本文選題：狄更斯　切入點(diǎn)：哥特　出處：《南京師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：狄更斯是偉大的批判現(xiàn)實(shí)主義作家,他的創(chuàng)作反映了英國(guó)的社會(huì)現(xiàn)實(shí),再現(xiàn)了倫敦的都市變遷,創(chuàng)作后期是他寫作的巔峰時(shí)期,隨著對(duì)社會(huì)認(rèn)識(shí)的逐漸加深,作者著眼于批判議會(huì)政治的黑暗、統(tǒng)治階級(jí)的腐敗、金錢社會(huì)的罪惡、人民大眾的疾苦。他的小說具有強(qiáng)烈的批判性和寫實(shí)性,同時(shí)具有浪漫主義色彩,尤其體現(xiàn)在哥特因素的運(yùn)用上。縱觀他的創(chuàng)作生涯,十幾部作品都帶有濃郁的哥特特色。論文主體分為四個(gè)部分：第一部分論述狄更斯的哥特情緣,從文學(xué)傳統(tǒng)和個(gè)人因素的影響兩方面分析狄更斯后期長(zhǎng)篇小說呈現(xiàn)哥特風(fēng)格的原因。探討文學(xué)傳統(tǒng)對(duì)于狄更斯創(chuàng)作不容忽視的影響,以及作者的性格特征和人生體驗(yàn)如何影響他對(duì)文學(xué)傳統(tǒng)的接受和繼承。第二部分圍繞狄更斯小說中“恐怖”特征來探討哥特藝術(shù)的呈現(xiàn),從環(huán)境場(chǎng)景和情節(jié)安排兩方面論述。一方面探究環(huán)境場(chǎng)景設(shè)置如何為敘事服務(wù),同時(shí)引導(dǎo)和渲染一種特定的情感氛圍,另一方面研究撲朔迷離的情節(jié)編排怎樣喚起讀者興趣,引發(fā)審美快感和愉悅情緒。第三部分圍繞狄更斯小說中的“怪誕”特征來探究哥特世界的展現(xiàn),從層層懸念設(shè)置、多種視角轉(zhuǎn)換、象征、夢(mèng)境和夸張與怪誕的關(guān)系等方面來展示狄更斯作品中的“怪誕”世界。論述了狄更斯的作品在怪誕的表層結(jié)構(gòu)下寄存著真實(shí)的深層結(jié)構(gòu),指出怪誕是一種表現(xiàn)手法和藝術(shù)特征,現(xiàn)實(shí)才是作品的真實(shí)意旨。第四部分剖析狄更斯作品中的哥特式人物特性,從人物的殘缺性和非人化兩個(gè)角度來探討哥特式人物的深層意蘊(yùn)。明確狄更斯放大怪誕人物的性格缺陷目的是為了諷刺和批判當(dāng)時(shí)墮落的社會(huì)風(fēng)氣。狄更斯用完美的寫作技巧完成哥特世界的展現(xiàn),他筆下的哥特“恐怖”、“怪誕”世界激發(fā)讀者的好奇心和想象力,他在竭力批判人類道德缺陷以及社會(huì)弊端的同時(shí),通過作品來喚醒世人的美德,進(jìn)而改造社會(huì),導(dǎo)向偉大的文明。
[Abstract]:Dickens is a great critical realism writer whose works reflect the social reality of England and reappear the urban changes of London. The latter period of his writing was the peak of his writing, with the deepening of his understanding of society. The author focuses on criticizing the darkness of parliamentary politics, the corruption of the ruling class, the evil of the money society, and the suffering of the masses of the people. Especially in the use of Gothic factors. Throughout his creative career, more than a dozen works have strong Gothic characteristics. The main body of the thesis is divided into four parts: the first part discusses Dickens Gothic love, This paper analyzes the causes of the Gothic style in Dickens's later novels from the aspects of literary tradition and personal factors, and probes into the influence of literary tradition on Dickens' creation. And how the author's character and life experience affect his acceptance and inheritance of literary tradition. The second part discusses the presentation of Gothic art around the "horror" feature in Dickens' novels. On the one hand, it explores how the setting of the environment scene serves the narrative, at the same time it guides and renders a specific emotional atmosphere, on the other hand, it studies how the complicated plot arrangement can arouse the reader's interest. The third part explores the display of Gothic world around the characteristics of "grotesque" in Dickens' novels. The relationship between dream and exaggeration and grotesque shows the "grotesque" world in Dickens' works. This paper discusses the real deep structure of Dickens' works under the surface structure of grotesque, and points out that grotesque is a kind of expression technique and artistic characteristic. Reality is the true purpose of the work. Part 4th analyzes the characteristics of Gothic characters in Dickens' works, This paper discusses the deep meaning of Gothic characters from the perspective of deformity and dehumanization. The purpose of clarifying the character defects of Dickens magnified grotesque characters is to satirize and criticize the decadent social ethos of the time. Beautiful writing skills complete the display of the Gothic world, His Gothic "horror" and "grotesque" world arouse readers' curiosity and imagination. While he tries his best to criticize human moral defects and social malpractices, he wakes up the virtues of the world through his works and then rebuilds the society. Lead to great civilization.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 黃祿善;;哥特身份和哥特式復(fù)興——英國(guó)哥特式小說的“哥特式”探源[J];外國(guó)文學(xué)研究;2008年01期

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本文編號(hào)：1609350