本文選題：裝置 + 藝術(shù)形式　； 參考：《西南交通大學(xué)》2015年碩士論文

【摘要】：裝置藝術(shù)的本身其實(shí)是一種相對(duì)獨(dú)立的藝術(shù)成品形式,但在當(dāng)代社會(huì)發(fā)展的大趨勢(shì)之下,所有的藝術(shù)形式都將被交融混合,都將與某一媒介、某一場(chǎng)所或某一形式相結(jié)合,只有這樣才能滿(mǎn)足當(dāng)代人對(duì)審美的需要。所以,現(xiàn)今的裝置藝術(shù)更多的應(yīng)該被看作是把現(xiàn)成品的挪用與環(huán)境場(chǎng)所的利用相結(jié)合,創(chuàng)造出一種能夠融環(huán)境與現(xiàn)成品一體的空間環(huán)境藝術(shù)品。只有這樣,裝置藝術(shù)才能開(kāi)始成為一種環(huán)境藝術(shù),而不是一件孤零零的放置于某處供人靜觀的單體,也只有這樣,裝置藝術(shù)才能被越來(lái)越多的人所接受,所感悟,在人們?cè)跐撘颇倪^(guò)程中去享受裝置藝術(shù)所帶來(lái)的沖擊。在現(xiàn)在快速發(fā)展的社會(huì)中,所有物品都可以被復(fù)制,批量生產(chǎn),唯有設(shè)計(jì)中注入設(shè)計(jì)師的經(jīng)驗(yàn)和感受是無(wú)可取代的。裝置藝術(shù)通常被放到純藝術(shù)的范圍內(nèi)進(jìn)行討論,但是當(dāng)裝置藝術(shù)被賦予到空間營(yíng)造中時(shí),又能從中找尋到一定的結(jié)合點(diǎn),將純藝術(shù)的形態(tài)并置于空間的構(gòu)思與設(shè)計(jì)中,使藝術(shù)實(shí)現(xiàn)跨門(mén)類(lèi)的多向綜合,使藝術(shù)賦予受眾更多的想象空間,從而對(duì)現(xiàn)在室內(nèi)空間的設(shè)計(jì)增添一定的意義。遂本課題嘗試將室內(nèi)設(shè)計(jì)與裝置藝術(shù)相結(jié)合,討論并總結(jié)出一些可操作性的辦法供室內(nèi)空間設(shè)計(jì)采用,為當(dāng)代室內(nèi)設(shè)計(jì)的長(zhǎng)足發(fā)展提供更多可行性的研究。
[Abstract]:Installation art itself is actually a relatively independent form of finished art, but under the general trend of contemporary social development, all forms of art will be blended and combined with a certain medium, place or form. Only in this way can we satisfy the aesthetic needs of contemporary people. Therefore, the present installation art should be regarded as the combination of the misappropriation of the existing finished products and the use of the environmental sites to create a kind of spatial environmental art that can integrate the environment with the existing finished products. Only in this way can installation art begin to become an environmental art, rather than an isolated unit placed somewhere for observation, and only in this way can installation art be accepted and realized by more and more people. People in the process of imperceptible to enjoy the impact of installation art. In today's rapidly growing society, all items can be copied and mass-produced, but the experience and feelings of designers are irreplaceable. Installation art is usually discussed within the scope of pure art, but when the installation art is given to the space construction, it can find a certain combination from it, and put the form of pure art into the design and design of the space. Making art realize multi-direction synthesis of cross-category, making art endow the audience with more imagination space, thus adding certain significance to the design of indoor space. This paper attempts to combine interior design with installation art, discusses and summarizes some operable methods for interior space design, and provides more feasible research for the rapid development of contemporary interior design.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：TU238.2

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 江秋奮;生態(tài)環(huán)境材料在裝置藝術(shù)中的應(yīng)用研究[D];華南理工大學(xué);2012年

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本文編號(hào)：1784226