本文選題：皇家園林 + 園中園��； 參考：《天津大學》2015年碩士論文

【摘要】：賅春園位于頤和園(前身清漪園)后山御路西段,始建于乾隆十七年(1752),咸豐十年(1860)被英法聯(lián)軍焚毀,后由于政治、經(jīng)濟等原因未能重修,現(xiàn)僅存遺址。賅春園由清可軒和味閑齋兩組院落組成,依山而建,環(huán)境幽邃,是一座宗教氛圍濃厚的文人園。乾隆皇帝對其十分喜愛,“來必憩斯軒”,共留下98首御制詩文來歌詠此園,具有十分重要的研究價值。在園林設計方面賅春園選址于萬壽山山陰處,依巖構(gòu)軒,蜿蜒曲折,自成天然之趣,為一山地園佳作,體現(xiàn)了乾隆皇帝的園林審美境界。在創(chuàng)作意向方面,賅春園寫仿金陵永濟寺與鎮(zhèn)江金焦二山,全面的反映了乾隆皇帝的造園思想與皇家園林園中園的寫仿設計方法。在園林文化方面,賅春園中曾進行過豐富多樣的園林活動,包含了深厚的文化內(nèi)涵,并且賅春園本身在院落格局、單體建筑、植物品類以及點景題名等方面均體現(xiàn)了儒道釋等多元文化的相互融合。本文通過文獻考證與實地調(diào)研相結(jié)合的方式,對賅春園進行綜合研究。通過三維激光掃描技術對遺址空間信息的采集以及樣式雷圖檔等相關檔案文獻的記載,深入分析賅春園的園林藝術與設計方法,并在此基礎上對其進行復原研究。通過對寫仿原型金陵永濟寺與鎮(zhèn)江金山、焦山進行考證,深挖其歷史沿革并復原其平面格局,結(jié)合比較分析法,發(fā)現(xiàn)賅春園不僅在建筑單體方面以留云閣寫仿永濟寺觀音閣,而是在整體院落格局與園林意境方面對金陵永濟寺進行全面的寫仿,重新探析了賅春園的具體寫仿內(nèi)容與寫仿手法。通過乾隆皇帝御制詩、《陳設冊》以及相關檔案的記載,對賅春園中的園林活動進行考證,并深挖其背后的文化驅(qū)動力,系統(tǒng)分析了賅春園所蘊藏的文化內(nèi)涵。在推動乾隆時期園林藝術、設計方法與文化內(nèi)涵的研究以及深化頤和園整體價值認知方面具有重要的意義。
[Abstract]:Located in the west section of Houshan Royal Road in the Summer Palace (formerly Qingyi Garden), it was first built in 1752 and 1860 in 17 years of Qianlong and 10 years of Xianfeng), which was burned down by the British and French coalition forces, but has not been rebuilt due to political, economic and other reasons, and only remains of the site.The garden is composed of Qingke Xuan and Wei Yi Zhai, built according to the mountain, and is a literati garden with a strong religious atmosphere.Emperor Qianlong loved it very much, and left 98 imperial poems and essays to sing this garden, which had very important research value.In the garden design, the Spring Garden is located in the shade of Wanshou Mountain, with its winding and winding nature, which embodies the aesthetic realm of Emperor Qianlong's garden.In terms of creative intention, Chunyuan wrote imitation Jinling Yongji Temple and Zhenjiang Jinjiaoer Mountain, which reflected the thought of Emperor Qianlong and the imitation design method of Royal Garden Garden.In the aspect of garden culture, there have been rich and diverse garden activities in Chunyuan, which contain profound cultural connotations, and the garden itself is in the courtyard structure, single building,The plant category and the title of the scene reflect the fusion of Confucianism, Taoism, Buddhism and other multiculturalism.Through the combination of literature research and field investigation, this paper makes a comprehensive study on Chunyuan.Through the 3D laser scanning technology to collect the space information of the site and the records of the relevant archives such as the style thunder map and so on, this paper deeply analyzes the garden art and the design method of Chun Yuan, and on this basis carries on the research to its restoration.Through the textual research of Jinling Yongji Temple, Zhenjiang Jinshan and Jiaoshan, the historical evolution of Jinling and the restoration of its plane pattern are deeply explored. In combination with the comparative analysis, it is found that not only does the Spring Garden copy the Guanyin Pavilion of Yongji Temple in the aspect of building monomer,But in the whole courtyard pattern and the garden artistic conception aspect carries on the comprehensive writing imitation to the Jinling Yongji Temple, has re-analyzed the Quichun Garden concrete writing imitation content and the writing imitation technique.Through the records of Emperor Qianlong's imperial poems, the book of furnishings and the related archives, this paper makes textual research on the garden activities in Quichun Garden, deeply excavates the cultural driving force behind it, and systematically analyzes the cultural connotation contained in the Garden.It is of great significance in promoting the study of garden art, design method and cultural connotation in Qianlong period and deepening the whole value cognition of the Summer Palace.
【學位授予單位】：天津大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU986

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本文編號：1748515