本文選題：絳州鼓樂(lè) + 傳承��； 參考：《山西師范大學(xué)》2010年碩士論文

【摘要】：絳州鼓樂(lè)是新絳縣最具代表性的地域文化之一,以往對(duì)絳州鼓樂(lè)的研究主要是從音樂(lè)學(xué)與史實(shí)考證兩個(gè)方面進(jìn)行,停留在資料搜集、來(lái)源考證、藝術(shù)形式等方面。本文以絳州鼓樂(lè)傳承情況的考察與研究為論題,力圖從民俗學(xué)的視角對(duì)絳州鼓樂(lè)的現(xiàn)狀與發(fā)展加以闡釋,并進(jìn)一步為非物質(zhì)文化遺產(chǎn)視野下其它民間鼓樂(lè)的保護(hù)與發(fā)展策略的探尋提供建議。全文從民俗學(xué)角度入手,綜合引用和借鑒民俗學(xué)、人類學(xué)、心理學(xué)等相關(guān)學(xué)科的理論與方法,將絳州鼓樂(lè)傳承情況的考察研究置于民間和官方兩種不同語(yǔ)境中,通過(guò)在不同語(yǔ)境中對(duì)傳承人和表演場(chǎng)境的發(fā)展變化進(jìn)行考察,分析研究絳州鼓樂(lè)在不同語(yǔ)境中傳承情況,力求系統(tǒng)、宏觀、深入地對(duì)絳州鼓樂(lè)得以生存發(fā)展的原因給予分析研究。 全文分為緒論、主體和結(jié)語(yǔ)三部分。主體部分包括四章:第一章,總體概述絳州鼓樂(lè),主要是從絳州鼓樂(lè)的生態(tài)環(huán)境背景和歷史發(fā)展進(jìn)程,絳州鼓樂(lè)種類及其藝術(shù)特色三個(gè)方面著手;第二章,從民間語(yǔ)境這一層面出發(fā),結(jié)合實(shí)地考察,以民間藝人的口述材料為基礎(chǔ),對(duì)絳州鼓樂(lè)在民間語(yǔ)境中的傳承給予立體性的圖解;第三章,從官方語(yǔ)境這一層面出發(fā),以絳州鼓樂(lè)團(tuán)等藝術(shù)團(tuán)體為例,直觀地呈現(xiàn)絳州鼓樂(lè)在官方語(yǔ)境中的傳承情況;第四章,通過(guò)分析絳州鼓樂(lè)在民間語(yǔ)境與官方語(yǔ)境中的互動(dòng)與重建,探求絳州鼓樂(lè)傳承途徑得以重構(gòu)的主要因素,并對(duì)絳州鼓樂(lè)的發(fā)展現(xiàn)狀進(jìn)行思考。 緒論部分包括選題的目的和意義,綜述相關(guān)研究成果,介紹本文的資料來(lái)源和闡明研究方法。在前四章研究的基礎(chǔ)上,結(jié)語(yǔ)部分對(duì)絳州鼓樂(lè)的發(fā)展現(xiàn)狀提出一些建議。
[Abstract]:Jiangzhou drum music is one of the most representative regional cultures in Jiangxian County. In the past, the research on Jiangzhou drum music was mainly carried out from the aspects of musicology and historical research, staying in the aspects of data collection, source research, artistic form, etc. Based on the investigation and research on the inheritance of Jiangzhou drum music, this paper tries to explain the present situation and development of Jiangzhou drum music from the perspective of folklore. It also provides suggestions for the protection and development strategies of other folk drum music in the view of intangible cultural heritage. From the perspective of folklore, the thesis draws on the theories and methods of folklore, anthropology, psychology and so on, and puts the investigation and research on the inheritance of Jiangzhou drum music in two different contexts of folk and official. Through investigating the development and changes of the inheritors and the performance scene in different contexts, this paper analyzes and studies the inheritance of Jiangzhou drum music in different contexts, and strives for a systematic and macroscopic study. The reasons for the survival and development of Jiangzhou drum music are analyzed and studied in depth. The full text is divided into three parts: introduction, subject and conclusion. The main part includes four chapters: the first chapter, the general overview of Jiangzhou drum music, mainly from the Jiangzhou drum music ecological environment background and historical development process, Jiangzhou drum music types and artistic characteristics of three aspects; chapter two, Based on the oral materials of folk artists, this paper gives a three-dimensional picture of the inheritance of Jiangzhou drum music in the folk context from the perspective of folk context and field investigation. Chapter three, from the perspective of official context, gives a three-dimensional picture of the inheritance of Jiangzhou drum music in the folk context. Taking Jiangzhou drum troupe and other artistic groups as an example, the paper presents the inheritance of Jiangzhou drum music in the official context. Chapter four, through the analysis of Jiangzhou drum music interaction and reconstruction in the folk context and official context, To explore the main factors of the reconstruction of Jiangzhou drum music inheritance, and to think about the status quo of Jiangzhou drum music development. The introduction part includes the purpose and significance of the topic, summarizes the relevant research results, introduces the sources of this paper and clarifies the research methods. On the basis of the first four chapters, the conclusion gives some suggestions on the development of Jiangzhou drum music.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J607

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