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繼承和超越—幾首帕薩卡里亞作品的分析與比較

發(fā)布時(shí)間:2018-07-03 07:36

  本文選題:帕薩卡里亞 + 繼承 ; 參考:《山東大學(xué)》2009年碩士論文


【摘要】: 西方音樂在20世紀(jì)呈現(xiàn)出多元化的紛繁局面。對(duì)于傳統(tǒng)的懷疑和決裂,不僅表現(xiàn)在對(duì)19世紀(jì)音樂的反叛,甚至拋棄自文藝復(fù)興以來的各種音樂準(zhǔn)則。但是仍然有不少作曲家執(zhí)著于傳統(tǒng)音樂的創(chuàng)作,一些在現(xiàn)代音樂歷史上享有重要地位的大師們,就以帕薩卡里亞一這種古老的固定低音復(fù)調(diào)變奏藝術(shù)形式,創(chuàng)作了許多優(yōu)秀的作品,形成現(xiàn)代音樂創(chuàng)作領(lǐng)域里一個(gè)令人矚目的藝術(shù)現(xiàn)象。本文第一章回溯歷史,以巴赫和勃拉姆斯的帕薩卡里亞作品作為分析對(duì)象,概述了帕薩卡里亞的形成和發(fā)展。第二章重點(diǎn)講述20世紀(jì)帕薩卡里亞的發(fā)展,并從20世紀(jì)最具代表性的不同流派作曲家的創(chuàng)作中選取了4部帕薩卡里亞作為研究對(duì)象,對(duì)它們逐一進(jìn)行分析研究。關(guān)于現(xiàn)代帕薩卡里亞作品對(duì)傳統(tǒng)的繼承與超越的全面的比較分析在第三章。第四章從美學(xué)的角度看帕薩卡里亞。
[Abstract]:In the 20 ~ (th) century, western music presented a diversified and complicated situation. The doubt and break with tradition is not only reflected in the rebellion against the music of the 19th century, but also in the abandonment of various musical norms since the Renaissance. But there are still many composers who are obsessed with the creation of traditional music. Some of the masters who have played an important role in the history of modern music have used the ancient art form of the fixed bass polyphonic variation of Pasakaria. Many excellent works have been created, forming a remarkable artistic phenomenon in the field of modern music creation. The first chapter of this paper looks back to history, taking Bach and Brahms' Pasakaria works as the object of analysis, summarizes the formation and development of Pasakaria. The second chapter focuses on the development of Pasacaria in the 20th century, and selects four pieces of Pasacaria from the most representative composers of different schools in the 20th century to analyze and study them one by one. A comprehensive comparative analysis of the inheritance and transcendence of tradition in modern Pasakaria's works is made in Chapter 3. Chapter four looks at Pasacaria from the point of view of aesthetics.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2009
【分類號(hào)】:J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉寧寧;威廉·舒曼的音樂創(chuàng)作理念研究[D];山東師范大學(xué);2012年

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本文編號(hào):2092896

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