本文選題：中式家具 + 曲直觀　； 參考：《浙江工業(yè)大學(xué)》2015年碩士論文

【摘要】：無論是在古代還是在現(xiàn)代設(shè)計中,幾何元素一直是決定家具造型的重要因素。對于家具設(shè)計來說,線構(gòu)成了面,而點(diǎn)亦是縮小形態(tài)下的線或面,故而從最基本構(gòu)成來說,家具設(shè)計歸根結(jié)底可以解釋為線的設(shè)計與變化。所以,一定程度上來說家具造型設(shè)計的研究,都可以從線的變化來分析,又因?yàn)榫�包含了曲與直,故而研究曲與直的結(jié)合與變化,有助于對家具造型語意的解讀。本文首先對中式審美“曲直觀”的概念進(jìn)行了分析與歸納總結(jié),從文字含義、精神品質(zhì)、美學(xué)意義、文學(xué)、藝術(shù)、建筑、設(shè)計等進(jìn)行解讀�！疤烊撕弦弧钡膶徝雷非笫沟弥惺剿囆g(shù)與設(shè)計中的曲更趨向于對自然萬物的模仿,以自然隨性的舒展體現(xiàn)“道”的韻味,較之西方設(shè)計中常見的規(guī)則幾何曲線多了一分灑脫,少了一分拘束。中國藝術(shù)與設(shè)計中的直線不僅是起到結(jié)構(gòu)與支撐作用,更是理性、規(guī)矩與挺直的精神脊梁。因?yàn)橹惺剿囆g(shù)與設(shè)計中曲與直的豐富語意,使得曲與直的研究成為解讀中式家具造型語意的有效途徑。又因?yàn)榍c直的延伸含義在中式審美中已經(jīng)超脫了形態(tài)的限制,體現(xiàn)在了精神感受層面,故而體現(xiàn)在家具設(shè)計中就不單純局限于造型,亦受諸多其他因素影響。本文在對中式家具造型的研究中,首先就中式家具發(fā)展歷史進(jìn)行了分析,從時代特征、社會風(fēng)尚、精神追求、材料影響、工藝影響等方面尋找出影響家具造型的相關(guān)因素。而后系統(tǒng)地從中式審美的“曲直觀”角度對中式家具造型進(jìn)行分析,從單獨(dú)的曲和直,到曲直結(jié)合的變化、再到意義與結(jié)合尺度;從單純的曲與直的造型態(tài)勢,到曲直影響下的風(fēng)格形成,再到分析隱藏在曲直造型變化中的文化理念、精神理想、功能需求與市場影響,最后結(jié)合現(xiàn)代社會環(huán)境、消費(fèi)需求、精神需求、材料與工藝發(fā)展、流行時尚等影響因素,分析曲直觀在現(xiàn)代的傳承與發(fā)展情況,結(jié)合西方審美影響,分析現(xiàn)代中式家具的現(xiàn)狀與發(fā)展趨勢。從“曲直觀”入手,由表及里,由現(xiàn)象入手分析形成原因,結(jié)合各時期家具發(fā)展變化及同時期家具造型差異分析,以小見大、由淺至深地研究中式家具造型風(fēng)格與形成,有助于研究中式家具造型的表現(xiàn)與發(fā)展變化,亦對新中式家具造型研究有重要的促進(jìn)作用。
[Abstract]:In both ancient and modern design, geometric elements have always been an important factor in furniture modeling. For the furniture design, the line constitutes the surface, and the point is the line or surface under the reduced form. Therefore, from the most basic composition, the furniture design can be interpreted as the design and change of the line in the final analysis. Therefore, to a certain extent, the study of furniture modeling design can be analyzed from the line changes, and because the line contains qu and straight, so the study of the combination and change of qu and straight is helpful to the interpretation of the meaning of furniture modeling. This paper first analyzes and summarizes the concept of Chinese aesthetic "qu intuition", and interprets it from the following aspects: literal meaning, spiritual quality, aesthetic significance, literature, art, architecture, design, etc. The aesthetic pursuit of "the unity of nature and man" makes the music in Chinese art and design more inclined to imitate the nature and everything, and shows the charm of "Tao" with the natural easiness, which is a little more free and easy than the common regular geometric curve in western design. A little less restraint. The straight line in Chinese art and design not only plays the role of structure and support, but also the spiritual backbone of rationality, rule and straightness. Because of the rich meaning of Chinese style art and design, the study of qu and straight becomes an effective way to interpret the semantic meaning of Chinese furniture modeling. Because the extension of the meaning of qu and straight in the Chinese aesthetic has gone beyond the limitations of the form, reflected in the level of spiritual feelings, so reflected in the design of furniture is not only confined to the shape, but also affected by many other factors. In the study of Chinese furniture modeling, this paper first analyzes the history of Chinese furniture development, from the characteristics of the times, social fashion, spiritual pursuit, material influence, technology influence and other aspects to find out the relevant factors affecting furniture modeling. Then it systematically analyzes the Chinese furniture modeling from the angle of Chinese aesthetic "qu intuition", from the single curve and straight, to the change of combination of curved and straight, and then to the meaning and the scale of combination, and from the pure curved and straight modeling situation, To the formation of style under the influence of straightness, and then to the analysis of cultural concepts, spiritual ideals, functional demands and market influences hidden in the change of curved modeling. Finally, it combines the modern social environment, consumer demand, spiritual demand, material and technological development, This paper analyzes the influence factors such as popular fashion and so on, analyzes the inheritance and development of qu intuitionistic in modern times, and analyzes the present situation and development trend of modern Chinese furniture combined with the western aesthetic influence. Starting from "qu intuitionistic", from exterior to inside, from phenomenon to phenomenon, combined with the analysis of furniture development and change in each period and the difference of furniture modeling in the same period, we can see the whole through a small part, and study the style and formation of Chinese furniture from shallow to deep. It is helpful to study the performance and development of Chinese furniture modeling, and also plays an important role in the research of new Chinese furniture modeling.
【學(xué)位授予單位】：浙江工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TS664.01

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