論20世紀二胡演奏藝術(shù)的發(fā)展
發(fā)布時間：2019-03-29 11:35
【摘要】：本文通過對20世紀二胡演奏藝術(shù)發(fā)展的分析研究,將20世紀的二胡音樂分成三個歷史階段進行論述,介紹了不同時期內(nèi)二胡音樂的代表人物及優(yōu)秀的二胡作品,總結(jié)二胡藝術(shù)發(fā)展的特征,從而引發(fā)作者對二胡藝術(shù)發(fā)展的思考和展望。 本文共四章,第一章緒論主要是介紹文獻綜述,研究目的、方法、難點及價值評估。第二章論述20世紀初期二胡演奏藝術(shù)的發(fā)展。主要分為三節(jié),論述了劉天華、華彥均和其他作曲家對二胡音樂的貢獻,總結(jié)這時期二胡演奏藝術(shù)發(fā)展的特征。第三章論述20世紀中期二胡演奏藝術(shù)的發(fā)展。分別從二胡音樂創(chuàng)作,理論分析和演奏類型方面進行系統(tǒng)的闡述,總結(jié)出這一時期二胡藝術(shù)發(fā)展的特征。第四章是本文的重點章節(jié),論述了20世紀末期二胡演奏藝術(shù)的發(fā)展。這是二胡藝術(shù)的繁盛時期,從二胡音樂創(chuàng)作的多元化、演奏技巧形式的多樣化方面進行論述,總結(jié)出這一時期二胡演奏藝術(shù)的特征,最后是對二胡音樂的思考與展望。 通過以上方面的論述,本文試從音樂史學的角度去論述二胡音樂從發(fā)生、發(fā)展到繁榮的嬗變過程,總結(jié)不同時期內(nèi)二胡藝術(shù)發(fā)展的總體特征,為民族器樂的發(fā)展提供一些理論上的參考。
[Abstract]:Based on the analysis and research of the development of erhu playing art in the 20th century, this paper divides Erhu music into three historical stages, and introduces the representative characters and excellent Erhu works in different periods. This paper summarizes the characteristics of the development of erhu art, thus arousing the author's thinking and outlook on the development of erhu art. This paper consists of four chapters. The first chapter is the introduction of literature review, research purpose, methods, difficulties and value evaluation. The second chapter discusses the development of erhu playing art in the early 20th century. Mainly divided into three sections, this paper discusses the contribution of Liu Tianhua, Hua Yanjun and other composers to Erhu music, and summarizes the characteristics of Erhu performance art development during this period. The third chapter discusses the development of erhu playing art in the middle of the 20th century. The characteristics of Erhu art development in this period are summarized from the aspects of Erhu music creation, theoretical analysis and performance types. The fourth chapter is the key chapter of this paper, which discusses the development of erhu playing art at the end of the 20th century. This is the prosperous period of erhu art, from the diversification of Erhu music creation, the diversification of playing skills, summed up the characteristics of Erhu performance art in this period, and finally, the reflection and prospect of Erhu music. Through the above-mentioned discussion, this paper tries to discuss the evolution process of erhu music from the perspective of musical historiography, and summarizes the general characteristics of Erhu art development in different periods. It provides some theoretical references for the development of national instrumental music.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J632.21
本文編號：2449500
[Abstract]:Based on the analysis and research of the development of erhu playing art in the 20th century, this paper divides Erhu music into three historical stages, and introduces the representative characters and excellent Erhu works in different periods. This paper summarizes the characteristics of the development of erhu art, thus arousing the author's thinking and outlook on the development of erhu art. This paper consists of four chapters. The first chapter is the introduction of literature review, research purpose, methods, difficulties and value evaluation. The second chapter discusses the development of erhu playing art in the early 20th century. Mainly divided into three sections, this paper discusses the contribution of Liu Tianhua, Hua Yanjun and other composers to Erhu music, and summarizes the characteristics of Erhu performance art development during this period. The third chapter discusses the development of erhu playing art in the middle of the 20th century. The characteristics of Erhu art development in this period are summarized from the aspects of Erhu music creation, theoretical analysis and performance types. The fourth chapter is the key chapter of this paper, which discusses the development of erhu playing art at the end of the 20th century. This is the prosperous period of erhu art, from the diversification of Erhu music creation, the diversification of playing skills, summed up the characteristics of Erhu performance art in this period, and finally, the reflection and prospect of Erhu music. Through the above-mentioned discussion, this paper tries to discuss the evolution process of erhu music from the perspective of musical historiography, and summarizes the general characteristics of Erhu art development in different periods. It provides some theoretical references for the development of national instrumental music.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J632.21
【引證文獻】
相關(guān)期刊論文 前1條
1 陳輝;張育文;;淺議二胡作品中的移植現(xiàn)象[J];飛天;2012年Z1期
，本文編號：2449500
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