本文關(guān)鍵詞：科爾沁蒙古族薩滿儀式音樂(lè)研究　出處：《中央民族大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 科爾沁 蒙古族 薩滿教 祭祀 儀式音樂(lè)

【摘要】： 本課題的研究對(duì)象是科爾沁蒙古族薩滿儀式音樂(lè)。論文以內(nèi)蒙古科爾沁地區(qū)蒙古族薩滿儀式活動(dòng)過(guò)程及其儀式音樂(lè)作為研究重點(diǎn),以作者多次到科爾沁地區(qū)進(jìn)行田野調(diào)查獲得的第一手資料為基礎(chǔ),以美國(guó)音樂(lè)學(xué)家梅里亞姆所提出“概念、行為、音聲”的三重認(rèn)知模式為理論指導(dǎo),運(yùn)用文化人類學(xué)、音樂(lè)學(xué)、宗教學(xué)、民俗學(xué)等多學(xué)科的研究方法,對(duì)科爾沁薩滿儀式、音樂(lè)結(jié)構(gòu)、形態(tài)特征及其文化淵源等進(jìn)行了較為全面的研究,力求客觀地揭示科爾沁薩滿儀式音樂(lè)在儀式中的展現(xiàn)和運(yùn)用、以及其信仰體系、儀式、儀式音樂(lè)三者之間的互動(dòng)關(guān)系,并探究其中蘊(yùn)含的文化意義。 科爾沁蒙古族薩滿儀式歷史悠久,源頭可追溯到遠(yuǎn)古時(shí)期的巫術(shù)與原始宗教信仰活動(dòng)。在漫漫的歷史長(zhǎng)河中,“蒙古博”不斷浸潤(rùn)和積淀著豐厚的傳統(tǒng)文化。音樂(lè)貫穿于整個(gè)儀式過(guò)程始終,與儀式程序渾然一體,歷經(jīng)時(shí)代變遷,綿延不斷,延續(xù)至今,成為科爾沁蒙古族寶貴的傳統(tǒng)音樂(lè)文化遺產(chǎn)。 本文第一章從科爾沁蒙古族的概況及生存的歷史、地理、語(yǔ)言、宗教、習(xí)俗、民族藝術(shù)等方面對(duì)研究對(duì)象做了基礎(chǔ)性描述;第二章是儀式個(gè)案實(shí)錄,比較細(xì)致地描述和研究了科爾沁蒙古族薩滿儀式的時(shí)間地點(diǎn)、場(chǎng)地空間、結(jié)構(gòu)程序、活動(dòng)人物、音樂(lè)表現(xiàn)等,并將音樂(lè)置于儀式背景之中進(jìn)行觀察與研究;第三章對(duì)科爾沁薩滿樂(lè)器形制及象征內(nèi)涵、儀式音樂(lè)形態(tài)進(jìn)行了研究,對(duì)音樂(lè)結(jié)構(gòu)進(jìn)行分析總結(jié)并給于解釋;第四章從文化功能的角度,解釋科爾沁薩滿儀式及儀式音樂(lè)。 主要從宗教功能、音樂(lè)功能以及音樂(lè)的傳統(tǒng)積淀等方面闡釋科爾沁儀式音樂(lè)的文化內(nèi)涵。
[Abstract]:The study of this subject is Mongolian shaman ritual music of Mongolian shaman ritual activities of Inner Mongolia Horqin area and its ritual music as the research focus, with the author many times in Horqin area of field survey to obtain first-hand information based on American music scholar Meriam proposed "concept, behavior, cognitive model three sound" as the theoretical guidance, the use of cultural anthropology, music, religion, folklore and other multi-disciplinary research methods, of Korqin Shaman ritual, music structure, morphological characteristics and cultural origins were studied, in order to objectively reveal the display and use of Korqin Shaman ritual music in the ceremony, and the system of belief, ceremony, ritual music interactive relationship between the three, and to explore the cultural significance.
The Mongolian shaman ritual has a long history, can be traced back to ancient times of witchcraft and religion activities. In the long history, "Mongolia Bo" continuous infiltration and rich traditional culture. Music throughout the ceremony and ritual process, all blend into one harmonious whole program, after the changes of the times, continuously, continues today and become a valuable Mongolian traditional music cultural heritage.
The first chapter of this article from the general situation and the survival of the Mongolian history, geography, language, religion, custom, nationality art do a basic description of the research object; the second chapter is the case study on the ceremony, more detailed description and study of the Mongolian shaman ceremony of the time and place, space, structure of the program activities, characters, music, and music in the ceremony background through the observation and research; the third chapter of Korqin Shaman musical instrument shape and symbolic meaning, ritual music form were studied in music structure analysis and to explain; the fourth chapter from the perspective of cultural function, explain the Shamanism rites and ritual music.
The cultural connotation of Horqin ceremonial music is explained mainly from the aspects of religious function, music function and traditional accumulation of music.

【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J608

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孫麗華;;蒙古族薩滿音樂(lè)歷史研究[J];吉林省教育學(xué)院學(xué)報(bào)(上旬);2012年07期

相關(guān)博士學(xué)位論文 前1條

1 紅梅;當(dāng)代蒙古族敖包祭祀音樂(lè)研究[D];中央音樂(lè)學(xué)院;2011年

相關(guān)碩士學(xué)位論文 前1條

1 李杰源;科爾沁蒙古族薩滿音樂(lè)的調(diào)查研究[D];東北師范大學(xué);2012年

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本文編號(hào)：1398700