【摘要】：歌唱訓(xùn)練中嗓音能力的塑造是歌唱藝術(shù)中不可或缺的部分。凡是美好音質(zhì)的發(fā)出，必定離不開(kāi)對(duì)嗓音能力的合理訓(xùn)練。故本文力圖通過(guò)對(duì)個(gè)人歌唱嗓音能力在不同的聲音訓(xùn)練后產(chǎn)生不同的變化，對(duì)自身學(xué)習(xí)歷程回顧并做到及時(shí)總結(jié)，同時(shí)以著名歌唱家塑造美好聲音，挖掘嗓音能力，最終使聲音產(chǎn)生變化的成功案例作為舉證，以此來(lái)論述聲樂(lè)演唱存在的普遍認(rèn)同的客觀(guān)規(guī)律及方法，只要在正確的、科學(xué)的、客觀(guān)的、合理的聲音訓(xùn)練下，堅(jiān)持思考、學(xué)習(xí)、實(shí)踐和總結(jié)，用發(fā)展的眼光看待聲樂(lè)學(xué)習(xí)，歌唱嗓音都有可挖掘和塑造的潛質(zhì)。最終為廣大聲樂(lè)愛(ài)好者正確學(xué)習(xí)并認(rèn)識(shí)歌唱理論，科學(xué)使用歌唱器官，根據(jù)自身情況，利用學(xué)習(xí)規(guī)律調(diào)整歌唱訓(xùn)練方法，為塑造美好嗓音，挖掘更大的歌唱能力提供可參考的客觀(guān)依據(jù)。 文章共分為五個(gè)部分。第一部分，主要從辯證觀(guān)相關(guān)理論對(duì)聲樂(lè)塑造挖掘過(guò)程指導(dǎo)的角度，對(duì)歌唱學(xué)習(xí)中容易出現(xiàn)類(lèi)似學(xué)習(xí)急于求成、不注重學(xué)習(xí)過(guò)程的積累、等學(xué)習(xí)不得法問(wèn)題進(jìn)行辯證論述。第二部分，對(duì)個(gè)人學(xué)唱實(shí)踐中嗓音能力塑造訓(xùn)練方法及過(guò)程進(jìn)行總結(jié)。第三部分，對(duì)個(gè)人學(xué)唱實(shí)踐聲音塑造過(guò)程中，使機(jī)體產(chǎn)生影響變化的因素進(jìn)行理論分析總結(jié)，，并對(duì)實(shí)踐演出和比賽前后進(jìn)行對(duì)比分析，總結(jié)經(jīng)驗(yàn)。第四部分，對(duì)著名歌唱家聲樂(lè)學(xué)習(xí)過(guò)程中嗓音的訓(xùn)練、挖掘和塑造歷程及成功經(jīng)驗(yàn)進(jìn)行舉例說(shuō)明及總結(jié)。第五部分，對(duì)后期嗓音能力的挖掘及再塑進(jìn)行總結(jié)，包括對(duì)聲音觀(guān)念、發(fā)聲技巧、歌唱思維、藝術(shù)情感等方面進(jìn)行探究。 歌唱嗓音藝術(shù)的訓(xùn)練，必須以正確的發(fā)聲技巧為基礎(chǔ)，并以大腦為總部對(duì)聲音各機(jī)能進(jìn)行指揮，以此來(lái)完成整個(gè)歌唱過(guò)程的運(yùn)行。用真摯情感和表演作為修飾，使之兼顧統(tǒng)一、協(xié)調(diào)配合，達(dá)到完美境界。在訓(xùn)練過(guò)程中，注重思考和實(shí)踐，從個(gè)性中總結(jié)共性，再?gòu)墓残灾袑ふ疫m合自身嗓音能力發(fā)展的歌唱個(gè)性，不斷挖掘歌唱潛力，不斷提升歌唱的藝術(shù)魅力。
[Abstract]:In singing training, the building of voice ability is an indispensable part of singing art. All good sound quality, must be inseparable from the sound ability of reasonable training. Therefore, this paper tries to make different changes in the ability of individual singing voice after different voice training, review and sum up their own learning process in time, at the same time, use famous singer to create beautiful voice, excavate voice ability. Finally, the successful case of the change of voice is used as proof to discuss the objective law and method of the existence of vocal music, so long as under the correct, scientific, objective and reasonable sound training, we should persist in thinking and learning. Practice and summary, with the development of the perspective of vocal music learning, singing voice can be excavated and molded potential. Finally, we can learn and understand the singing theory for the majority of vocal music lovers correctly, use the singing organ scientifically, adjust the singing training method according to their own situation, in order to create a beautiful voice, Excavate greater singing ability to provide an objective basis for reference. The article is divided into five parts. In the first part, from the perspective of dialectical theory to guide the process of vocal music shaping and mining, the author makes a dialectical discussion on the problems of singing learning, such as how to learn too quickly, not paying attention to the accumulation of learning process, and so on. The second part summarizes the training method and process of voice ability in the practice of individual learning and singing. In the third part, the author makes a theoretical analysis and summary of the factors that make the body change in the process of shaping the sound of individual learning and singing practice, and makes a comparative analysis of the actual performance and the competition before and after the competition, and sums up the experience. In the fourth part, the author illustrates and summarizes the vocal training, digging and shaping process and successful experience of the famous singer in the process of vocal music learning. In the fifth part, the author summarizes the ability of voice in the later stage, including the concept of voice, vocal skills, singing thinking, artistic emotion and so on. The training of singing voice art must be based on the correct vocalization technique, and take the brain as the headquarter to direct each function of sound, so as to complete the operation of the whole singing process. With sincere emotion and performance as a decoration, so that the unity, coordination and coordination, to achieve the perfect state. In the process of training, we should pay attention to thinking and practice, sum up the commonness from the individuality, and then look for the singing individuality suitable for the development of own voice ability from the common character, constantly excavate the singing potential, constantly enhance the artistic charm of singing.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J616

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

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