發(fā)布時(shí)間：2018-04-28 13:04

  本文選題：電視人物專訪 + 滿族剪紙　； 參考：《吉林大學(xué)》2017年碩士論文

【摘要】：中國剪紙于2009年入選聯(lián)合國教科文組織人類非物質(zhì)文化遺產(chǎn)代表作名錄。作為傳承已久的手藝活,剪紙擁有突出的橫向地域性和民族性。而依附于滿族特定的社會(huì)文化背景與生活環(huán)境而形成的滿族剪紙,在不斷涌現(xiàn)的滿族民間剪紙藝術(shù)家的手中得以繼承和發(fā)展,以精湛剪紙技藝著稱的民間文化傳承人--關(guān)云德,便是其中的優(yōu)秀代表。關(guān)云德以活靈活現(xiàn)的剪紙作品和長期以來對于剪紙技藝的堅(jiān)守訴說著對傳承滿族文化的責(zé)任與擔(dān)當(dāng)。本文從邏輯結(jié)構(gòu)上共分為四個(gè)部分:第一章從理論基礎(chǔ)與創(chuàng)作、理論指導(dǎo)實(shí)踐兩個(gè)方面闡述了課程學(xué)習(xí)與此次創(chuàng)作的關(guān)系;第二章則重點(diǎn)介紹作品內(nèi)容與結(jié)構(gòu),從作品的內(nèi)容解釋與邏輯思路為切入點(diǎn)對作品進(jìn)行深層次的剖析。在作品內(nèi)容和結(jié)構(gòu)方面,則分為匠藝、匠心、傳承三個(gè)板塊,從不同的角度講述關(guān)云德對于滿族剪紙的繼承與發(fā)揚(yáng)。第三章著重表現(xiàn)作品的主題方面,意在講述優(yōu)秀民間藝術(shù)傳承人關(guān)云德與滿族剪紙背后的故事,通過講述滿族剪紙歷史、關(guān)云德繼承家族剪紙手藝、關(guān)云德對于滿族剪紙和滿族傳統(tǒng)文化的熱愛,進(jìn)而突出主題思想,即傳統(tǒng)文化繼承與發(fā)展的必要性和民間藝術(shù)傳承人對于傳承傳統(tǒng)文化的關(guān)鍵作用。在創(chuàng)作思路上,主要通過作品人物的主觀表述與客觀描繪相結(jié)合,回顧歷史與記錄當(dāng)下相結(jié)合,使作品更具感染力和厚重感。第四章從技術(shù)的角度來具體闡釋作品的藝術(shù)性,分別從前期策劃、中期拍攝和采集、后期整體剪輯與包裝來表述作品的創(chuàng)作與完成過程,通過對采訪問題設(shè)置、鏡頭語言、背景音樂選材、特效設(shè)計(jì)、配音選擇等方面闡述作者的創(chuàng)作意圖。并著眼于在創(chuàng)作反思中對前期策劃、中期拍攝、后期制作方面所出現(xiàn)問題進(jìn)行總結(jié),積累經(jīng)驗(yàn)。本文通過對文化傳播與電視藝術(shù)創(chuàng)作等相關(guān)知識的運(yùn)用,對作品的創(chuàng)作意圖、創(chuàng)作思路、作品主題進(jìn)行了分析。意在向受眾傳遞民間藝術(shù)傳承人對于傳統(tǒng)文化的堅(jiān)守以及其對傳承傳統(tǒng)文化的重要作用。
[Abstract]:Chinese paper-cut was selected as UNESCO representative list of intangible cultural heritage in 2009. As a long-handed down, paper-cut has a prominent horizontal region and nationality. The Manchu paper-cut, which is formed by the specific social and cultural background and living environment of Manchu, has been inherited and developed in the hands of the emerging folk paper-cut artists of Manchu nationality, and the folk culture inheritor-Guan Yunde, who is famous for his exquisite paper-cutting skills, Is one of the outstanding representatives. Guan Yunde's vivid paper-cut works and long-term adherence to paper-cut techniques tell of the responsibility and responsibility of inheriting Manchu culture. This paper is divided into four parts from the logical structure: the first chapter expounds the relationship between the course learning and the creation from the theoretical basis and creation, the theory guidance and practice, the second chapter mainly introduces the content and structure of the work. From the interpretation of the content of the work and logical thinking as a breakthrough point to the works in-depth analysis. In terms of content and structure, it is divided into three sections: craftsmanship, craftsmanship, inheritance, and the inheritance and development of Manchu paper-cut by Guan Yunde from different angles. The third chapter focuses on the theme of the works, intended to tell the outstanding folk art inheritor Guan Yunde and Manchu paper-cut behind the story, by telling the Manchu paper-cut history, Guan Yunde inherited the family paper-cut art, Guan Yunde's love for Manchu paper-cut and Manchu traditional culture highlights the theme thought, that is, the necessity of inheriting and developing traditional culture and the key role of folk art inheritors in inheriting traditional culture. In the creative thinking, mainly through the subjective expression of the characters and objective description of the combination of the review of history and records of the present combination, make the work more infectious and heavy feeling. The fourth chapter explains the artistry of the works from the technical point of view, respectively from the early planning, the middle stage shooting and collection, the later whole editing and packaging to express the creation and completion process of the works, through the interview question setting, lens language, Background music selection, special effects design, voice selection and other aspects of the author's creative intention. And focus on early planning, mid-term shooting, post-production problems in the creative reflection to sum up and accumulate experience. Through the application of cultural communication and TV art creation, this paper analyzes the intention, ideas and themes of the works. The purpose of this paper is to convey to the audience the adherence of folk art inheritors to traditional culture and its important role in inheriting traditional culture.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J952

【參考文獻(xiàn)】

相關(guān)期刊論文 前9條

1 張榮青;;試論電視人物專題的采訪與表現(xiàn)——以《農(nóng)民書記和他的區(qū)情筆記》為例[J];傳播與版權(quán);2015年12期

2 蘇明哲;潘馳宇;;東北滿族剪紙的民俗性與藝術(shù)性[J];大舞臺(tái);2013年11期

3 蔡斌;;新時(shí)代影視文學(xué)的審美轉(zhuǎn)變[J];電影文學(xué);2013年17期

4 馮蕓;;淺談人物類電視專題片的拍攝制作與后期編輯[J];新西部(理論版);2013年09期

5 苗壯;;影視文學(xué)之影視故事模型分析[J];太原大學(xué)教育學(xué)院學(xué)報(bào);2011年01期

6 徐輝;;影視媒體的靈魂——影視審美性初探[J];現(xiàn)代傳播(中國傳媒大學(xué)學(xué)報(bào));2006年02期

7 張琦;;《藝術(shù)人生》的文化解讀[J];湖南大眾傳媒職業(yè)技術(shù)學(xué)院學(xué)報(bào);2006年02期

8 何平華;論影視文學(xué)審美創(chuàng)造特征[J];當(dāng)代電影;2005年03期

9 王純信;滿族剪紙與薩滿教[J];滿族研究;1988年01期

相關(guān)碩士學(xué)位論文 前2條

1 袁靜;電視專題片解說藝術(shù)探究[D];河南大學(xué);2014年

2 周瑾;“非遺類”電視專題片研究[D];天津師范大學(xué);2012年

，

本文編號：1815382