【摘要】： 上海是中國(guó)近代政治、經(jīng)濟(jì)、文化的中心,它于近代曾經(jīng)締造了“海納百川、兼容并蓄”的海派文化。海派文化內(nèi)容豐富、包羅眾多,流行歌曲便是海派文化的重要組成部分。陳歌辛正是上世紀(jì)三四十年代頗為重要的流行歌曲作家。 陳歌辛是一位音樂(lè)全才,在音樂(lè)創(chuàng)作、指揮、演唱等方面均有造詣,尤以音樂(lè)創(chuàng)作成就最為卓著,其中,流行歌曲是其音樂(lè)創(chuàng)作的核心部分。他的一生充滿(mǎn)了波折與坎坷,在四十余載短暫的生命里共創(chuàng)作有二百多首流行歌曲,其中絕大多數(shù)為電影歌曲,許多作品如《玫瑰、玫瑰我愛(ài)你》、《薔薇處處開(kāi)》、《花樣的年華》、《夜上�！贰ⅰ豆�、恭喜》等不僅在當(dāng)時(shí)備受歡迎、影響廣泛,而且以持久的藝術(shù)生命力流傳至今、影響深遠(yuǎn),堪稱(chēng)中國(guó)流行歌曲史上的經(jīng)典之作。 陳歌辛的流行歌曲按題材可以分為愛(ài)情歌曲、詠物抒懷的歌曲、諷刺性歌曲、愛(ài)國(guó)歌曲等類(lèi)別。豐富多樣的題材內(nèi)容、富于特色的交際舞曲風(fēng)、流行歌曲的藝術(shù)歌曲化以及流行歌曲本土化的初步探索是陳歌辛流行歌曲創(chuàng)作中的幾個(gè)突出特點(diǎn),從他的作品中也可以窺見(jiàn)三四十年代流行歌曲創(chuàng)作的大致概貌。他的許多作品在當(dāng)時(shí)得到了廣泛的傳播,這歸因于良好生存土壤的滋養(yǎng)、優(yōu)秀詞曲作家的創(chuàng)作、實(shí)力派歌星的詮釋以及多種現(xiàn)代傳播媒介的有力宣傳。 陳歌辛的流行歌曲不僅在中國(guó)流行歌曲的發(fā)展史上占據(jù)著一席之地,也是海派文化的一個(gè)重要分支,并對(duì)現(xiàn)代流行歌曲起著反哺的作用。陳歌辛的流行歌曲具有歷史與現(xiàn)實(shí)之雙重意義,值得我們加以充份的重視與細(xì)致的研究。
[Abstract]:Shanghai is the center of modern Chinese politics, economy and culture. In modern times, it created a "Hai Na hundred Sichuan, all inclusive" culture of the Shanghai school. The culture of the Shanghai school is rich in content and numerous. Popular songs are an important part of the culture of the sea. Chen Gexin is the most important pop song writer in the 30s and 40s of the last century.
Chen Gexin is a musical versatile, in music creation, command, singing and other aspects, especially the most outstanding achievements in music creation, among which pop songs are the core part of his music creation. His life is full of twists and setbacks, and there are more than 200 popular songs in more than 40 short lives, of which the vast majority of them are created. For film songs, many works such as "rose, Rose I love you", "Rose everywhere", "flower pattern", "night Shanghai >", "Congratulations, Congratulations" and so on are not only popular at the time, but also widely influenced by the lasting artistic vitality.
Chen Gexin's popular songs can be divided into love songs, singing songs, satirical songs, patriotic songs and so on. The rich and diverse subject matter, the characteristic communicative dance style, the art song of popular songs and the initial exploration of the localization of popular songs are several prominent in the creation of Chen Gexin's pop songs. The feature, from his works, can also see the general outline of the creation of the 30s and 40s pop song. Many of his works were widely spread at the time, which was attributed to the nourishment of good soil, the creation of excellent songwriters, the interpretation of the strength of the singer and the strong propaganda of many modern media.
Chen Gexin's pop songs not only occupy a place in the history of Chinese pop songs, but also an important branch of the culture of the sea, and play a role in the back feeding of modern pop songs. Chen Gexin's pop songs have the dual significance of history and reality, which deserve our attention and careful study.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J605

【參考文獻(xiàn)】

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