本文選題：宛梆　切入點：文化沖突　出處：《新疆師范大學》2017年碩士論文　論文類型：學位論文

【摘要】：宛梆是流傳在以河南省南陽市地區(qū)為中心的梆子腔劇種,距今已有四百余年的歷史。鼎盛時期的宛梆風靡豫西南地區(qū)及周邊各省,深受人民群眾的喜愛,是河南省的第二大地方性劇種,2006年5月20日宛梆被列為第一批國家級非物質(zhì)文化遺產(chǎn)名錄。它是南陽一帶及其周邊地區(qū)歷史積累沉淀的藝術(shù)形態(tài),也是以內(nèi)鄉(xiāng)縣為代表的地區(qū)群體尋找身份文化認同和文化歸屬的載體。被命名為“天下第一團”的內(nèi)鄉(xiāng)縣宛梆劇團是目前宛梆劇種唯一一個專業(yè)劇團,它幾乎獨自擔負著劇種的傳播和發(fā)展。宛梆的興盛比豫劇還要早些,但到現(xiàn)在人們分不清“宛梆和豫劇”,宛梆劇種陷入生存發(fā)展的尷尬局面。隨著經(jīng)濟全球化和社會現(xiàn)代化的快速發(fā)展,多元文化的沖突背景下孕育宛梆生長的文化土壤、社會環(huán)境和經(jīng)濟基礎(chǔ)等都發(fā)生著深刻的變化,宛梆內(nèi)部的各個方面也發(fā)生著不同程度的主動或非主動的變化,橫向的本土與外來文化的沖突貫穿了宛梆的歷史、縱向的傳統(tǒng)與現(xiàn)代的文化沖突展示了宛梆的現(xiàn)實,多層次的官方與民間的文化沖突更是決定了宛梆的未來,呈現(xiàn)出一個立體的多層次的復(fù)雜體系。以宛梆藝術(shù)這一文化現(xiàn)象的變化可以看到南陽文化的時代變遷,宛梆也成為構(gòu)筑南陽地區(qū)文化生態(tài)的重要內(nèi)容。論文的緒論主要探究了選題的緣由意義及國內(nèi)外對文化沖突現(xiàn)象研究進展進行的綜述,介紹了本文的主要框架、難點和創(chuàng)新點。第二章本土文化與外來文化的沖突,比較全面的探討了楚、秦、漢三種文化滋生下的宛梆文化及藝術(shù)特色;第三章官方文化與民間文化的沖突,主要探討的是宛梆文化的民間傳承到官方管制又回歸到人民大眾中,講述了宛梆人從娛人到自娛的過程;第四章傳統(tǒng)文化與現(xiàn)代文化的沖突,主要研究了宛梆在順應(yīng)時代的情況下在“復(fù)古”與“創(chuàng)新”中所做的選擇,其中包括了宛梆改革過程中的失敗與成功;第五章基于第二、三、四章研究對宛梆非遺現(xiàn)狀調(diào)查分析并提出筆者的思考及發(fā)展建議,力圖為宛梆未來發(fā)展建立一個框架,在時代變革中做一個選擇并對宛梆藝術(shù)未來的展望。
[Abstract]:Wan Bang Bang is a kind of Bangzi opera spread in Nanyang City, Henan Province. It has a history of more than 400 years. At its peak, Wan Bang was popular in southwestern Henan and its surrounding provinces, and was loved by the masses of the people. Wanbang is the second largest local drama in Henan Province. On May 20, 2006, Wanbang was listed as the first batch of national intangible cultural heritage list. It is an artistic form of historical accumulation and sedimentation in Nanyang and its surrounding areas. It is also a carrier for local groups represented by Neixiang County to seek identity and cultural identity and cultural affiliation. The Neixiang County Wan Bang Opera Troupe, named "the first troupe in the world", is the only professional troupe of Wanbang opera at present. It was almost alone in the spread and development of the drama. Wan Bang's prosperity was earlier than the Henan Opera. But now people can not distinguish Wan Bang opera from Yu Opera, and Wanbang opera falls into an awkward situation of survival and development. With the rapid development of economic globalization and social modernization, the cultural soil of Wanbang grows under the background of multiculturalism conflict. Profound changes have taken place in the social environment and economic foundation, and various aspects of Wan-bang have also undergone changes in different degrees, both active and non-active. The conflict between local and foreign cultures has run through the history of Wan Bang. The vertical cultural conflict between traditional and modern shows the reality of Wan Bang, and the multi-level cultural conflict between the government and the people determines the future of Wanbang. Presents a three-dimensional, multi-level and complex system. With the change of the cultural phenomenon of Wanbang art, we can see the change of the times of Nanyang culture. Wanbang has also become an important content in the construction of cultural ecology in Nanyang. The introduction of this paper mainly explores the significance of the topic and the progress of the research on the phenomenon of cultural conflict at home and abroad, and introduces the main framework of this paper. The second chapter discusses the conflict between native culture and foreign culture, and discusses the cultural and artistic characteristics of Wan Bang, which are brought about by the three cultures of Chu, Qin and Han. Chapter three is the conflict between official culture and folk culture. It mainly discusses the folk inheritance of Wanbang culture to the official control and return to the masses of the people, narrates the process of Wanbang people from entertaining people to self-entertainment. Chapter four is the conflict between traditional culture and modern culture. This paper mainly studies the choices made by Wan Bang in "retro" and "innovation" under the condition of adapting to the times, including the failure and success in the process of Wanbang's reform; the fifth chapter is based on the second and third chapters. The four chapters investigate and analyze the present situation of Wanbang and put forward the author's thoughts and development suggestions in order to establish a framework for the future development of Wanbang and to make a choice in the change of the times and to prospect the future of Wanbang art.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J617.5

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