貝爾格作品中的回文結(jié)構(gòu)
發(fā)布時間：2019-03-03 17:07
【摘要】： 貝爾格作品中的回文結(jié)構(gòu)是其音樂結(jié)構(gòu)中非常突出的特征之一。本文通過對其四部作品，即歌劇《沃采克》、《室內(nèi)協(xié)奏曲》、《抒情組曲》和歌劇《璐璐》中回文結(jié)構(gòu)的較為詳盡的音樂分析，旁及《四首歌曲》(Op.2)、《阿爾滕貝格歌曲》、三首樂隊小品(Op.6)和音樂會詠嘆凋《酒》中的回文步驟，分別探討了每一部作品在回文上的藝術(shù)特色及其相關(guān)的“標(biāo)題性”內(nèi)涵，并在此基礎(chǔ)之上結(jié)合現(xiàn)有的研究成果提出了兩個觀點：一，貝爾格音樂中大量存在的回文結(jié)構(gòu)和回文步驟是受到了彼時學(xué)術(shù)界中神秘主義因素的影響，，而對貝爾格本人最為直接的影響則是來自于巴爾扎克小說中“天國的時間”和尼采思想體系中的“永恒輪回說”；二，貝爾格作品的又一個結(jié)構(gòu)特點是將回文結(jié)構(gòu)與傳統(tǒng)音樂結(jié)構(gòu)相結(jié)合，這是受到了彼時學(xué)人之學(xué)術(shù)思想和學(xué)術(shù)主張的影響，即將神秘主義的因素與傳統(tǒng)“主流”文化相結(jié)合。
[Abstract]:The palindromic structure in Berger's works is one of the most prominent features in his musical structure. Based on the detailed musical analysis of the palindromes in his four works, namely, the opera Wutzeck, the Indoor Concerto, the Lyric Suite and the Opera Lulu, this paper gives a detailed musical analysis of the palindromes in the operas "four songs" (Op.2). The palindromes steps in "Artenberg songs", "Op.6", and "Wine" in the Concert aria, respectively, discuss the artistic characteristics of each work and its related "themed" connotation in the palindromes. On this basis, combined with the existing research results, two points of view are put forward: first, Berger music exists in a large number of palindromes structure and palindromic steps are influenced by the mysticism factors in the academic community at that time. The most direct influence on Berger himself is the time of heaven in Balzac's novels and the theory of eternal reincarnation in Nietzsche's thought system. Second, another structural feature of Berger's works is the combination of palindromic structure and traditional musical structure, which is influenced by the academic thoughts and opinions of the scholars at that time, that is to say, the factors of mysticism are combined with the traditional "mainstream" culture.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：J605
[Abstract]:The palindromic structure in Berger's works is one of the most prominent features in his musical structure. Based on the detailed musical analysis of the palindromes in his four works, namely, the opera Wutzeck, the Indoor Concerto, the Lyric Suite and the Opera Lulu, this paper gives a detailed musical analysis of the palindromes in the operas "four songs" (Op.2). The palindromes steps in "Artenberg songs", "Op.6", and "Wine" in the Concert aria, respectively, discuss the artistic characteristics of each work and its related "themed" connotation in the palindromes. On this basis, combined with the existing research results, two points of view are put forward: first, Berger music exists in a large number of palindromes structure and palindromic steps are influenced by the mysticism factors in the academic community at that time. The most direct influence on Berger himself is the time of heaven in Balzac's novels and the theory of eternal reincarnation in Nietzsche's thought system. Second, another structural feature of Berger's works is the combination of palindromic structure and traditional musical structure, which is influenced by the academic thoughts and opinions of the scholars at that time, that is to say, the factors of mysticism are combined with the traditional "mainstream" culture.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：J605
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 孟雁翎;;貝爾格早期作品《弦樂四重奏》的三重風(fēng)格元素——繼承性、探索性、貫穿性[J];人民音樂;2013年02期
相關(guān)碩士學(xué)位論文 前4條
1 肖s
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