【摘要】：公共藝術(shù)是一個(gè)區(qū)域乃至一個(gè)城市文化的提煉,具有一定的地域性標(biāo)識。近年來玻璃材料的應(yīng)用成為了新興的公共藝術(shù)形式。對于藝術(shù)家而言,從創(chuàng)作的動(dòng)機(jī)、創(chuàng)作的意義到最終的呈現(xiàn)方式都與藝術(shù)家的個(gè)人藝術(shù)創(chuàng)作有很大區(qū)別的。本文的重點(diǎn)是對西湖文化廣場中的玻璃公共藝術(shù)《夢幻荷塘》的創(chuàng)作過程進(jìn)行研究。文中以藝術(shù)家為主體,從地域性與互動(dòng)性兩個(gè)角度對《夢幻荷塘》作品進(jìn)行分析。重點(diǎn)是對玻璃公共藝術(shù)創(chuàng)作方法中區(qū)別于個(gè)人藝術(shù)創(chuàng)作方法的方面進(jìn)行剖析。最后通過調(diào)查問卷的形式對于玻璃公共藝術(shù)《夢幻荷塘》加以分析,對作品與公眾產(chǎn)生的互動(dòng)性以及作品對于環(huán)境的改變進(jìn)行調(diào)研反思。從而形成具有一定參考價(jià)值的玻璃公共藝術(shù)創(chuàng)作方法的理論思考。
[Abstract]:Public art is the extraction of a region and even a city culture, with a certain regional logo. In recent years, the application of glass materials has become a new public art form. For artists, from the motivation of creation, the significance of creation to the final way of presentation are very different from the artist's personal artistic creation. The focus of this paper is to study the creation process of glass public art "dream lotus pond" in West Lake Cultural Square. Taking the artist as the main body, this paper analyzes the works of Dream Lotus Pond from two angles of regionality and interaction. The key point is to analyze the aspects of glass public art creation methods which are different from individual art creation methods. Finally, through the form of questionnaire, this paper analyzes the glass public art "Dream Lotus Pond", and makes an investigation and reflection on the interaction between the works and the public, as well as the changes of the environment. In order to form a certain reference value of glass public art creation methods of theoretical thinking.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J527.3

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1 李怡霏;玻璃公共藝術(shù)《夢幻荷塘》創(chuàng)作方法研究[D];中國美術(shù)學(xué)院;2015年

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本文編號：2508971