本文選題：新民歌　切入點(diǎn)：民族聲樂　出處：《云南藝術(shù)學(xué)院》2009年碩士論文

【摘要】： 民族聲樂藝術(shù)伴隨著中國民族文化的發(fā)展大約已有五千多年的歷史。在這個(gè)悠久的歷史長河中,民族聲樂藝術(shù)不斷發(fā)展更替,在每個(gè)不同的時(shí)代背景下都留下了深深的歷史烙印。發(fā)展至今,已到了一個(gè)多元交叉的局面。在這個(gè)多元發(fā)展的時(shí)代,各種不同風(fēng)格的音樂并存,傳統(tǒng)民歌與現(xiàn)代創(chuàng)作民族歌曲既相互影響又各自發(fā)展。不同新的音樂形式不斷出現(xiàn),代表新風(fēng)尚的“新民歌”,獨(dú)樹一幟,廣受大眾歡迎。這種歌曲形式,將民族風(fēng)格與流行、通俗特征相結(jié)合,在立足傳統(tǒng)的基礎(chǔ)上更多的體現(xiàn)現(xiàn)代、時(shí)尚、流行、通俗,具有現(xiàn)代審美取向,迎合了新時(shí)代背景下人們新的審美心理與需求;這種歌曲形式在現(xiàn)階段已經(jīng)有蓬勃發(fā)展的趨勢,也可以說是現(xiàn)階段民族聲樂藝術(shù)領(lǐng)域的一個(gè)新現(xiàn)象。本文就從新民歌的發(fā)展看民族聲樂多元化的構(gòu)建進(jìn)行研究,通過分析總結(jié)出:新民歌是新時(shí)代社會經(jīng)濟(jì)發(fā)展,人們生活水平提高,審美觀念改變的必然產(chǎn)物;新民歌不管是在中國還是在世界已經(jīng)發(fā)展成為一種潮流趨勢;新民歌有廣闊的發(fā)展前景;新民歌的發(fā)展促進(jìn)民族聲樂構(gòu)建真正的高層次的多元化。對待新時(shí)代的新民歌,我們該有客觀、正確的認(rèn)識。它是時(shí)代發(fā)展的必然產(chǎn)物,是民族聲樂藝術(shù)與時(shí)俱進(jìn)的結(jié)果,是新時(shí)代音樂領(lǐng)域的創(chuàng)新,我們應(yīng)該給予鼓勵。
[Abstract]:With the development of Chinese national culture, the art of national vocal music has a history of more than five thousand years.In this long history, the national vocal music art continues to develop and replace, leaving a deep historical imprint under the background of each different times.To date, the development has reached a multi-faceted situation.In this pluralistic development era, different styles of music coexist, traditional folk songs and modern folk songs both influence each other and develop separately.Different new forms of music, representing the new style of "new folk songs", unique, popular welcome.This form of song combines national style with popular and popular features, and embodies modern, fashionable, popular, popular and modern aesthetic orientation on the basis of tradition.It caters to the new aesthetic psychology and needs of people under the background of the new era, this kind of song form has already had the vigorous development tendency at the present stage, can also be said to be a new phenomenon in the field of the national vocal music art at the present stage.This paper studies the construction of the diversity of national vocal music from the perspective of the development of new folk songs, and concludes that the new folk songs are the inevitable outcome of the social and economic development of the new era, the improvement of people's living standards and the change of aesthetic concepts;Whether in China or in the world, the new folk song has developed into a trend; the new folk song has a broad development prospects; the development of the new folk song promotes the national vocal music to build a real high-level diversity.We should have an objective and correct understanding of the new folk songs of the new era.It is the inevitable outcome of the development of the times, the result of the national vocal music art keeping pace with the times, and the innovation in the field of music in the new era, which we should encourage.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J616

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