發(fā)布時(shí)間：2018-07-04 09:53

  本文選題：民族起源 + 民間音樂��； 參考：《西北民族大學(xué)》2009年碩士論文

【摘要】： 《土族民間音樂》涉及到土族的生活面較廣,從民族歷史到各個(gè)時(shí)代的社會(huì)生活,從各種勞動(dòng)生活到到家庭、婚姻和愛情生活,從各民族風(fēng)俗到宗教信仰,都在《土族民間音樂》中得到了不同程度的反映,它包涵土族人民的審美心理,審美習(xí)慣和審美觀念。民歌是民族音樂的一個(gè)重要組織部分,研究民歌是研究民族音樂的一項(xiàng)重要的基礎(chǔ)工作。 中國(guó)是一個(gè)禮樂之邦,從遠(yuǎn)古時(shí)代起,歷代帝王莫不以樂治國(guó),以禮樂教化百姓。在中國(guó)歷史上,音樂藝術(shù)有極其輝煌的成就和地位。收集整理研究中國(guó)民族,發(fā)揚(yáng)中國(guó)民族的傳統(tǒng)音樂文化,寫出具有中國(guó)民族風(fēng)格、民族氣派的新的音樂作品,是我國(guó)音樂界眾多音樂家奮斗和努力的目標(biāo),當(dāng)前建設(shè)有中國(guó)特色的社會(huì)主義先進(jìn)文化的偉大進(jìn)程中,這項(xiàng)工作顯得意義更加重大。 作為中華文化資源一部分的中國(guó)少數(shù)民族音樂,它的耗竭、更新與永續(xù)性發(fā)展直接牽涉中華文化的可持續(xù)性發(fā)展問(wèn)題。目前我國(guó)少數(shù)民族音樂文化的發(fā)展多以民族自治的行政區(qū)域?yàn)榛A(chǔ)。為進(jìn)一步探討如何對(duì)少數(shù)民族音樂資源進(jìn)行生態(tài)維護(hù),尋求繼承、傳播、發(fā)展少數(shù)民族音樂文化的方法與途徑,本文以土族民間音樂的生態(tài)環(huán)境調(diào)查研究為基礎(chǔ),通過(guò)對(duì)土族民間音樂在青海省的落戶流傳、融合變化、流存現(xiàn)況及部分土族音樂資源的消亡等情況的整理分析,探討土族音樂發(fā)展過(guò)程中所面對(duì)的生態(tài)環(huán)境變遷與現(xiàn)今各少數(shù)民族音樂生存的生態(tài)環(huán)境變化的相似性。以此深入研究在中國(guó)社會(huì)的現(xiàn)代化進(jìn)程中,生態(tài)環(huán)境的變遷對(duì)少數(shù)民族音樂資源所產(chǎn)生的影響,尋求其規(guī)律和特點(diǎn),為探索中國(guó)少數(shù)民族音樂傳承的永續(xù)發(fā)展之路提供科學(xué)依據(jù)。
[Abstract]:"Folk Music of the Tus" covers a wide range of life of the Tus, ranging from the history of the nation to the social life of all times, from all kinds of working life to family, marriage and love life, from the customs of all ethnic groups to religious beliefs, Both of them are reflected in Tu Folk Music to varying degrees, which contains the aesthetic psychology, aesthetic habits and aesthetic concepts of the Tus people. Folk songs are an important part of folk music, and the study of folk songs is an important basic work of studying folk music. China is a state of ritual and music. Since ancient times, emperors have ruled the country with music and taught the people with etiquette and music. In Chinese history, the music art has the extremely glorious achievement and the status. Collecting and studying the Chinese nation, carrying forward the traditional music culture of the Chinese nation, and writing new music works with Chinese national style and style are the goals of many musicians in the music circles of our country. In the great process of constructing advanced socialist culture with Chinese characteristics, this work is of greater significance. As a part of Chinese cultural resources, Chinese minority music is directly related to the sustainable development of Chinese culture because of its exhaustion, renewal and sustainable development. At present, the development of minority music culture in China is based on the administrative region of national autonomy. In order to further explore the ways and means of ecological maintenance, inheritance, dissemination and development of minority music culture, this paper is based on the investigation and study of the ecological environment of Turkish folk music. Through the arrangement and analysis of the settlement and circulation of the Tu folk music in Qinghai Province, the fusion of changes, the current situation of the existence of the Tu folk music and the extinction of some of the Turkish music resources, etc., This paper probes into the similarities between the changes of ecological environment in the course of the development of Turkish music and the changes of ecological environment existing in the music of various ethnic minorities. In order to deeply study the influence of the ecological environment changes on the minority music resources in the process of modernization of Chinese society, we seek its laws and characteristics. It provides a scientific basis for exploring the sustainable development of Chinese minority music inheritance.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J607

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本文編號(hào)：2095678