本文選題：傳統(tǒng)新彈　切入點(diǎn)：現(xiàn)代作曲技法　出處：《西安音樂學(xué)院》2010年碩士論文

【摘要】：建國至今,琵琶作品的創(chuàng)作,演奏風(fēng)格和演奏的技巧和以前相比較都有著很大的發(fā)展。其間,涌現(xiàn)出大量優(yōu)秀的作品,通過這些作品,也逐漸體現(xiàn)了在此期間琵琶的創(chuàng)作和發(fā)展概況,建國初期的琵琶作品主要是把傳統(tǒng)樂曲以新的演奏手法進(jìn)行了改編和重組。60年代前后,在傳統(tǒng)琵琶音樂的基礎(chǔ)上,大力吸取了現(xiàn)代作曲技法,創(chuàng)作出了一批新穎而緊扣時(shí)代主題的作品。在文革期間,現(xiàn)代琵琶演奏家吸取西洋多調(diào)性音樂的特長,不僅將和聲、復(fù)調(diào)、曲式有機(jī)的運(yùn)用到琵琶創(chuàng)作中,豐富了琵琶的表現(xiàn)力。并且在毛主席“古為今用,洋為中用”,“百花齊放,推陳出新”的偉大號召下,創(chuàng)作和改編移植了一些作品。琵琶協(xié)奏曲在此期間的創(chuàng)作以及大量外國作品的移植使得琵琶的作品和發(fā)展走向世界打下良好的基礎(chǔ)。改革開放后文化藝術(shù)方面也進(jìn)入了大的轉(zhuǎn)型時(shí)期。琵琶的創(chuàng)作和演奏也體現(xiàn)出多元化并存的形式。在繼承傳統(tǒng)的同時(shí),中國的作曲家不僅學(xué)習(xí)西方現(xiàn)代音樂的作曲理論,并且在中國音樂創(chuàng)作如何吸取西方現(xiàn)代音樂創(chuàng)作中作曲技巧和新音樂技法的運(yùn)用進(jìn)行著摸索及創(chuàng)新。進(jìn)入21世紀(jì),隨著市場經(jīng)濟(jì)在我國越來越體現(xiàn)優(yōu)越的同時(shí),很多具有商品藝術(shù)的新民樂走入人們的視野,其中也包括琵琶的新民樂作品,使得這種傳統(tǒng)的民樂注入了年輕的時(shí)尚氣息,受到了大眾的喜愛。此時(shí)的琵琶音樂也呈現(xiàn)出了前所未有的景象,作品的創(chuàng)作走向了個(gè)性化的道路。
[Abstract]:Since the founding of the people's Republic of China, there has been a great development in the creation, performance style and skill of pipa works.During this period, a large number of excellent works emerged. Through these works, they also gradually reflected the general situation of the creation and development of the pipa during this period.In the early days of the founding of the people's Republic of China, the pipa works mainly adapted and reorganized the traditional music with new playing techniques around the 1960s. On the basis of the traditional pipa music, the modern composition techniques were absorbed vigorously.Created a number of novel and closely related to the theme of the work.During the Cultural Revolution, modern pipa players absorbed the specialty of Western polyphonic music, not only applied harmony, polyphonic and musical forms to the pipa creation, but also enriched the expressive power of pipa.And under the great call of Chairman Mao to "use the past for the present, and foreign things for the Chinese" and "blossom a hundred flowers, bring forth the old and bring forth the new", some works were created and adapted and transplanted.The creation of pipa Concerto during this period and the transplantation of a large number of foreign works have laid a good foundation for the development and development of pipa's works in the world.After the reform and opening up, cultural and artistic aspects have also entered a major period of transition.The creation and performance of pipa also reflect the coexistence of diversity.While inheriting the tradition, Chinese composers not only learn the composing theory of western modern music, but also explore and innovate how to absorb the composing techniques and the new musical techniques in Chinese music creation.In the 21st century, with the market economy becoming more and more superior in our country, many new folk music with commodity art come into people's view, including the new folk music works of pipa.This traditional folk music infuses the young fashion atmosphere, has been popular with the public.At this time, pipa music also presents an unprecedented scene, the creation of works towards a personalized road.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J632.33

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