本文關(guān)鍵詞： 朱踐耳《第一交響曲》 合一法 主題分析　出處：《西南大學(xué)》2010年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 在中國(guó)當(dāng)代交響樂(lè)創(chuàng)作史中,朱踐耳于1986年創(chuàng)作的《第一交響曲》是第一部比較成功的反映文革的作品。這部恢宏巨作的完成歷時(shí)八年,作曲家殫心竭力,精益求精,無(wú)論在內(nèi)容上,還是在形式上都進(jìn)行了細(xì)致的處理和大膽的創(chuàng)新。作品的成功問(wèn)世,標(biāo)志著朱踐耳交響曲創(chuàng)作源泉的開(kāi)啟,也確立其在中國(guó)近現(xiàn)代音樂(lè)史上不可動(dòng)搖的重要地位。另外,分析《第一交響曲》的技法對(duì)于研究他的其它作品也具有借鑒意義。 論文主要分四章。第一章介紹朱踐耳的生平及《第一交響曲》的創(chuàng)作背景；第二章對(duì)《第一交響曲》的各樂(lè)章主題加以分析,主要從主題材料構(gòu)成、旋法及十二音技法等方面進(jìn)行分析,從而揭示各個(gè)樂(lè)章之間的內(nèi)在聯(lián)系；第三章對(duì)交響曲中的特色節(jié)奏、節(jié)拍進(jìn)行分析,展示他作品中節(jié)奏、節(jié)拍對(duì)于音樂(lè)的獨(dú)特的結(jié)構(gòu)力；第四章對(duì)交響曲的復(fù)調(diào)技法加以分析。 論文在分析《第一交響曲》的同時(shí),也有意結(jié)合朱踐耳其它交響曲中相同的一些技巧,以此探討作曲家特有的“合一法”。理念�！昂弦环ā崩砟钇浜诵囊急闶菍⒄{(diào)性和無(wú)調(diào)性合一、民族性和世界性合一、有序和無(wú)序合一、確定與不確定合一、傳統(tǒng)與現(xiàn)代合一等等。而作曲家的眾多作品向世人展現(xiàn)的恰恰是現(xiàn)代技法、傳統(tǒng)技法和民族特色的完美結(jié)合及演繹�！兜谝唤豁懬芬晕母镞@一中國(guó)近現(xiàn)代歷史上不堪回首的重要階段為創(chuàng)作對(duì)象,作品渲染的是一種無(wú)處不在的人文主義情懷,而作曲家濃厚的歷史意識(shí)和深刻的時(shí)代批判精神亦在作品中得到酣暢淋漓的表現(xiàn)。
[Abstract]:In the history of contemporary symphony creation in China, the first Symphony by Zhu Jianer in 1986 was the first successful work reflecting the Cultural Revolution. Both in content and in form, the works were carefully handled and boldly innovated. The success of the works marked the opening of the source of Zhu Jianer's symphony. In addition, the analysis of the techniques of the first Symphony is of great significance for the study of his other works. The thesis is divided into four chapters. The first chapter introduces Zhu Jianer's life and the background of the first Symphony, the second chapter analyzes the theme of the first Symphony, mainly from the theme material composition, In the third chapter, the characteristic rhythm and rhythm in the symphony are analyzed to show the unique structural force of the rhythm and rhythm to the music. Chapter 4th analyzes the polyphonic techniques of the symphony. While analyzing the first Symphony, the thesis also intends to combine some of the same techniques in Zhu Jianer's other symphonies. In this way, the author discusses the unique "one in one method". The core purpose of the "unity method" is to unify the tonality and the non-tonality, the nationality and the world, the order and disorder, and the unity of determination and uncertainty. The combination of tradition and modernity, and so on. And the many works of composers show the world exactly modern techniques, The perfect combination and deduction of traditional techniques and national characteristics. "Symphony No. 1" takes the Cultural Revolution, an important stage in the modern history of China, as the object of creation. The composer's strong historical consciousness and profound critical spirit of the times have also been shown in the works.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 顏婷婷;希曼諾夫斯基《第三鋼琴奏鳴曲》節(jié)奏結(jié)構(gòu)研究[D];西南大學(xué);2011年

，

本文編號(hào)：1500944