當(dāng)代居所空間的異化與想象
發(fā)布時(shí)間：2018-08-26 08:25
【摘要】：本文的研究視域是處于轉(zhuǎn)型期的中國(guó)城市空間,以居所為研究對(duì)象,從文化研究的角度來(lái)解讀居所空間和文學(xué)想象。通過(guò)對(duì)居所異化和想象的空間分析,解讀資本操控的空間意識(shí)形態(tài)對(duì)居所的影響,以及在文化景觀里中產(chǎn)階級(jí)居所審美空間的萌芽。緒論提出社會(huì)空間和空間轉(zhuǎn)向,城市化過(guò)程中空間問(wèn)題的凸顯要求對(duì)空間有新的認(rèn)識(shí),公共領(lǐng)域和私人領(lǐng)域的空間意義都發(fā)生了新的變化,由此說(shuō)明居所問(wèn)題研究的必要性。第一章從居所的外部城市環(huán)境入手,闡述空間與資本、權(quán)力之間的關(guān)系。不同的社會(huì)階段有著不同的空間形式,在現(xiàn)代城市中,空間被資本操控,成為了資本擴(kuò)張的新手段,從西方資本主義城市化到全球化進(jìn)程的加快,空間的邏輯在影響著城市的發(fā)展,建立起新型的地理地貌景觀,現(xiàn)代城市的空間出現(xiàn)同質(zhì)化的現(xiàn)象。中國(guó)的城市在全球化資本和空間意識(shí)形態(tài)的侵襲下出現(xiàn)同質(zhì)化景觀的傾向。第二章討論居所空間的自身異化。居所是城市景觀的一部分,隨著城市空間的同質(zhì)化,居所也出現(xiàn)了異化。論文分別從居所空間的外部物質(zhì)形態(tài)和內(nèi)部性質(zhì)的變化作對(duì)比分析,現(xiàn)代居所在城市化的發(fā)展中,出現(xiàn)了傳統(tǒng)與現(xiàn)代的斷裂,居所的文化意義喪失,它不僅成為城市同質(zhì)化景觀的一部分,還被卷入到市場(chǎng)化的環(huán)境中。除此之外,居所在異化著都市人,異化的空間造成人與物的對(duì)峙,壓迫著人的感官,從而造成了人對(duì)居所的逃離。而居所空間對(duì)人的塑造模糊了人們的自我認(rèn)同感,影響著正在形成的中產(chǎn)階級(jí)的建構(gòu)。第三章從文學(xué)文本對(duì)居所的“懷舊”切入,分析中產(chǎn)階級(jí)對(duì)居所的空間審美想象。傳統(tǒng)居所塑造的文化鏡像懷舊和繁榮空間的想象,是對(duì)傳統(tǒng)本土文化和生活方式的認(rèn)同,這表達(dá)了中產(chǎn)階級(jí)對(duì)社會(huì)空間和自我認(rèn)同感的尋求。通過(guò)對(duì)居所懷舊的興起、流行和實(shí)質(zhì)的分析,探討懷舊想象與現(xiàn)實(shí)空間意識(shí)形態(tài)所存在的關(guān)系和沖突。第四章探討了消費(fèi)社會(huì)超空間背景下的“仿真”居所,懷舊作為現(xiàn)代生活的一種流行文化和時(shí)尚,仿真是對(duì)懷舊的進(jìn)一步發(fā)展,是對(duì)居所懷舊想象的消費(fèi)。文學(xué)文本的居所想象在現(xiàn)實(shí)社會(huì)形成了文化產(chǎn)業(yè),中產(chǎn)階級(jí)的審美想象被消費(fèi)。而在“仿真”機(jī)制下所形成的超空間社會(huì)景觀,使居所的文學(xué)文本形象與現(xiàn)實(shí)城市中的仿真居所形象相互交織,真實(shí)與想象的空間交錯(cuò),出現(xiàn)了現(xiàn)代城市在消費(fèi)時(shí)代呈現(xiàn)出的空間幻象,消解著人的審美想象,使人受到資本和空間意識(shí)形態(tài)的操控,在城市空間中混亂和迷失。居所的社會(huì)空間是城市文本和文學(xué)文本互讀的空間,通過(guò)對(duì)文化現(xiàn)象的研究和文學(xué)文本的解讀,本文從外部環(huán)境和內(nèi)部原因、傳統(tǒng)與現(xiàn)代相比較、現(xiàn)實(shí)與想象相互影響、社會(huì)空間與中產(chǎn)階級(jí)群體意識(shí)、資本與空間意識(shí)形態(tài)等多個(gè)角度來(lái)論述當(dāng)代居所空間的異化和想象。在當(dāng)前城市空間里,居所發(fā)生了新的變化,現(xiàn)代居所的異化使人無(wú)法和空間和諧共處,也喪失了自我的認(rèn)同感�，F(xiàn)實(shí)社會(huì)空間的驅(qū)逐使正在形成的中產(chǎn)階級(jí)找尋不到屬于自己的社會(huì)空間,而對(duì)居所的懷舊想象成為了一種特殊的方式。現(xiàn)實(shí)的空間意識(shí)形態(tài)不斷影響著居所的現(xiàn)實(shí)空間和想象空間,人們?nèi)绾蔚种凭铀臻g的異化,建立理想的社會(huì)空間需要進(jìn)一步討論。
[Abstract]:The research field of this paper is the urban space of China in the transitional period, taking the residence as the research object, interpreting the residence space and literary imagination from the perspective of cultural research. The introduction puts forward the social space and the space turn, the highlight of the space problem in the process of urbanization requires a new understanding of space, the space meaning of public and private spheres have undergone new changes, which explains the necessity of the study of housing problems. The first chapter starts with the external urban environment of housing, elaborates the space and the private sphere. Different social stages have different spatial forms. In modern cities, space is controlled by capital and becomes a new means of capital expansion. From the western capitalist urbanization to the acceleration of globalization, the logic of space is affecting the development of cities, establishing a new geomorphological landscape, modern. The second chapter discusses the self-alienation of the residential space. Residence is a part of the urban landscape. Along with the homogenization of urban space, the alienation of the residential space appears. In the process of urbanization, there is a break between tradition and modernity, and the cultural meaning of residence is lost. It is not only a part of the homogeneous landscape of the city, but also involved in the market-oriented environment. The confrontation between people and things, oppressing people's senses, resulting in people's escape from their homes. The shaping of people's living space blurs people's self-identity and affects the construction of the emerging middle class. Chapter III from the literary text of the "nostalgia" of the residence, analyzes the aesthetic ideas of the middle class on the space of residence. Image. The imagination of nostalgia and prosperous space created by traditional residence is the recognition of traditional local culture and life style, which expresses the middle class's search for social space and self-identity. Chapter 4 discusses the "simulated" residence in the hyperspace context of consumer society. Nostalgia, as a popular culture and fashion in modern life, is a further development of nostalgia and a consumption of nostalgic imagination of residence. Imagination is consumed. The hyperspace social landscape formed under the "simulation" mechanism interweaves the literary text image of the residence with the image of the simulation residence in the real city. The space between the real and the imaginary is interlaced. The spatial illusion presented by the modern city in the consumption age appears, which dispels the aesthetic imagination of the people and makes the people get the capital. The social space of residence is the space of mutual reading between urban text and literary text. Through the study of cultural phenomena and the interpretation of literary text, this paper discusses the external environment and internal reasons, the comparison between tradition and modern, the interaction between reality and imagination, the social space and the middle class. The alienation and imagination of contemporary residential space are discussed from the perspectives of class group consciousness, capital and spatial ideology. In the current urban space, new changes have taken place in residential space. The alienation of modern residential space makes it impossible for people to live in harmony with space and also loses their sense of self-identity. Classes can not find their own social space, and the nostalgic imagination of the residence has become a special way. The real space ideology constantly affects the real and imaginary space of the residence. How to resist the alienation of the residence space and establish an ideal social space needs further discussion.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU984.113
本文編號(hào)：2204288
[Abstract]:The research field of this paper is the urban space of China in the transitional period, taking the residence as the research object, interpreting the residence space and literary imagination from the perspective of cultural research. The introduction puts forward the social space and the space turn, the highlight of the space problem in the process of urbanization requires a new understanding of space, the space meaning of public and private spheres have undergone new changes, which explains the necessity of the study of housing problems. The first chapter starts with the external urban environment of housing, elaborates the space and the private sphere. Different social stages have different spatial forms. In modern cities, space is controlled by capital and becomes a new means of capital expansion. From the western capitalist urbanization to the acceleration of globalization, the logic of space is affecting the development of cities, establishing a new geomorphological landscape, modern. The second chapter discusses the self-alienation of the residential space. Residence is a part of the urban landscape. Along with the homogenization of urban space, the alienation of the residential space appears. In the process of urbanization, there is a break between tradition and modernity, and the cultural meaning of residence is lost. It is not only a part of the homogeneous landscape of the city, but also involved in the market-oriented environment. The confrontation between people and things, oppressing people's senses, resulting in people's escape from their homes. The shaping of people's living space blurs people's self-identity and affects the construction of the emerging middle class. Chapter III from the literary text of the "nostalgia" of the residence, analyzes the aesthetic ideas of the middle class on the space of residence. Image. The imagination of nostalgia and prosperous space created by traditional residence is the recognition of traditional local culture and life style, which expresses the middle class's search for social space and self-identity. Chapter 4 discusses the "simulated" residence in the hyperspace context of consumer society. Nostalgia, as a popular culture and fashion in modern life, is a further development of nostalgia and a consumption of nostalgic imagination of residence. Imagination is consumed. The hyperspace social landscape formed under the "simulation" mechanism interweaves the literary text image of the residence with the image of the simulation residence in the real city. The space between the real and the imaginary is interlaced. The spatial illusion presented by the modern city in the consumption age appears, which dispels the aesthetic imagination of the people and makes the people get the capital. The social space of residence is the space of mutual reading between urban text and literary text. Through the study of cultural phenomena and the interpretation of literary text, this paper discusses the external environment and internal reasons, the comparison between tradition and modern, the interaction between reality and imagination, the social space and the middle class. The alienation and imagination of contemporary residential space are discussed from the perspectives of class group consciousness, capital and spatial ideology. In the current urban space, new changes have taken place in residential space. The alienation of modern residential space makes it impossible for people to live in harmony with space and also loses their sense of self-identity. Classes can not find their own social space, and the nostalgic imagination of the residence has become a special way. The real space ideology constantly affects the real and imaginary space of the residence. How to resist the alienation of the residence space and establish an ideal social space needs further discussion.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU984.113
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