發(fā)布時(shí)間：2018-02-25 09:18

  本文關(guān)鍵詞： 音樂(lè)環(huán)繞聲 5.1聲道 錄音技法　出處：《上海音樂(lè)學(xué)院》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：這是一篇有關(guān)基于“5.1聲道回放制式”的音樂(lè)環(huán)繞聲(而非影視)錄音技法研究的碩士學(xué)位論文。相對(duì)于較之熟悉的二聲道平面立體聲錄音技術(shù),有關(guān)環(huán)繞聲的音樂(lè)錄音制作技法尚待大量理論研究論證和藝術(shù)實(shí)踐來(lái)滿足人類日益增長(zhǎng)的藝術(shù)欣賞水平�！�5.1聲道回放制式”作為當(dāng)前環(huán)繞聲制式中最為基礎(chǔ)、通用且普遍的格式系統(tǒng),對(duì)其研究具有典型性。 本文從客觀聲場(chǎng)和主觀審美角度闡述5.1聲道環(huán)繞聲監(jiān)聽(tīng)重放的特點(diǎn)及意義入手,以聲音重現(xiàn)的審美理念為出發(fā)點(diǎn),對(duì)5.1聲道音樂(lè)環(huán)繞聲錄音的基礎(chǔ)理論以及相應(yīng)的環(huán)繞聲錄音制式的設(shè)計(jì)應(yīng)用思路進(jìn)行了較為系統(tǒng)、深入的推理、研究和解析；并獨(dú)立開(kāi)展實(shí)踐項(xiàng)目設(shè)計(jì)和實(shí)際實(shí)施驗(yàn)證,完善了一些當(dāng)前國(guó)內(nèi)主流的但有缺陷的一些有關(guān)環(huán)繞聲技術(shù)和藝術(shù)表現(xiàn)的理論。在此基礎(chǔ)上,重新審視了重放監(jiān)聽(tīng)系統(tǒng)與錄音方案設(shè)計(jì)之間的對(duì)應(yīng)關(guān)系,指出了5.1聲道音樂(lè)環(huán)繞聲錄音技法的應(yīng)用設(shè)計(jì)思路,并同時(shí)表明了音樂(lè)工程錄音藝術(shù)工作嚴(yán)謹(jǐn)科學(xué)的態(tài)度。
[Abstract]:This is a master's degree thesis on the recording techniques of surround sound (not film and television) based on "5.1 channel playback". The music recording techniques about surround sound still need a lot of theoretical research and demonstration and art practice to meet the increasing level of art appreciation. "5.1 sound channel playback system" is the most basic of the current surround sound system. General and universal format system, its research is typical. From the angle of objective sound field and subjective aesthetics, this paper expounds the characteristics and significance of sound channel surround sound listening and replay, and takes the aesthetic idea of sound reproduction as the starting point. The basic theory of surround sound recording of 5.1 channel music and the design and application of the corresponding surround sound recording system are systematically studied and analyzed, and the practical project design and practical implementation verification are carried out independently. It has perfected some theories about surround sound technology and artistic expression which are currently mainstream but defective in our country. On this basis, we have re-examined the corresponding relationship between the replay listening system and the recording scheme design. This paper points out the applied design idea of 5.1 channel music surround sound recording technique, and at the same time shows the rigorous and scientific attitude of music engineering recording art work.
【學(xué)位授予單位】：上海音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J619

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