本文選題：城市 + 景觀　； 參考：《東北師范大學(xué)》2015年碩士論文

【摘要】：當(dāng)我們的生活日益豐富起來(lái),當(dāng)我們的城市化進(jìn)程加快起來(lái),隨之我們的環(huán)境意識(shí)也隨之在增加,我們對(duì)我們生活和工作中的環(huán)境要求也在逐步提高,因此,景觀藝術(shù)設(shè)計(jì)便有了更多的發(fā)展空間和現(xiàn)實(shí)意義。景觀設(shè)計(jì)是城市建設(shè)必不可少的一部分,越來(lái)越多的景觀設(shè)計(jì)融入到城市公共空間中,它作為城市的部分組成也被越來(lái)越多的開(kāi)發(fā)商、政府管理部門視為關(guān)注熱點(diǎn)。作為景觀藝術(shù)設(shè)計(jì)師,應(yīng)更加注重景觀設(shè)計(jì)在城市公共空間中的應(yīng)用及整體構(gòu)造。景觀作為城市規(guī)劃建設(shè)中的重要組成部分,卻因?yàn)橹T多原因使大量的景觀設(shè)計(jì)缺少人文關(guān)懷�？v觀城市人群中呈現(xiàn)出的“蝸居”狀態(tài),人們對(duì)城市中的景觀熟視無(wú)睹,根本無(wú)法與之相融與之交流。景觀作品成了毫無(wú)意義的擺設(shè)品,使其成了奢侈品,從而景觀設(shè)計(jì)便將成為形而上的景物。存在綜上問(wèn)題的根本原因是設(shè)計(jì)者的設(shè)計(jì)觀念局限在和停留在對(duì)外觀形式和結(jié)構(gòu)上的片面設(shè)計(jì)塑造,從而使人們只能停留在表面欣賞上,人只是匆匆過(guò)客,景只是冷冰冰的擺設(shè),沒(méi)法形成人與景觀之間的互動(dòng)效果。在環(huán)境空間中,景觀是以人為主體的或以人為發(fā)起的一種場(chǎng)景行為,也是景觀應(yīng)用的一種特征體現(xiàn)。如果景觀沒(méi)有與人產(chǎn)生相互交流與互動(dòng),那么此處景觀便沒(méi)有了與人的親近感和歸屬感,因此所傳達(dá)的信息則是虛無(wú)的和無(wú)目的的,自然也就不能被認(rèn)為是適宜現(xiàn)代城市人居的場(chǎng)景或環(huán)境。相反,如果景觀與人的活動(dòng)認(rèn)知有機(jī)地結(jié)合起來(lái),那么此處場(chǎng)景與環(huán)境便有了生命力。近年來(lái),環(huán)境藝術(shù)設(shè)計(jì)師已經(jīng)在城市規(guī)劃建設(shè)過(guò)程中做出了大量的景觀互動(dòng)作品,提出了新理論和新觀念,使互動(dòng)景觀進(jìn)入了一個(gè)全新的認(rèn)識(shí)階段。本篇論文正是基于這個(gè)出發(fā)點(diǎn)建立和形成了一套相對(duì)完整的關(guān)于景觀設(shè)計(jì)在公共空間中的可行性研究報(bào)告。文章立足于我國(guó)互動(dòng)景觀建設(shè)中所出現(xiàn)的一些缺失和不足,結(jié)合我在景觀設(shè)計(jì)實(shí)踐中的一些親身經(jīng)歷,同時(shí)閱讀分析、歸納、總結(jié)了業(yè)內(nèi)前輩的著作和理論、相關(guān)作品,完善了和建立了我對(duì)城市互動(dòng)景觀研究的設(shè)計(jì)理念,強(qiáng)調(diào)景觀設(shè)計(jì)者本著“人與景觀互動(dòng)性”的基本思想,作為設(shè)計(jì)師建立方案的共同認(rèn)知。本篇論文倡導(dǎo)人與人、人與自然之間平等友好和諧的共生關(guān)系,強(qiáng)調(diào)景觀設(shè)計(jì)“以人為本”的設(shè)計(jì)原則,強(qiáng)調(diào)人性化、生態(tài)化以人為主體的學(xué)科發(fā)展趨勢(shì),也期望以此能為互動(dòng)景觀設(shè)計(jì)的發(fā)展做出微薄之力。
[Abstract]:As our lives become richer, our urbanization speeds up, and our environmental awareness increases, so do our environmental requirements for our lives and work. Landscape art design will have more space for development and practical significance. Landscape design is an indispensable part of urban construction. More and more landscape design is integrated into the urban public space. As a part of the city, it is also more and more developers, government management departments as a hot spot. As a landscape art designer, more attention should be paid to the application and overall construction of landscape design in urban public space. Landscape as an important part of urban planning and construction, however, due to many reasons, a large number of landscape design lack of humanistic care. Looking at the "living in the worm" state of the city crowd, people turn a blind eye to the landscape in the city, and can not communicate with it at all. Landscape works become meaningless furnishings, making them luxury goods, so landscape design will become metaphysical. The fundamental reason for the above problem is that the designer's design concept is limited to the one-sided design shaping of the appearance and structure, so that people can only stay on the surface to appreciate, and people are only passing by in a hurry. Scenery is just a cold decoration, can not form the interaction between people and the landscape. In environmental space, landscape is a kind of scene behavior, which is mainly or initiated by people, and it is also a feature of landscape application. If the landscape does not interact and interact with people, then the landscape does not have a sense of intimacy and belonging, and the message is therefore meaningless and aimless. Nature can not be regarded as a scene or environment suitable for modern urban human settlements. On the contrary, if the landscape and human activity cognition are organically combined, then the scene and environment have vitality. In recent years, environmental art designers have made a large number of interactive landscape works in the process of urban planning and construction, and put forward new theories and new concepts, so that interactive landscape has entered a new stage of understanding. This paper is based on this point to establish and form a relatively complete set of landscape design in public space feasibility report. Based on some deficiencies and deficiencies in the construction of interactive landscape in our country, combined with my own experience in landscape design practice, reading and analyzing, summing up the works and theories of predecessors in the industry, and related works, I have perfected and established my design concept of urban interactive landscape research, emphasized the landscape designer in line with the basic idea of "people and landscape interaction", as a designer to establish the common understanding of the scheme. This paper advocates the equal, friendly and harmonious symbiotic relationship between man and man, man and nature, emphasizes the design principle of "people-oriented" in landscape design, emphasizes the trend of humanization and ecological subject development. It is also expected to make a modest contribution to the development of interactive landscape design.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU984.113

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本文編號(hào)：1783583