這能幫助我們從全新的角度理解肖邦的鋼琴音樂(lè)。 為此,本文以歷史文獻(xiàn)為主要參考依據(jù)分別從七個(gè)方面對(duì)肖邦鋼琴音樂(lè)與貝里尼歌劇音樂(lè)的共性特征進(jìn)行分析,包括悠長(zhǎng)旋律的對(duì)稱、裝飾音的對(duì)應(yīng)、和弦外音的并立、半音階的并行、華彩樂(lè)段的并重、對(duì)等的宣敘調(diào)旋律以及統(tǒng)一的重唱形式。通過(guò)對(duì)二者音樂(lè)作品存在共性特征的原因分析,我們可以認(rèn)識(shí)到肖邦鋼琴音樂(lè)創(chuàng)作與歌劇的聯(lián)系。另一方面,對(duì)肖邦音樂(lè)創(chuàng)作成長(zhǎng)道路的認(rèn)識(shí)對(duì)于我們現(xiàn)代音樂(lè)創(chuàng)作亦起到一定的啟迪和借鑒作用。
[Abstract]:Frederic Chopin (1810-1849), a Polish composer, is an outstanding musician in the history of western music. Through his own creative practice, he opened up a new world of piano music expression techniques in the Romantic period and formed a unique Chopin style. For more than a hundred years, his works have aroused the research interest of musicologists all over the world with their unique artistic charm. Different from the study of Chopin's own characteristics, this paper aims to understand the influence of opera on Chopin's piano music creation by analyzing the common characteristics of Chopin's piano music and Berini's opera music. I hope this will help us understand Chopin's piano music from a new perspective. Therefore, based on the historical literature, this paper analyzes the common features of Chopin's piano music and Berini's opera music from seven aspects, including the symmetry of long melody, the correspondence of decorative sound, and the coexistence of chord external sound. The parallelism of the semitone, the equal emphasis of the colorful music, the equal recital melody, and the unified form of the duet. By analyzing the common features of their musical works, we can realize the connection between Chopin's piano music creation and opera. On the other hand, the understanding of Chopin's way of music creation also has some enlightenment and reference for our modern music creation.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J624.1
本文編號(hào)：2121142
[Abstract]:Frederic Chopin (1810-1849), a Polish composer, is an outstanding musician in the history of western music. Through his own creative practice, he opened up a new world of piano music expression techniques in the Romantic period and formed a unique Chopin style. For more than a hundred years, his works have aroused the research interest of musicologists all over the world with their unique artistic charm. Different from the study of Chopin's own characteristics, this paper aims to understand the influence of opera on Chopin's piano music creation by analyzing the common characteristics of Chopin's piano music and Berini's opera music. I hope this will help us understand Chopin's piano music from a new perspective. Therefore, based on the historical literature, this paper analyzes the common features of Chopin's piano music and Berini's opera music from seven aspects, including the symmetry of long melody, the correspondence of decorative sound, and the coexistence of chord external sound. The parallelism of the semitone, the equal emphasis of the colorful music, the equal recital melody, and the unified form of the duet. By analyzing the common features of their musical works, we can realize the connection between Chopin's piano music creation and opera. On the other hand, the understanding of Chopin's way of music creation also has some enlightenment and reference for our modern music creation.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 馮力斌;眷顧、崇尚旋律的大師——貝里尼——兼析歌劇《諾爾瑪》的藝術(shù)特色[J];交響-西安音樂(lè)學(xué)院學(xué)報(bào);2000年01期
，本文編號(hào)：2121142
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