晚明畫學與曲學的南化
發(fā)布時間：2018-09-06 08:31
【摘要】：本論文力圖通過研究和比較晚明江南文士在畫學與曲學兩個藝術(shù)領(lǐng)域的"南化"進程,探究推動這場變革背后共同的文藝理念,反映當時社會環(huán)境的變化與人們對思想、文化的需求。南宗文人畫與昆腔南曲是晚明時期新興的文藝代表。這兩種藝術(shù)形式都立足于江南細膩而雅致的文化韻味,持續(xù)著對傳統(tǒng)思想核心的深層汲取,融入中原和北方的古典格法之中,三者構(gòu)成了論文所提出的"以南化北"的思想與審美本質(zhì)。明末畫學與曲學具有鮮活的生命力,文士秉承著歷史賦予的使命,契合時代人心真實的需求,憑借生動活潑的形式積極建立理論體系,以維系傳統(tǒng)之正脈。晚明畫學與曲學的創(chuàng)作者、批評者大都集中在江南及周邊地區(qū),其中有不少同時參與兩類藝術(shù)活動的文人學士。他們通過借鑒畫學與曲學相互的養(yǎng)料對自身進行補充,從而探索實現(xiàn)共同的文化追求。"以南化北"在當時即是"以今化古",這對今天如何繼承、發(fā)揚傳統(tǒng)文化精髓的探索之路有著深刻的啟示作用。
[Abstract]:This paper tries to study and compare the "Nanhua" process of the literati in the two fields of painting and music in the late Ming Dynasty, to explore the common literary and artistic ideas behind this reform, and to reflect the changes in the social environment and the people's thoughts at that time. The need for culture. Nanzong literati painting and Kun Qiang Nan qu are emerging literary representatives in the late Ming Dynasty. These two forms of art are based on the delicate and elegant cultural charm of the south of the Yangtze River, and continue to absorb the core of traditional ideas deeply and integrate into the classical style of the Central Plains and the North. The three constitute the thought and aesthetic essence of "taking the south to the north" put forward in the paper. In the late Ming Dynasty, painting and qu studies had fresh vitality. The literati carried on the mission given by the history, suited to the real needs of the people of the times, and actively established the theoretical system by the lively form, in order to maintain the traditional positive pulse. In the late Ming Dynasty, most of the critics of painting and qu were concentrated in the south of the Yangtze River and its surrounding areas, and many of them participated in both kinds of artistic activities. They complement themselves by drawing lessons from the mutual nourishment of painting and music, so as to explore and realize the common cultural pursuit. " At that time, "turning the north to the south" was "turning the ancient into today", which has a profound enlightening effect on how to inherit and carry forward the essence of traditional culture.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J120.9
本文編號：2225794
[Abstract]:This paper tries to study and compare the "Nanhua" process of the literati in the two fields of painting and music in the late Ming Dynasty, to explore the common literary and artistic ideas behind this reform, and to reflect the changes in the social environment and the people's thoughts at that time. The need for culture. Nanzong literati painting and Kun Qiang Nan qu are emerging literary representatives in the late Ming Dynasty. These two forms of art are based on the delicate and elegant cultural charm of the south of the Yangtze River, and continue to absorb the core of traditional ideas deeply and integrate into the classical style of the Central Plains and the North. The three constitute the thought and aesthetic essence of "taking the south to the north" put forward in the paper. In the late Ming Dynasty, painting and qu studies had fresh vitality. The literati carried on the mission given by the history, suited to the real needs of the people of the times, and actively established the theoretical system by the lively form, in order to maintain the traditional positive pulse. In the late Ming Dynasty, most of the critics of painting and qu were concentrated in the south of the Yangtze River and its surrounding areas, and many of them participated in both kinds of artistic activities. They complement themselves by drawing lessons from the mutual nourishment of painting and music, so as to explore and realize the common cultural pursuit. " At that time, "turning the north to the south" was "turning the ancient into today", which has a profound enlightening effect on how to inherit and carry forward the essence of traditional culture.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J120.9
【參考文獻】
相關(guān)期刊論文 前2條
1 周鞏平;;明清兩代太倉的兩大王氏曲學家族[J];曲學;2014年00期
2 程蕓;沈t煛昂下梢狼弧崩礪凼銎繹J];文學遺產(chǎn);2000年05期
，本文編號：2225794
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