本文關(guān)鍵詞： 鋼琴演奏 聽覺把握 注意力 有效訓(xùn)練　出處：《西安音樂學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：音樂是聲音的藝術(shù),而最能直接把握聲音美與否的途徑就是聽覺。鋼琴演奏中的音準(zhǔn)、節(jié)奏、音色、分句、聲部等這些構(gòu)成音樂要素的準(zhǔn)確傳達都需靠聽覺來仔細把握,演奏者在建立一定的手指技巧基礎(chǔ)后,學(xué)會傾聽則更為重要。大多數(shù)學(xué)生都能聽,但不會很好地傾聽自己的彈奏,錯音滿篇、節(jié)奏混亂、無視休止的存在、聲音的乏味,雜亂的速度等問題在自己的彈奏中頻頻出現(xiàn),談及別人的演奏頭頭是道,但卻不能真正仔細的聽辯自己的彈奏,更準(zhǔn)確的說是不知“如何聽”“聽什么”,從而導(dǎo)致無法找到自身彈奏問題所在,大大降低自主練琴效率,阻礙演奏水平的提高,嚴(yán)重者則失去學(xué)習(xí)的興趣。 文章通過觀察法,經(jīng)驗總結(jié),文獻法等研究手法,解析音樂聽覺與普通聽覺的差異,從分析聽覺建立所必需具備的“注意力”“意識”這兩種心理因素入手,用實例將抽象的聽覺培養(yǎng)具體化,以實際的例子,實用的方法從鋼琴演奏技巧所涉及的各個層面,如:音準(zhǔn)、休止、節(jié)奏、音色、分句、速度、多聲部、踏板,以及合奏練習(xí)、無聲練習(xí)、無視練習(xí)、錄音練習(xí)四種特殊的訓(xùn)練方式中,總結(jié)出聽覺意識把握的思路、手段和途徑。通過怎樣建立鋼琴演奏中音樂聽覺意識的探索和學(xué)習(xí),獲得最初的音樂聽覺把握能力,以提高“聽”的主動性及自主練琴效率,從而能夠準(zhǔn)確把握音樂作品風(fēng)格,了解音樂內(nèi)容,完善音樂表現(xiàn),在鋼琴演奏藝術(shù)上有所提高和發(fā)展。
[Abstract]:Music is the art of sound, and the most direct way to grasp the beauty of sound is hearing. It's more important for players to learn to listen after they've built up a certain base of finger skills. Most students can listen, but they don't listen well to their own playing. Random speed and other problems frequently arise in their own playing, talking about other people's performance, but can not really listen carefully to their own play, More accurately, we do not know "how to listen" and "listen to what", which leads to the inability to find out where the problem lies, which greatly reduces the efficiency of independent piano practice, hinders the improvement of performance level, and loses interest in learning. By means of observation, experience summary and literature method, this paper analyzes the difference between music hearing and ordinary hearing, and begins with the analysis of the two psychological factors of "attention" and "consciousness" which must be possessed in the establishment of hearing. Using examples to concretize abstract auditory cultivation, using practical examples, practical methods from all aspects of piano playing skills, such as tone, rest, rhythm, timbre, subclause, speed, polyphonic, pedal, and ensemble practice, In the four special training methods of silent practice, ignoring practice and recording practice, this paper sums up the ideas, means and ways to grasp the sense of hearing, and through how to establish the exploration and study of the sense of hearing in piano playing, In order to improve the initiative and efficiency of listening, we can grasp the style of music, understand the content of music, perfect the performance of music, and improve and develop the art of piano playing.
【學(xué)位授予單位】：西安音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J624.1

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