發(fā)布時間：2018-01-03 11:10

  本文關鍵詞：普羅科菲耶夫《長笛奏鳴曲》結構與演奏分析　出處：《中央音樂學院》2010年碩士論文　論文類型：學位論文

  更多相關文章： 普羅科菲耶夫 長笛奏鳴曲 演奏

【摘要】： 本文主要從普羅科菲耶夫的創(chuàng)作歷程開始研究,概述了這位20世紀杰出音樂大師的成長之路及其創(chuàng)作分期,并概括出他的《D大調長笛奏鳴曲》的創(chuàng)作背景、過程及其整體的風格。在第二章中,我把這首樂曲4個樂章的音樂形象分別進行了具體分析,例如在典型奏鳴曲式的第一樂章中,一開始就用四度的音調描繪出富于幻想性的抒情音調,主部主題出現在D大調中,給人以光輝明亮的色彩感。展開部中強烈的跳躍性節(jié)奏把第一樂章的高潮部分表現得更加緊湊更加輝煌。在活潑歡快的第四樂章中,充滿了舞曲的風格,時而怪異,時而又具有無限的活力。第三章從演奏的角度來分析研究這首樂曲,這也是本文的創(chuàng)新點。本文重點研究了每個樂章中最突出的一些演奏技巧與風格。如第一樂章中分別研究了演奏時節(jié)奏的準確性、氣息的調整控制、情緒色彩的多樣性等等；第二樂章中速度的把握及與鋼琴的配合。第三樂章音色的控制和調式色彩的一些變化；第四樂章中速度與情緒在兩個主題交替進行中的強烈對比等等。在這一章的最后,我還通過研究當今世界最著名的兩位長笛演奏家：詹姆斯·高爾威和艾曼紐·帕胡德的表演,對這首樂曲的不同演奏版本進行了簡單的對比分析。
[Abstract]:This paper begins with the study of Prokofyev's creative history, summarizes the growth of the outstanding music master in 20th century and his creative stages, and summarizes the background of his flute sonata in D major. In the second chapter, I make a detailed analysis of the musical images of the four movements of this piece, for example, in the first movement of the typical sonatas. From the beginning, a four-degree tone was used to depict an illusive lyric tone, with the main theme appearing in D major. The intense leaping rhythm in the unfolding part makes the climax of the first movement more compact and brilliant. In the lively and cheerful 4th movement, it is full of dance style. Sometimes strange, sometimes with unlimited vitality. The third chapter from the perspective of the performance of the analysis of the music. This is also the innovation of this paper. This paper focuses on the most prominent performance techniques and styles in each movement. For example, the first movement studies the accuracy of the rhythm and the control of the breath respectively in the first movement. Diversity of emotional colors and so on; The second movement holds the speed and the cooperation with the piano. The third movement controls the timbre and some changes of the mode color; The sharp contrast between speed and emotion in the 4th movement between the two themes, etc., at the end of this chapter. And by studying the performances of two of the world's most famous flute players: James Galway and Emmanuel Pahoud, I made a simple comparison of the different versions of this piece.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J624.1

【參考文獻】

相關期刊論文 前5條

1 俞海南;普羅科菲耶夫音樂語言的繼承、革新及他的創(chuàng)作風格[J];音樂研究;1985年02期

2 李壯壯;;普羅科菲耶夫的音樂創(chuàng)作風格[J];南陽師范學院學報;2007年04期

3 趙l，

本文編號：1373623