本文選題：蒙古族風(fēng)格 + 鋼琴音樂�。� 參考：《內(nèi)蒙古師范大學(xué)》2010年碩士論文

【摘要】： 蒙古族風(fēng)格鋼琴作品是中國傳統(tǒng)鋼琴音樂文化發(fā)展中的重要組成部分,隨著內(nèi)蒙古地區(qū)文化、教育事業(yè)的發(fā)展,鋼琴藝術(shù)也取得了很大發(fā)展,主要表現(xiàn)在鋼琴教育、鋼琴曲的改編與創(chuàng)作等方面。具有民族風(fēng)格的鋼琴曲深受群眾的喜愛,源于它具有深厚的群眾基礎(chǔ),植根于民族生活,在弘揚民族性格、民族精神、民族文化的基礎(chǔ)上,吸取民族民間音樂的營養(yǎng),強化了民族審美底蘊。 在本論文中,第一章鋼琴音樂發(fā)展軌跡,主要闡述了鋼琴音樂在西方的發(fā)展軌跡以及鋼琴創(chuàng)作和鋼琴教學(xué)在中國的發(fā)展過程,這是研究蒙古族風(fēng)格鋼琴作品在內(nèi)蒙古地區(qū)發(fā)展的根源和基礎(chǔ)。第二章講述了蒙古族鋼琴音樂在內(nèi)蒙地區(qū)的發(fā)展,包括內(nèi)蒙古音樂高校的建立過程和蒙古族風(fēng)格鋼琴音樂的創(chuàng)編及發(fā)展過程,在這章中,筆者采用資料收集法、對比分析法和歸納總結(jié)法對搜集到的蒙古族鋼琴音樂在創(chuàng)作手法、改編風(fēng)格、文化審美等方面進行了全面分析總結(jié)。第三章關(guān)于蒙古族鋼琴音樂在內(nèi)蒙地區(qū)發(fā)展的思考包括樹立民族意識、弘揚民族文化,加強政策領(lǐng)導(dǎo)、弘揚民族精神,重視民族音樂教育三個部分,旨在學(xué)習(xí)、借鑒與融合西方鋼琴藝術(shù)的特長的同時發(fā)展本民族音樂,創(chuàng)作為廣大人民群眾所喜聞樂見并被世界所認(rèn)可的優(yōu)秀鋼琴作品,是蒙古族風(fēng)格鋼琴作品創(chuàng)作的必由之路,也是我國民族鋼琴作品發(fā)展的必由之路。
[Abstract]:Mongolian piano works are an important part of the development of Chinese traditional piano music culture. With the development of culture and education in Inner Mongolia, piano art has made great progress, mainly in piano education. The adaptation and creation of piano music. The piano music with national style is loved by the masses because it has a deep mass foundation and is rooted in the national life. On the basis of carrying forward the national character, national spirit and national culture, it absorbs the nutrition of national folk music. Strengthen the national aesthetic inside information. In this thesis, the first chapter focuses on the development of piano music in the West, as well as piano creation and piano teaching in China. This is the root and foundation of the development of Mongolian piano works in Inner Mongolia. The second chapter describes the development of Mongolian piano music in Inner Mongolia, including the establishment process of Inner Mongolia music universities and the creation and development of Mongolian piano music. In this chapter, the author adopts the method of data collection. Comparative analysis and summing up of the collection of Mongolian piano music in the creative techniques, adaptation style, cultural aesthetic and other aspects of comprehensive analysis and summary. The third chapter discusses the development of Mongolian piano music in Inner Mongolia region, including establishing national consciousness, carrying forward national culture, strengthening policy leadership, promoting national spirit, attaching importance to ethnic music education, aiming at learning. The only way to create Mongolian piano works is to draw lessons from the western piano art and to develop their own national music while creating excellent piano works which are welcomed by the broad masses of the people and recognized by the world. It is also the only way for the development of Chinese national piano works.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J624.1

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 邢茜;論蒙派京劇音樂的民族性特征[D];內(nèi)蒙古大學(xué);2012年

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本文編號：1900405