本文選題：煙臺(tái) + 水彩畫��； 參考：《魯東大學(xué)》2017年碩士論文

【摘要】：水彩畫由西方傳入中國(guó)經(jīng)歷了百年滄桑巨變,傳入中國(guó)的水彩畫受寫實(shí)主義的影響,中國(guó)的水彩藝術(shù)家在借鑒的同時(shí)也將中國(guó)的繪畫傳統(tǒng)滲透其中,保持了中國(guó)水彩畫本土繪畫價(jià)值。隨著水彩畫在國(guó)內(nèi)的不斷傳播交流與發(fā)展,富有中國(guó)特色的水彩畫形態(tài)觀念應(yīng)運(yùn)而生,表現(xiàn)出蓬勃發(fā)展的面貌。煙臺(tái)地處齊魯之邦,文化底蘊(yùn)深厚,煙臺(tái)水彩畫是中國(guó)水彩畫發(fā)展中的重要組成部分,具有鮮明的地域風(fēng)格,跟隨著中國(guó)水彩畫的逐步壯大而成長(zhǎng),形成了富有地域特征的形態(tài)與觀念。早在20世紀(jì)30年代初,煙臺(tái)西畫傳播先驅(qū)張思威開始學(xué)習(xí)西方繪畫,臨摹水彩畫畫冊(cè),這代表著煙臺(tái)水彩畫的萌芽狀態(tài)。此時(shí)煙臺(tái)畫家開始學(xué)習(xí)西方的水彩畫技法,逐步形成了富有地域特色的繪畫風(fēng)格,這便開始了煙臺(tái)幾代水彩畫家的探究之路。煙臺(tái)水彩畫經(jīng)歷了萌芽、發(fā)展、繁榮、拓展以及多元化幾個(gè)歷史時(shí)期,已經(jīng)形成了獨(dú)特的地域風(fēng)格。地域差異的繪畫個(gè)性表達(dá)是中國(guó)當(dāng)代水彩語言個(gè)性化表現(xiàn)必不可少的部分,繪畫內(nèi)容與題材的選擇,色彩的運(yùn)用無一不體現(xiàn)著地域特征對(duì)畫家的影響,因此,在新時(shí)代背景下,加強(qiáng)對(duì)本土化水彩畫的研究成為極有價(jià)值的課題。本文以煙臺(tái)水彩畫的形態(tài)為線索橫向延伸,以時(shí)間為軸縱向闡述,在歷史發(fā)展脈絡(luò)的基礎(chǔ)上總結(jié)梳理煙臺(tái)水彩畫,進(jìn)行了深入分析。論文由以下幾個(gè)主要部分組成,第一部分,對(duì)煙臺(tái)水彩畫進(jìn)行概述,分析煙臺(tái)水彩畫的基本形態(tài)、創(chuàng)作特點(diǎn)和精神內(nèi)涵以及概括性地梳理其發(fā)展脈絡(luò)。第二部分,闡述煙臺(tái)水彩畫發(fā)展的早期萌芽,探究煙臺(tái)水彩畫在地理、文化、環(huán)境等因素影響下的發(fā)展背景。第三部分,論述煙臺(tái)水彩畫發(fā)展的繁榮時(shí)期,對(duì)水彩畫獲得繁榮發(fā)展的原因及其呈現(xiàn)的面貌進(jìn)行研究。第四部分,闡述煙臺(tái)水彩畫發(fā)展的拓展時(shí)期,探究水彩畫在此時(shí)題材與風(fēng)格的轉(zhuǎn)變特點(diǎn)。第五部分,論述新時(shí)期煙臺(tái)水彩畫多樣化的表現(xiàn)形式并探究煙臺(tái)水彩畫的現(xiàn)狀及對(duì)未來的展望。通過本次研究,將煙臺(tái)水彩畫的歷史發(fā)展脈絡(luò)進(jìn)行梳理,探究煙臺(tái)地域范圍內(nèi)水彩畫藝術(shù)所呈現(xiàn)的發(fā)展趨勢(shì),挖掘煙臺(tái)本土水彩畫家的藝術(shù)創(chuàng)作與生活狀態(tài),展示和提升煙臺(tái)地域具有悠久歷史的水彩畫藝術(shù),呈現(xiàn)出較為系統(tǒng)的煙臺(tái)水彩畫理論研究,推進(jìn)煙臺(tái)水彩畫的蓬勃發(fā)展。
[Abstract]:Watercolor painting has been introduced from the west to China for a hundred years. The watercolor painting introduced into China has been influenced by realism. Chinese watercolor artists have also infiltrated the Chinese painting tradition while drawing lessons from it. The local painting value of Chinese watercolor painting has been maintained. With the continuous communication and development of watercolor painting in China, the concept of watercolor painting with Chinese characteristics emerges as the times require, showing a vigorous development. Yantai is located in the land of Qilu with profound cultural background. Yantai watercolor painting is an important part of the development of Chinese watercolor painting. It has a distinct regional style and grows with the gradual growth of Chinese watercolor painting. The formation of rich regional characteristics of the form and concept. As early as the early 1930s, Zhang Siwei, a pioneer in the dissemination of western Yantai paintings, began to learn Western painting and copy watercolor paintings, which represented the budding state of Yantai watercolor paintings. At this time Yantai painters began to learn Western watercolor painting techniques and gradually formed a painting style rich in regional characteristics which began to Yantai several generations of watercolor painters explore the road. Yantai watercolor painting has experienced several historical periods of germination, development, prosperity, expansion and diversification, and has formed a unique regional style. The expression of regional difference in painting personality is an essential part of the individualized expression of Chinese contemporary watercolor language. The selection of painting content and subject matter and the use of color all reflect the influence of regional characteristics on the painter, therefore, in the new era background, Strengthening the study of local watercolor painting has become a valuable topic. This paper takes the shape of Yantai watercolor painting as the clue of horizontal extension, taking time as the axis of vertical elaboration, summarizes and combs Yantai watercolor painting on the basis of historical development, and makes in-depth analysis. The thesis is composed of the following main parts. The first part summarizes Yantai watercolor painting, analyzes the basic form, creative characteristics and spiritual connotation of Yantai watercolor painting, and generally combs its development context. The second part, expounds the early germination of Yantai watercolor painting, explores the development background of Yantai watercolor painting under the influence of geography, culture, environment and so on. The third part discusses the prosperous period of Yantai watercolor painting. The fourth part, expounds the development period of Yantai watercolor painting, explores the changing characteristics of the subject matter and style of watercolor painting at this time. The fifth part discusses the diversity of Yantai watercolor painting in the new period and explores the present situation and future prospects of Yantai watercolor painting. Through this research, the historical development of Yantai watercolor painting is combed, the development trend of Yantai watercolor art is explored, and the artistic creation and living state of Yantai local watercolor painters are excavated. To display and promote the Yantai area has a long history of watercolor art, presents a more systematic study of Yantai watercolor theory, to promote the vigorous development of Yantai watercolor painting.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215

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