本文選題：穆索爾斯基　切入點：藝術歌曲　出處：《山東師范大學》2009年碩士論文　論文類型：學位論文

【摘要】： 穆索爾斯基是19世紀俄羅斯偉大的作曲家。作為民族樂派“強力集團”中最激進的一員,他致力于創(chuàng)作具有俄羅斯民族特色的音樂,是俄國近代現(xiàn)實主義音樂的奠基人,他的創(chuàng)作具有揭露社會黑暗,反映人民疾苦的批判現(xiàn)實主義的傾向,在藝術風格上具有濃郁的俄羅斯民族特點和獨特個性,在音樂語言和藝術形式上具有大膽的創(chuàng)新。 穆索爾斯基的藝術歌曲創(chuàng)作在其整個創(chuàng)作中占有重要的分量,具有很高的藝術價值。筆者通過對其藝術歌曲的分析與研究,以期揭示其藝術歌曲的創(chuàng)作特色,并就其創(chuàng)作對俄羅斯后期藝術歌曲的創(chuàng)作影響進行論述。全文共分為四個部分: 第一章,對19世紀的俄羅斯及其藝術歌曲的發(fā)展狀況進行總體論述。首先就19世紀俄羅斯的社會文化背景進行了宏觀概述;而后對民族樂派的創(chuàng)作情況進行論述;最后就俄羅斯藝術歌曲的形成進行論述;通過以上論述以期對穆索爾斯基創(chuàng)作的時代背景在總體上有所把握。 第二章,著重介紹作曲家的生平及其創(chuàng)作,對穆索爾斯基其人其作作宏觀上的了解,并就其創(chuàng)作風格作簡單的介紹,同時對《死之歌舞》的創(chuàng)作背景做分析。 第三章,對穆索爾斯基藝術歌曲套曲《死之歌舞》(《搖籃曲》、《小夜曲》、《特萊帕克舞》、《統(tǒng)帥》)的創(chuàng)作技法做分析,分別從旋律發(fā)展手法上、和聲上以及曲式上做深入地分析。 第四章,對穆索爾斯基藝術歌曲《死之歌舞》創(chuàng)作的美學思想與創(chuàng)作原則進行論述,并通過其藝術歌曲的創(chuàng)作論述其創(chuàng)作原則。 結語中,筆者對穆索爾斯基藝術歌曲《死之歌舞》的創(chuàng)作特征進行總結,并就作曲家的歌曲創(chuàng)作對20世紀西方作曲家產(chǎn)生的影響做進一步論述。 論文以穆索爾斯基藝術歌曲套曲《死之歌舞》創(chuàng)作分析為主線,并結合音樂學、社會學、歷史學、美學的分析方法進行研究,對俄羅斯藝術歌曲創(chuàng)作、穆索爾斯基及其藝術歌曲創(chuàng)作在宏觀上加以闡述,并重點對其代表性藝術歌曲作深入分析,在此基礎上得出穆索爾斯基藝術歌曲的創(chuàng)作特征,以期拋磚引玉,引發(fā)更多對穆索爾斯基音樂創(chuàng)作的研究。
[Abstract]:In 19th century, Musolski was a great composer in Russia. As one of the most radical members of the "powerful Group" of the national music school, he devoted himself to the creation of music with Russian national characteristics and was the founder of Russian modern realism. His works have the tendency of exposing the darkness of the society and reflecting the suffering of the people. He has a strong Russian national characteristic and unique personality in artistic style and bold innovation in music language and art form. Musolsky's art song creation occupies the important weight in the whole creation, has the very high artistic value. The author through the analysis and the research to its art song, in order to reveal its artistic song creation characteristic, It also discusses the influence of his creation on the creation of Russian art songs in the later period. The full text is divided into four parts:. The first chapter discusses the development of Russia and its art songs in 19th century. Firstly, it summarizes the social and cultural background of Russia in 19th century, and then discusses the creation of national music school. Finally, the formation of Russian art songs is discussed. The second chapter mainly introduces the life and creation of the composer, makes a macroscopic understanding of Mussolski's works, and makes a brief introduction to his writing style. At the same time, he makes an analysis of the background of the creation of "Song and Dance of death". In the third chapter, the author analyzes the writing techniques of Musolski's art song ensemble "the Song and Dance of death" ("Lullaby", "Serenade", "Trepak Dance", "Commander-in-Chief"), and makes an in-depth analysis of the melodic development technique, harmony and form. Chapter 4th discusses the aesthetic thoughts and principles of Musolski's creation of "the Song and Dance of death", and discusses its creative principles through the creation of his artistic songs. In the conclusion, the author summarizes the creative characteristics of Musolski's art song "the Song and Dance of death", and further discusses the influence of composer's song creation on western composers in 20th century. The thesis takes Musolsky's art song ensemble "the Song and Dance of death" as the main line, and combines the analysis methods of musicology, sociology, history and aesthetics, and makes a research on the Russian art song creation, which is based on the analysis method of Musicology, sociology, history and aesthetics. Musolski and his art songs are elaborated on the macro level, and their representative art songs are analyzed in depth. On this basis, the characteristics of Musolski's artistic songs are obtained in order to draw a good message. To initiate more research on Mussolski's music creation.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J605

【參考文獻】

相關碩士學位論文 前1條

1 孫雪秋;論穆索爾斯基的《死之歌舞》[D];廈門大學;2007年

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本文編號：1582167