新疆維吾爾族民族樂器音色庫的采樣與構(gòu)建
發(fā)布時間:2018-01-22 02:50
本文關(guān)鍵詞: 新疆維吾爾族樂器 音色庫 數(shù)字音頻采樣技術(shù) 音樂教育 出處:《新疆師范大學(xué)》2009年碩士論文 論文類型:學(xué)位論文
【摘要】: 維吾爾族樂器及器樂是新疆少數(shù)民族音樂文化的重要組成部分,新疆維吾爾族樂器音色庫的構(gòu)建不僅豐富了中國民族樂器的音色樣本庫,也是現(xiàn)代科學(xué)技術(shù)為民族音樂學(xué)研究、民族音樂資源開發(fā)、民族文化基因保護、多元音樂文化教育所提供的新途徑。此外,借助于電腦音樂平臺,音色庫還直接為音樂創(chuàng)作、音樂表演提供了跨越時空限制的音色素材。 本文建立在實驗項目-新疆維吾爾族樂器音色庫的構(gòu)建過程之上,對維吾爾族樂器進行了分析、采樣以及波表映射等工作,最終完成軟件音色庫;趯嶒炁c實踐的經(jīng)驗,將維吾爾族樂器音色庫對音樂研究、音樂教育以及民族文化傳承與保護等方面的應(yīng)用及意義進行了闡述。 全文包括六個主要部分: 第一部分,緒論。闡述了新疆維吾爾族樂器音色庫建立的意義,并通過對國內(nèi)外音色庫的研究現(xiàn)狀調(diào)查提出對維吾爾族樂器音色庫的研究方法。 第二部分,概述了音色庫的定義,發(fā)展歷程以及音色庫的現(xiàn)有狀況。 第三部分,分析數(shù)字音頻采樣技術(shù)原理,目前主要使用的數(shù)字音頻合成方式,采樣音頻的格式、位數(shù)和頻率。 第四部分,主要描述了新疆維吾爾族樂器音色庫的建設(shè)過程。 第五部分,新疆維吾爾族樂器音色庫在學(xué)校音樂教育領(lǐng)域的應(yīng)用前景。 第六部分,結(jié)論。
[Abstract]:Uygur musical instruments and instrumental music is an important part of Xinjiang minority music culture. The construction of Xinjiang Uygur musical instrument timbre database not only enriches the timbre sample library of Chinese national musical instruments. It is also a new way provided by modern science and technology for ethnomusicology research, ethnic music resource development, ethnic culture gene protection and multi-music culture education. In addition, the computer music platform is used. Timbre library also directly for the creation of music, music performance provides a transcendental constraints of timbre material. In this paper, based on the experimental project-Xinjiang Uygur musical instrument timbre library construction process, Uygur musical instruments analysis, sampling and wave table mapping work. Finally, the software timbre library is completed. Based on the experience of experiment and practice, the application and significance of Uygur musical instrument timbre library to music research, music education, national culture inheritance and protection are expounded. The full text consists of six main parts: The first part, introduction, expounds the significance of the establishment of Uygur musical instrument timbre library in Xinjiang, and puts forward the research method of Uygur musical instrument timbre database through the investigation of the present situation of the domestic and foreign timbre library. In the second part, the definition, development and current situation of timbre library are summarized. In the third part, the principle of digital audio sampling technology, the digital audio synthesis, the format, the number of bits and the frequency of the sampling audio are analyzed. Part 4th mainly describes the construction process of Xinjiang Uygur musical instrument timbre library. In the 5th part, the application prospect of Xinjiang Uygur musical instrument timbre library in the field of school music education. Part 6th, conclusion.
【學(xué)位授予單位】:新疆師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2009
【分類號】:J607
【引證文獻】
相關(guān)碩士學(xué)位論文 前1條
1 周娜;新疆維吾爾樂器數(shù)字化傳承研究[D];新疆師范大學(xué);2010年
,本文編號:1453403
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