本文選題：壁畫墓 + 圖像�。� 參考：《湖南師范大學(xué)》2015年碩士論文

【摘要】：嘉峪關(guān)新城墓室壁畫圖像研究的是魏晉新城時期的墓室壁畫�！澳故冶诋嫛�,指用特定的工具和技法繪制于墓室的門壁、頂部以及甬道兩側(cè)的圖像,并以筆和墨及各種顏料之類繪制而成。新城墓室壁畫內(nèi)容的筆墨彩繪圖像各有定名,并且有相當(dāng)數(shù)量的遺存。本文是對新城地區(qū)已經(jīng)出土的并且保留完整的魏晉墓室壁畫圖像進(jìn)行綜合探討,重點研究新城墓室壁畫的藝術(shù)淵源和內(nèi)容特色,以及圖像繪畫表現(xiàn)內(nèi)容和形式的比較及傳承相關(guān)聯(lián)的問題。新城魏晉墓室壁畫受到了其地理位置和文化的影響,涉及到了具體的內(nèi)容、文化環(huán)境、制作工藝等。壁畫墓的內(nèi)容在魏晉的繪畫和漢代的畫像磚、巖畫不多見,那么什么是嘉峪關(guān)新城壁畫圖像的特色,為什么能夠引起國內(nèi)外學(xué)界的關(guān)注呢?是因為東漢末年,墓室圖像被魏晉的藝術(shù)圖式化,使其更加的具有民俗性和生命力,遺憾的是在中國繪畫史論上幾乎沒有完整的闡述和記錄,同時一磚一畫的視覺特征也反映了當(dāng)時的畫匠已經(jīng)具有了一定的繪畫水平。本文研究的意義在于為研究地域性人文歷史提供了可視的圖片資料,為歷史題材的藝術(shù)創(chuàng)作元素提供了可靠地參考。嘉峪關(guān)新城壁畫墓,位置之特殊,表現(xiàn)內(nèi)容的豐富超乎我們想象的范圍,既是一個時代的藝術(shù)結(jié)晶,也是本土文化的智慧呈現(xiàn)。它的題材一方面反映了河西地區(qū)勞動人民對美好生活的追求;另一方面真實的反映了當(dāng)時的社會生活場景和繪畫藝術(shù)的表現(xiàn)方式,為研究當(dāng)代歷史題材的藝術(shù)創(chuàng)作元素提供了極其重要的參考,同時也為研究魏晉歷史地域性問卷的歷史考古學(xué)者和考古學(xué)家提供了圖文并茂的珍貴資料。
[Abstract]:Jiayuguan New City tomb murals image study is the Wei Jin Dynasty tomb murals. "tomb mural" means an image of the door wall, top and sides of the chamber painted with specific tools and techniques and drawn with pen and ink and various pigments. The murals of the tomb in Xincheng each have their own names, and a considerable number of remains. This paper is a comprehensive discussion on the frescoes of the tomb room of the Wei and Jin dynasties that have been unearthed in Xincheng area, with the emphasis on the artistic origin and content characteristics of the murals of the tomb rooms in the new town. As well as the picture painting performance content and the form comparison and the inheritance related question. The frescoes in the tomb of the Wei and Jin dynasties are affected by their geographical location and culture, including the concrete contents, cultural environment, production techniques and so on. The content of murals tomb in the Wei and Jin dynasties and Han Dynasty painting brick, rock painting is rare, so what is Jiayuguan New City fresco image characteristics, why can cause the attention of scholars at home and abroad? Because in the last years of the Eastern Han Dynasty, the tomb image was transformed into the artistic schema of the Wei and Jin dynasties, which made it more folklore and vitality. Unfortunately, there was almost no complete explanation and record on the history of Chinese painting. At the same time, the visual features of one brick and one painting also reflect that the painters at that time had a certain level of painting. The significance of this study is to provide visual picture materials for the study of regional humanistic history and a reliable reference for the artistic elements of historical themes. The tomb of Jiayuguan New Town frescoes is special in location and rich in content beyond our imagination. It is not only the artistic crystallization of an era, but also the wisdom of local culture. On the one hand, its theme reflects the pursuit of a better life by the working people in Hexi region; on the other hand, it truly reflects the social life scene and the expression of painting art at that time. It provides an extremely important reference for the study of the artistic elements of contemporary historical subjects, and also provides valuable information for the historical archaeologists and archaeologists who study the historical regional questionnaire of the Wei and Jin dynasties.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J218.6

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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本文編號：2082676