發(fā)布時間：2018-05-26 08:37

  本文選題：項祖華 + 揚琴作品�。� 參考：《河南大學(xué)》2009年碩士論文

【摘要】： 本文以項祖華揚琴作品的創(chuàng)作思維、風格特征,意義價值為研究對象,納入中國揚琴發(fā)展史的視野中進行初步分析和探討,以明確項祖華揚琴作品所產(chǎn)生的積極意義和影響,客觀評價項祖華對中國揚琴發(fā)展作出的貢獻,為將來揚琴創(chuàng)作和揚琴藝術(shù)發(fā)展提供一個新的理論視角。 全文共分為三章: 第一章詳細闡述了項祖華揚琴作品“立足傳統(tǒng)、廣采博納”與“左右全能、點線結(jié)合、曲直兼濟、縱橫交錯”的創(chuàng)作思維方式。 第二章分別從民族性、創(chuàng)新性、結(jié)構(gòu)的多樣性角度分析了項祖華揚琴作品的風格特征。 第三章從項祖華揚琴作品豐富了揚琴樂曲寶庫、推動了新曲的創(chuàng)作以及對中國當代揚琴音樂發(fā)展的影響和特殊地位三方面,論述了項祖華揚琴作品的意義價值。
[Abstract]:This paper takes the creative thinking, style characteristics and meaning value of Xiang Zuhua yangqin works as the research object, and makes a preliminary analysis and discussion from the perspective of the history of the development of Chinese dulcimer, in order to clarify the positive significance and influence of Xiang Zuhua yangqin works. The objective evaluation of Xiang Zuhua's contribution to the development of the Chinese yangqin provides a new theoretical perspective for the future creation and artistic development of the yangqin. The full text is divided into three chapters: The first chapter elaborates the creative thinking mode of Xiang Zuhua yangqin's works "based on tradition, wide and wide," and "omnipotence of left and right, combination of dots and lines, straight and economic, crisscross". The second chapter analyzes the style characteristics of Xiang Zuhua yangqin from the perspectives of nationality, innovation and diversity of structure. The third chapter enriches the treasure-house of yangqin music from Xiang Zuhua's works, promotes the creation of new music and its influence and special status on the development of contemporary Chinese yangqin music, and discusses the significance value of Xiang Zuhua's yangqin works.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J632.51

【引證文獻】

相關(guān)碩士學(xué)位論文 前3條

1 王Z，

本文編號：1936587