本文關(guān)鍵詞： 布里頓 三度疊置和弦 復(fù)合和弦 多調(diào)性　出處：《山西大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文通過對(duì)英國(guó)作曲家布里頓的一首包含獨(dú)唱、合唱、童聲合唱與管弦樂隊(duì)的大型聲樂作品——《戰(zhàn)爭(zhēng)安魂曲》的分析研究，從和聲音角度展現(xiàn)其創(chuàng)作風(fēng)格。 文章從四方面來分析布里頓的《戰(zhàn)爭(zhēng)安魂曲》的和聲手法，并分類進(jìn)行詳述： 第一、運(yùn)用各種手法，加強(qiáng)和聲的不協(xié)和性。三度疊置和弦仍然是其基本形式，但由于和弦外音的自由運(yùn)用，和弦附加音的運(yùn)用，復(fù)合和弦的運(yùn)用以及音的各種臨時(shí)結(jié)合，造成和聲實(shí)際音響的不協(xié)和性增加。 第二、運(yùn)用特殊和弦，創(chuàng)造特殊效果。在作品的某些段落，布里頓運(yùn)用了非三度疊置的特殊和弦，在整部作品中效果突出。 第三、頻繁轉(zhuǎn)換調(diào)性，擴(kuò)大和聲活動(dòng)空間。布里頓在尋求新的和聲效果時(shí)，有時(shí)不是考慮使和弦復(fù)雜化，而是通過旋律片斷調(diào)性中心的轉(zhuǎn)移，來擴(kuò)大和聲活動(dòng)的空間。 第四、淡化功能進(jìn)行，突出色彩性對(duì)置。布里頓在這部作品中力圖打破傳統(tǒng)方法，不讓和聲進(jìn)行得到那種通常所預(yù)期的效果，以此產(chǎn)生與傳統(tǒng)的功能和聲完全不同的色彩和音響效果。
[Abstract]:Based on the analysis and study of a large vocal work by British composer Brighton, including solo, choral, children's choral chorus and orchestra, the Requiem of War is presented to show its writing style from the angle of harmony and sound. This paper analyzes the harmony technique of Brighton's Requiem of War from four aspects, and classifies it in detail: First, the use of various techniques to strengthen the harmony of the dissonance. Three degrees of superimposed chord is still its basic form, but due to the free use of chord sound, the use of additional chords. The use of compound chords and the temporary combination of sound have increased the dissonance of actual harmonics. Second, special chords are used to create special effects. In some paragraphs of the work, Britton uses the special chords which are not three degrees superimposed, and the effect is outstanding in the whole work. Third, frequent conversion of tonality and expansion of the space for harmonic activity. Britton, in seeking new harmonic effects, sometimes does not consider complicating chords, but through the transfer of tonal centers in melodic fragments. To expand the space for harmonic activity. 4th, desalination function, highlight color contrast. In this work, Britton tries to break with the traditional method, and does not allow harmony to achieve the usual desired effect. This produces a completely different color and acoustics effect from the traditional function of harmony.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J614

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 張海濤;撫慰創(chuàng)傷的三種方式[D];西北師范大學(xué);2011年

2 顧萌;本杰明·布里頓歌劇《螺絲在擰緊》之研究[D];上海音樂學(xué)院;2010年

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本文編號(hào)：1451981