本文選題：室內(nèi)設(shè)計　切入點：陳設(shè)設(shè)計　出處：《山東建筑大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：20世紀(jì)90年代以后,室內(nèi)陳設(shè)藝術(shù)設(shè)計越來越受到人們的關(guān)注和重視,但也出現(xiàn)了盲目模仿西方符號的現(xiàn)象。事實上,室內(nèi)陳設(shè)藝術(shù)是一定社會意識形態(tài)和審美理想的反映,應(yīng)該從傳統(tǒng)文化中尋求有益的因素,做到傳承與創(chuàng)新并舉,傳統(tǒng)陳設(shè)藝術(shù)在現(xiàn)代室內(nèi)空間設(shè)計中有著重大應(yīng)用價值。本文分為五大部分,在綜述課題基本問題之后,論證了選題的可行性,將分析對象設(shè)定在室內(nèi)陳設(shè)設(shè)計。室內(nèi)陳設(shè)藝術(shù)設(shè)計是室內(nèi)設(shè)計的有機(jī)組成部分,是通過陳設(shè)物品在空間里的組織和規(guī)劃,對室內(nèi)設(shè)計方案的進(jìn)一步完善和深化。室內(nèi)陳設(shè)藝術(shù)要遵循從功能、視覺審美、地域風(fēng)格到精神要求的基本設(shè)計原則,通過服從一定形式法則的布置方式起到美化室內(nèi)環(huán)境的作用。傳統(tǒng)室內(nèi)陳設(shè)藝術(shù)在不斷發(fā)展的過程中,形成了有中國特色的從技術(shù)到文化的多元設(shè)計理念,體現(xiàn)著中國從物質(zhì)居住、宗法禮儀、風(fēng)俗習(xí)慣到思維方式的社會背景。在案例分析部分中,通過本人在設(shè)計工作中的實際方案,探討傳統(tǒng)陳設(shè)藝術(shù)的應(yīng)用問題,研究如何將傳統(tǒng)陳設(shè)藝術(shù)文化應(yīng)用于具體的現(xiàn)代室內(nèi)空間設(shè)計。綜上所述,傳統(tǒng)陳設(shè)藝術(shù)在現(xiàn)代室內(nèi)空間設(shè)計中的應(yīng)用,可以通過“物-行為-心理-文化”等多層次的分析,來找到蘊藏其中的設(shè)計理念及其思想文化內(nèi)涵,以及對現(xiàn)代室內(nèi)空間的設(shè)計理論與實踐的啟示意義。
[Abstract]:Since 1990s, more and more attention has been paid to the design of interior furnishings, but blind imitation of western symbols has also appeared. In fact, the art of interior furnishings is a reflection of a certain social ideology and aesthetic ideal. We should seek the beneficial factors from the traditional culture, so that inheritance and innovation can be carried out simultaneously. The traditional furnishing art has great application value in the modern interior space design. This paper is divided into five parts, after summarizing the basic problems of the subject, The feasibility of the topic is demonstrated, and the object of analysis is set up in the design of interior furnishings. The artistic design of interior furnishings is an organic part of interior design, which is organized and planned through the display of objects in space. To further improve and deepen the interior design scheme. The interior furnishing art should follow the basic design principles from function, visual aesthetics, regional style to spiritual requirements. In the process of continuous development of traditional interior furnishings, traditional interior furnishings have formed a multi-dimensional design concept with Chinese characteristics, ranging from technology to culture. It reflects the social background of China from material residence, patriarchal etiquette, customs and habits to the way of thinking. In the case analysis part, through the actual scheme of my design work, I discuss the application of traditional display art. This paper studies how to apply the traditional display art culture to the concrete modern interior space design. In summary, the application of the traditional display art in the modern interior space design can be analyzed through the multi-level analysis, such as "object-behavior, psychology and culture" and so on. To find out the design concept and its ideological and cultural connotation, as well as the modern interior space design theory and practice of enlightenment.
【學(xué)位授予單位】：山東建筑大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU238.2
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本文編號：1610675