本文關(guān)鍵詞：劉天華二胡藝術(shù)與人文精神　出處：《湖南師范大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 劉天華 劉天華藝術(shù)觀 劉天華二胡作品 人文精神

【摘要】： 本文將哲學(xué)、音樂(lè)美學(xué)的相關(guān)理論結(jié)合起來(lái),對(duì)劉天華二胡藝術(shù)與人文精神進(jìn)行了深入的研究,旨在透過(guò)劉天華先生的二胡作品這種思想內(nèi)涵的載體形式,探尋出作者的藝術(shù)觀點(diǎn)、作品與人文精神的內(nèi)在聯(lián)系。 首先,本文從劉天華二胡藝術(shù)和人文精神著手,文中將劉天華二胡藝術(shù)當(dāng)做一種文化現(xiàn)象來(lái)考察,由此將對(duì)二胡藝術(shù)的概念和作者生平做簡(jiǎn)要論述,然后以時(shí)間為線索逐步闡述人文的含義、中國(guó)傳統(tǒng)文化中的人文精神、“五四”以來(lái)的人文精神和當(dāng)代的人文精神,最后說(shuō)明本文的研究?jī)r(jià)值。 其次,本文通過(guò)對(duì)劉天華先生的三大藝術(shù)觀點(diǎn)的敘述,以這三大藝術(shù)觀點(diǎn)形成的文化根源(即中國(guó)傳統(tǒng)音樂(lè)中的人文精神)和時(shí)代特色(即五四時(shí)期中國(guó)音樂(lè)中的人文精神)為主線,剖析出這些藝術(shù)觀中所蘊(yùn)含的人文主義精神。 再次,本文深入到劉天華先生的二胡作品中,通過(guò)對(duì)作品旋律形態(tài)、結(jié)構(gòu)形態(tài)、表現(xiàn)形態(tài)的分析,探尋劉天華先生二胡作品中蘊(yùn)蓄著的人文精神的內(nèi)涵,并從二胡演奏者的角度,論述如何運(yùn)用富有人文精神內(nèi)涵的演奏手法來(lái)詮釋劉天華先生的二胡作品。
[Abstract]:This paper combines the related theories of philosophy and music aesthetics and makes a deep research on Liu Tianhua's erhu art and humanistic spirit in order to pass through Liu Tianhua's erhu works as the carrier form of ideological connotation. To explore the author's artistic point of view, works and humanistic spirit of the internal relationship. First of all, this article starts from Liu Tianhua erhu art and humanistic spirit, the article regards the art of Liu Tianhua erhu as a kind of cultural phenomenon, and from this will briefly discuss the concept of erhu art and the author's life. Then the meaning of humanities, the humanistic spirit in Chinese traditional culture, the humanistic spirit since the May 4th Movement and the contemporary humanistic spirit are explained step by step with the clue of time. Finally, the research value of this paper is explained. Secondly, this article through the Liu Tianhua's three major artistic viewpoint narration. The main line is the cultural root of the three artistic viewpoints (that is, the humanistic spirit in the Chinese traditional music) and the characteristics of the times (that is, the humanistic spirit in the Chinese music during the May 4th period). The humanism spirit contained in these views of art is analyzed. Thirdly, this paper goes deep into the erhu works of Mr. Liu Tianhua, through the analysis of the melody, structure and performance of the works, explore the connotation of the humanistic spirit in the works of Mr. Liu Tianhua erhu. From the perspective of erhu players, this paper discusses how to use the humanistic spirit to interpret Liu Tianhua's erhu works.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J632.21

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 賀學(xué)聰;二胡沿革的多元性探究[D];東北師范大學(xué);2011年

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本文編號(hào)：1420340