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于都客家嗩吶藝術(shù)之研究

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  本文選題:于都客家嗩吶 + 歷史脈絡(luò) ; 參考:《江西師范大學(xué)》2009年碩士論文


【摘要】: 于都客家嗩吶藝術(shù)是流傳于贛南于都乃至周邊地區(qū)的一種民間音樂,其運用范圍非常廣泛,流傳年代極其久遠(yuǎn),當(dāng)?shù)乩习傩罩杏泻芨叩闹取1疚倪x取于都客家嗩吶藝術(shù)作為研究對象,對其自身歷史淵源,音樂本體形態(tài)以及生存文化意蘊等都做了深入的研究。在研究的過程中,筆者主要通過實地考察的方式來獲取第一手資料,以求更加準(zhǔn)確和全面地考察和研究。 第一章對我國近期嗩吶音樂的研究成果做了初步的整理和歸納。其中包括嗩吶藝術(shù)的研究視角和方法、嗩吶的源流以及嗩吶的傳承等方面的內(nèi)容。 第二章對于都客家嗩吶藝術(shù)自身的源流做了細(xì)致深入的研究。在進(jìn)行客家嗩吶藝術(shù)研究之前,對與之密切相關(guān)的客家人遷移情況做了詳細(xì)的梳理。另外,本章對于都客家嗩吶在當(dāng)代的存在狀態(tài)做了較為詳細(xì)的考察和整理。 第三章對于都客家嗩吶藝術(shù)的音樂本體形態(tài)做了全面的研究。筆者選取了具有典型代表意義的十二首曲牌進(jìn)行研究,并在此基礎(chǔ)上結(jié)合于都地區(qū)特殊的地理位置以及人文習(xí)俗等歸納出于都客家嗩吶藝術(shù)的獨特風(fēng)格。 第四章對于都客家嗩吶藝術(shù)的文化意義進(jìn)行了探究。本章試圖通過對于都客家人的信仰習(xí)慣、以及風(fēng)俗禮儀等方面對其進(jìn)行文化學(xué)意義的追問。最后,筆者對于都客家嗩吶藝術(shù)今后的傳承與發(fā)展提出幾點個人淺顯的見解和希望。 結(jié)語部分主要對于都客家嗩吶藝術(shù)當(dāng)前整體的生存狀況做了概括,對其以后的發(fā)展以及相關(guān)的理論研究提出殷切希望。
[Abstract]:Yudu Hakka suona art is a kind of folk music which is spread in the south of Jiangxi and even in the surrounding areas. It is widely used in a very long time and has a high popularity among the local people. This paper selects Yudu Hakka suona art as the research object, and makes a deep research on its own historical origin, music Noumenon form and the meaning of survival culture. In the process of research, the author mainly through the way of on-the-spot investigation to obtain first-hand information, in order to more accurate and comprehensive investigation and research. The first chapter of our recent suona music research results have been preliminary collated and summarized. It includes the research angle and method of suona art, the source and stream of suona and the inheritance of suona. The second chapter makes a detailed and in-depth study on the origin and stream of the Suona art of the Hakka people. Before the study of Hakka suona art, the closely related Hakka migration situation was combed in detail. In addition, this chapter makes a more detailed investigation and arrangement of the existing state of the Dokka suona in the contemporary era. The third chapter makes a comprehensive study on the music Noumenon form of the du Hakka suona art. The author selected twelve pieces of music with typical significance to study. On the basis of this, the unique style of Yudu Hakka suona art is summed up in combination with the special geographical location and cultural customs in Yudu area. Chapter four probes into the cultural significance of the du Hakka suona art. This chapter attempts to inquire into the cultural significance of the Hakka people through their beliefs, customs, manners and so on. Finally, the author puts forward some personal opinions and hopes for the inheritance and development of the Dokka suona art in the future. To its future development and related theoretical research put forward ardent hope.
【學(xué)位授予單位】:江西師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2009
【分類號】:J632.14

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