【摘要】： 龍勝是農(nóng)業(yè)縣，龍勝的壯侗語(yǔ)族群為壯族和侗族兩個(gè)具有代表性的民族。他們世代以種植水稻為生，其文化是典型的稻作文化。本文選擇龍勝壯族、侗族地區(qū)傳承的民間歌舞為研究對(duì)象，從民歌、民間舞蹈的角度多層面地挖掘其稻作文化內(nèi)涵，探討其傳統(tǒng)民間歌舞在社會(huì)變遷中的文化意義的轉(zhuǎn)化。 壯、侗族是龍勝?gòu)氖滤旧a(chǎn)人口最多的民族。同一族源使他們有相似的稻作文化表現(xiàn)，共同的地域環(huán)境，讓他們能夠進(jìn)行充分的交流互動(dòng)。其稻作文化是在適應(yīng)了龍勝山區(qū)的地理環(huán)境之后發(fā)展起來(lái)的，相比江南地區(qū)的稻作文化，他們與大山和自然更加親近，形成了具有山區(qū)特色的稻作文化。而其民間歌舞就是在這一文化氛圍中茁壯成長(zhǎng)的。 民歌本身與農(nóng)業(yè)文化有水乳交融的親情聯(lián)系�？胺Q歌的民族的壯族和侗族，素有“飯養(yǎng)身，歌養(yǎng)心”的俗語(yǔ)，歌與稻米如同稻作文化的雙翼代表著精神文化與物質(zhì)文化。龍勝壯、侗族的民歌無(wú)論是從內(nèi)容上，還是藝術(shù)上，都有濃厚的山區(qū)稻作文化色彩。民歌文化還體現(xiàn)出山區(qū)稻作民的思維機(jī)制，詩(shī)性智慧和幻想情緒共同作用于龍勝壯侗族的民歌成為他們的精神智慧。 民間舞蹈同民歌一樣都是表達(dá)人們思想和情感的民間藝術(shù)形式，龍勝壯侗族基本是善歌不善舞的民族，但在屈指可數(shù)的民間舞蹈中仍然充滿了山區(qū)稻作文化的意蘊(yùn)，其民間舞蹈多數(shù)是模擬舞蹈，反映了龍勝壯、侗族人民的稻作生產(chǎn)和生活情況。而從其藝術(shù)上來(lái)看，也洋溢著山區(qū)稻作民族的審美情趣，具有獨(dú)特的美學(xué)風(fēng)貌。 隨著社會(huì)的發(fā)展，龍勝壯族和侗族的民間歌舞走過(guò)了從神圣到凡俗的過(guò)程，而在如今大變遷的時(shí)代里，他們經(jīng)歷著變遷與掙扎的痛苦。90年代后，由于媒體和旅游的介入，各種社會(huì)思潮的涌入，使其實(shí)現(xiàn)了一定范圍的對(duì)外交流和溝 WP=4 通，，萌動(dòng)了最初的文化自覺(jué)意識(shí)，除了了稻作民間歌舞文化底蘊(yùn)的層層積累之外，還出現(xiàn)了新的文化意義。 新的文化意義最終導(dǎo)致民間歌舞的藝術(shù)轉(zhuǎn)化，這是龍勝壯侗族民間歌舞文化發(fā)展的新路徑。具有濃厚的稻作文化內(nèi)涵的民族文化，使其藝術(shù)提升成為可能，它是杜絕文化流失與文化斷裂的途徑，也是民族文化本身的歸宿。
[Abstract]:Longsheng is an agricultural county. The Zhuang and Dong language ethnic groups of Longsheng are Zhuang and Dong. They live by growing rice for generations, and their culture is typical of rice culture. This paper chooses the folk song and dance inherited from Longsheng Zhuang nationality and Dong nationality area as the research object, excavates its rice-planting cultural connotation from the angle of folk song and folk dance, and probes into the transformation of its traditional folk song and dance in the cultural significance of the social vicissitude. Zhuang, Dong nationality is Longsheng engaged in rice production population of the largest ethnic group. The same ethnic origin enables them to have similar cultural expressions of rice cultivation, a common geographical environment, so that they can fully interact with each other. The rice culture was developed after adapting to the geographical environment of Longsheng Mountain area. Compared with the rice culture in Jiangnan area, they were closer to Dashan and nature, and formed the rice culture with the characteristics of mountain area. And its folk singing and dancing is in this cultural atmosphere to thrive. Folk songs themselves and agricultural culture have a relationship between water and milk. The Zhuang and Dong ethnic groups, which can be called the song, are known as the saying that "rice nourishes the body, the song nourishes the heart". Song and rice represent the spiritual culture and the material culture as the wings of rice culture. Longsheng Zhuang, Dong folk songs, whether from the content, or art, there is a strong mountain rice culture color. Folk song culture also reflects the thinking mechanism of rice-made people in mountain areas. Poetic wisdom and fantasy emotion act together on the folk songs of Longsheng Zhuang Dong nationality to become their spiritual wisdom. Folk dance, like folk songs, is a form of folk art that expresses people's thoughts and feelings. The Dong nationality in Longsheng Zhuang is basically a nation with good singing and poor dance, but it is still full of the connotation of rice culture in mountainous areas in the few folk dances. Most of its folk dance is simulated dance, reflecting the rice production and life of Longsheng Zhuang, Dong people. From its artistic point of view, it is also overflowing with the aesthetic interest of the rice-growing nationalities in mountainous areas, and has a unique aesthetic style. With the development of society, the folk songs and dances of Longsheng Zhuang and Dong have gone through the process from sacred to vulgar, and in the era of great change now, they are experiencing the pain of change and struggle. After the 1990s, due to the involvement of the media and tourism, With the influx of various social trends of thought, it has realized a certain range of foreign exchanges and WP=4 communication, and initiated the initial consciousness of cultural consciousness. In addition to the rice folk song and dance culture accumulation, but also appeared a new cultural significance. The new cultural significance finally leads to the artistic transformation of folk song and dance, which is a new path to the development of folk song and dance culture of Longsheng Zhuang Dong nationality. The national culture with strong connotation of rice culture makes it possible to promote its art. It is not only the way to stop the cultural loss and cultural break, but also the end-result of the national culture itself.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類(lèi)號(hào)】：J607

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 許鋼偉;文化滲透與審美映照[D];廣西師范大學(xué);2008年

2 陳小華;湘西南侗族嫁歌探幽[D];湖南師范大學(xué);2010年

本文編號(hào)：2433396