本文選題：作品分析 + 演繹比較��； 參考：《上海音樂學(xué)院》2009年碩士論文

【摘要】： 塞西爾·弗蘭克(Cesar Franck1822-1890)是法國19世紀(jì)民族樂派的代表人之一,A大調(diào)小提琴與鋼琴奏鳴曲是他唯一的一部小提琴作品,小提琴演奏史上極為重要的經(jīng)典作品之一。 本文擬以弗蘭克小提琴奏鳴曲的文本和演繹分析為切入點,探討音樂表演中忠實性與創(chuàng)造性相統(tǒng)一的重要性。第一章通過A大調(diào)小提琴與鋼琴奏鳴曲的曲式分析、創(chuàng)作特征及相關(guān)背景資料,探究表演忠實性的理論參考依據(jù)。第二章通過分析、梅紐因、費拉斯、大衛(wèi)·奧依斯特拉赫、鄭京和四位演奏家的演奏版本比較,分析其演繹特征及其演奏風(fēng)格的成因,客觀的呈現(xiàn)創(chuàng)造性在演奏中的具體反映。并簡介近代演奏美學(xué)的發(fā)展趨勢。第三章試圖探討演奏中忠實性與創(chuàng)造性相統(tǒng)一的先決條件。
[Abstract]:Cecil Frank (Cesar Franck1822-1890) is one of the representatives of the French national music school in nineteenth Century. The violin and Piano Sonata in the A major is the only one of his violin works and one of the most important classical works in the history of violin performance.
This paper, based on the text and deductive analysis of Frank's Violin Sonata, discusses the importance of the unity of faithfulness and creativity in the music performance. The first chapter, through the analysis of the musical forms of the violin and Piano Sonata in the A major, the creative features and the relevant background information, explores the theoretical reference for the faithfulness of the table. The second chapters pass through The analysis, Menuhin, Ferras, David austenrah, Zheng Jinghe four performers of the performance version comparison, analysis of its deductive characteristics and the causes of the playing style, objectively presenting the specific reflection of creativity in the performance. And brief introduction of the development trend of modern performance aesthetics. The third chapter tries to explore the fidelity and creativity in performance. A prerequisite for unity.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J628

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 范子軍;四首小提琴奏鳴曲比較研究[D];天津音樂學(xué)院;2012年

2 張俊;弗蘭克《A大調(diào)小提琴與鋼琴奏鳴曲》音樂特征及鋼琴演奏美學(xué)研究[D];中央音樂學(xué)院;2012年

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本文編號：2116147