【摘要】：中國音樂審美意境的創(chuàng)設(shè),始終有著鮮明的繼承性與創(chuàng)造性,在漫長的發(fā)展過程中形成了獨(dú)特的營造方式和手法,以其特殊的美感和情境交融的方式在藝術(shù)領(lǐng)域獨(dú)樹一幟。因此,研究音樂在古典園林的時空意境、審美意象營造,能補(bǔ)充、擴(kuò)展和深化音樂功能,啟發(fā)和創(chuàng)新音樂審美、賞美的外延及內(nèi)在含義,同時對于發(fā)掘我國古典文化瑰寶并指導(dǎo)園林建設(shè),傳承祖國文化及天人合一的文化觀,具有一定的理論意義和現(xiàn)實(shí)意義。中國音樂是在中華傳統(tǒng)文化“天人合一”哲學(xué)思想體系的指導(dǎo)下,結(jié)合儒、道、釋哲學(xué),并經(jīng)詩畫樂藝術(shù)的人文審美關(guān)照的經(jīng)驗(yàn)總結(jié),并共同建構(gòu)起來的。園林景觀設(shè)計(jì)從19世紀(jì)發(fā)展至今,一直是以視覺藝術(shù)為出發(fā)點(diǎn)的設(shè)計(jì),而我們對景觀的感知是五感的綜合體驗(yàn)。本文核心并不體現(xiàn)于聲音的物理性質(zhì)方面,而是通過園林中所應(yīng)用的引導(dǎo)性音樂來表達(dá)內(nèi)心的情感與對象生態(tài)環(huán)境和諧的理想,進(jìn)而達(dá)到對園林藝術(shù)整體美的最高追求;對合適于園林時空意境的音樂應(yīng)用,以及對游客賞美心理特征、園林審美意境的營造,對游人對對象環(huán)境的賞美、審美感知、感悟的意義與影響進(jìn)行了論述,為后續(xù)的繼續(xù)研究奠定了一定基礎(chǔ)。論文首先對應(yīng)用于園林中的音樂研究范疇和特性進(jìn)行了闡述,追溯其國內(nèi)外的發(fā)展歷程;其次是對中國古典園林中的音樂再解讀,總結(jié)了聲音景觀以及物象與聲音、音樂與環(huán)境,對游人賞美意象、意境營造引導(dǎo)性的設(shè)計(jì)方法；并以揚(yáng)州瘦西湖公園為例,通過中國古典園林理論與音樂高度形式抽象概括功能相結(jié)合,進(jìn)行賞美先在引導(dǎo)的再認(rèn)識、再設(shè)計(jì),凸顯其音樂在游人游玩、品賞中的功能、作用、價值、意義。最后,論文總結(jié)歸納音樂在園林聲音景觀環(huán)境中的設(shè)計(jì)與游人感知心理功能結(jié)構(gòu)的同構(gòu),以及在園林時空與游人感美、賞美、悟美過程中,以至游人審美、賞美意境營造、想象、幻象研究中體現(xiàn)與園林美“對映、互涵”的園林聲音景觀中的音樂,是人與對象環(huán)境最為感性與理性的形式抽象與概括。本文涉及的研究方法主要包括調(diào)研法、文獻(xiàn)歸納法、學(xué)科交叉研究法、比較論證法等。其它還應(yīng)用了資料收集法、觀察法、定性分析法、演繹與描述性研究法、個案研究法等。前期研究成果有本人研究生二年級以第一作者發(fā)的“聲音樂在園林藝術(shù)動靜結(jié)構(gòu)布局中培育立美意象與審美感知功能初探”一篇學(xué)習(xí)論文;以及有關(guān)哲學(xué)、音樂美學(xué)、心理學(xué)、生態(tài)學(xué)、教育學(xué)等數(shù)十篇理論著作的讀書筆記。
[Abstract]:The creation of the aesthetic conception of Chinese music has always had a distinct inheritance and creativity. In the long process of development, it has formed a unique way and means of construction, and has been unique in the field of art with its special aesthetic feeling and the way of blending the situation. Therefore, the study of the space-time artistic conception of music in classical gardens and the creation of aesthetic images can supplement, expand and deepen the musical functions, enlighten and innovate the music aesthetic, appreciate the beauty of the extension and internal meaning, At the same time, it has certain theoretical and practical significance for excavating the treasures of Chinese classical culture, guiding the garden construction, inheriting the culture of the motherland and the unity of nature and man. Chinese music is under the guidance of the traditional Chinese culture "the unity of nature and man" philosophy system, combined with Confucianism, Taoism, Buddhism philosophy, and the art of poetry and painting music art humanistic aesthetic care summary, and build up together. Since the 19th century, landscape design has been based on visual art, and our perception of landscape is a comprehensive experience of five senses. The core of this paper is not embodied in the physical nature of sound, but through the application of guiding music in the garden to express the ideal of harmony between the inner emotion and the object ecological environment, and then to achieve the highest pursuit of the overall beauty of garden art. This paper discusses the application of music suitable to the space and time artistic conception of garden, the psychological characteristics of tourists' appreciation of beauty, the construction of aesthetic conception of garden, and the significance and influence of visitors' appreciation of beauty, aesthetic perception and perception to the object environment. It lays a foundation for further study. In this paper, the categories and characteristics of the music research applied in the garden are first expounded, and the development process of the music at home and abroad is traced back; secondly, the music in the Chinese classical garden is reinterpreted, and the sound landscape, the object image and the sound are summarized. Music and environment, the design method of beauty image and artistic conception of visitors, and taking Yangzhou thin West Lake Park as an example, combine the theory of Chinese classical garden with the abstract generalization function of music in high form. The function, value and significance of the music in visitors' play and appreciation are highlighted. Finally, the thesis summarizes the isomorphism of music design in the landscape environment and the structure of tourists' perceptual psychological function, as well as the creation of beauty perception, appreciation, appreciation and artistic conception in the garden space and time, as well as in the process of appreciating beauty. Imagine, in the study of illusion, the music in the landscape sound landscape, which embodies the beauty of gardens, is the most perceptual and rational form abstract and summary of human and object environment. The research methods involved in this paper include research method, literature induction method, interdisciplinary research method, comparative demonstration method and so on. Other methods include data collection, observation, qualitative analysis, deductive and descriptive research, case study and so on. The early research results include a study paper on the cultivation of aesthetic image and aesthetic perception function in the layout of dynamic and static structure of garden art by sound music in my second year of graduate school, and a study paper on philosophy, music aesthetics, psychology, etc. Reading notes of dozens of theoretical works on ecology, pedagogy, etc.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：TU986.1;J60-05

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 方光耀;;民間音樂的審美時空[J];揚(yáng)州大學(xué)學(xué)報(人文社會科學(xué)版);2015年06期

2 彭鋒;;意境與氣氛——關(guān)于藝術(shù)本體論的跨文化研究[J];北京大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2014年04期

3 韓杰;王妍妍;;“聲音景觀”的理論延展[J];大眾文藝;2014年12期

4 周偉;;走向應(yīng)用的環(huán)境音樂美學(xué)[J];曲靖師范學(xué)院學(xué)報;2014年02期

5 周鵬;;園林與音樂的融合性研究[J];現(xiàn)代園藝;2013年14期

6 胡譯文;馬履一;楊軍;陳名杰;王寧;郭紅喜;;時空交融 異質(zhì)同構(gòu)——論中國古典園林與音樂的構(gòu)筑藝術(shù)和文化審美關(guān)系[J];北京園林;2012年04期

7 孫]];張召;;中國古典園林中的聲景營造[J];山東林業(yè)科技;2012年01期

8 羅鋼;;學(xué)說的神話——評“中國古代意境說”[J];文史哲;2012年01期

9 耿力;;書法和音樂對中國古典園林意境的作用[J];大家;2011年15期

10 張建國;;環(huán)境音樂的教育功能[J];電影評介;2011年09期

，

本文編號：2150810