本文選題：纖維藝術(shù) + 纖維材料�。� 參考：《魯迅美術(shù)學(xué)院》2017年碩士論文

【摘要】：材料是纖維藝術(shù)的第一語言,設(shè)計(jì)者通過對(duì)不同材料語言的理解與運(yùn)用來創(chuàng)作出纖維藝術(shù)作品。本文通過結(jié)合個(gè)人的創(chuàng)作和實(shí)踐經(jīng)驗(yàn),經(jīng)過查閱圖書館的書籍、圖冊(cè)、國(guó)內(nèi)外纖維藝術(shù)展作品等資料,來研究與討論如何在纖維藝術(shù)作品的制作中運(yùn)用新型材料語言與工藝語言體現(xiàn)材料語言的特性,如何使得呈現(xiàn)出的作品實(shí)用與裝飾、場(chǎng)景與空間相統(tǒng)一,使得作品不斷創(chuàng)新變化與豐富。本論文首先對(duì)現(xiàn)代纖維藝術(shù)材料語言進(jìn)行概述,并分析纖維材料的物理語言,心里語言、工藝語言與呈現(xiàn)形態(tài)語言等等。將探索的眼光轉(zhuǎn)向材料本身的語言價(jià)值,材料是纖維藝術(shù)的源泉。在我的畢業(yè)設(shè)計(jì)中以纖維藝術(shù)中材料語言為研究對(duì)象,在創(chuàng)作思維上對(duì)材料應(yīng)該從主觀上了解與運(yùn)用,發(fā)現(xiàn)與掌握纖維材料的質(zhì)感語言、肌理語言、色彩語言、審美語言、情感表達(dá)語言與工藝語言等等。不僅僅要理解纖維材料的物理語言,還要把握纖維材料的精神情感語言。充分運(yùn)用與挖掘纖維材料內(nèi)在潛能,為藝術(shù)家更好的創(chuàng)作出優(yōu)秀的作品提供理論基礎(chǔ)。我們應(yīng)該從作品的思想性到觀念表現(xiàn)方式方面增強(qiáng)了解和認(rèn)知。提高關(guān)注社會(huì)、關(guān)注自然、關(guān)注環(huán)境的習(xí)慣,用藝術(shù)家的眼光將個(gè)人的情感注入到作品之中,使設(shè)計(jì)的作品不僅具有裝飾功能還有更高的思想性、觀念性與當(dāng)代藝術(shù)創(chuàng)新理念接軌。把主題性觀念性的表現(xiàn)方式融入設(shè)計(jì)中,使其完成的作品無論是材料、工藝、形式都必須直擊主題,走在當(dāng)代前沿。
[Abstract]:Material is the first language of fiber art. Through the combination of personal creation and practical experience, this paper consulted the library books, atlases, domestic and foreign fiber art exhibition works and other materials. To study and discuss how to use new material language and craft language to embody the characteristics of material language in the production of fiber art works, how to make the present works practical and decorative, and how to unify the scene and space. So that the work of innovation and change and richness. In this paper, the language of modern fiber art materials is summarized, and the physical language, mental language, process language and presentation language of fiber material are analyzed. Turn the exploration to the language value of the material itself, which is the source of fiber art. In my graduation design, we take the material language in fiber art as the research object. In the creative thinking, we should understand and use the material subjectively, and find and master the texture language, color language, aesthetic language of fiber material. Emotion expression language and craft language etc. Not only to understand the physical language of fiber materials, but also to grasp the spiritual and emotional language of fiber materials. Fully utilize and excavate the inherent potential of fiber material to provide theoretical basis for artists to create excellent works. We should enhance the understanding and cognition from the ideological content of the work to the way of expression of ideas. Improve the habit of paying attention to society, nature and environment, and inject personal feelings into the works with the artist's eyes, so that the design works not only have decorative function but also have higher ideological content. The concept is in line with the idea of contemporary art innovation. In order to integrate the thematic concept into the design, the works, whether they are materials, techniques and forms, must be directed at the theme and walk in the forefront of the contemporary era.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J523

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳玲;;論纖維藝術(shù)的綜合材料表現(xiàn)[J];裝飾;2007年01期

2 唐芳;淺論纖維藝術(shù)的形式美[J];裝飾;2003年04期

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本文編號(hào)：1824475