本文關(guān)鍵詞： 圖案造型 紋樣特點(diǎn) 藝術(shù)價(jià)值 現(xiàn)代設(shè)計(jì)　出處：《湖北工業(yè)大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)紙牌起源于唐代的葉子戲,在明清時(shí)期發(fā)展至鼎盛,其中木刻版畫又在明代尤為繁盛,流傳至今演變成現(xiàn)在的撲克牌、麻將牌等。雖然在大眾眼中紙牌還是一種博弈工具,供消遣娛樂(lè)之用,其實(shí)方寸間的藝術(shù)價(jià)值和文化品位是無(wú)可比擬的。紙牌就像歷史長(zhǎng)河中的一面鏡子,折射出千姿百態(tài)的社會(huì)和不同時(shí)期的藝術(shù)文化。究其藝術(shù)形態(tài)和裝飾價(jià)值引發(fā)我們對(duì)當(dāng)代美學(xué)的新思考。無(wú)論是來(lái)自民間的馬吊上所繪制的稚拙的水滸人物,還是出自名家的列仙酒牌中所繪的頗具藝術(shù)品味的人物形象,又或是上大人上的書法藝術(shù),每一個(gè)都值得我們深入探究,這也是對(duì)傳統(tǒng)文化的思考,更是對(duì)現(xiàn)代設(shè)計(jì)的新定義。本文以明清紙牌的圖案紋樣分析為主要線索,分析了紙牌的面飾、邊飾和背飾的裝飾特征和藝術(shù)形式。通過(guò)分析紙牌中的經(jīng)典個(gè)例影射出紙牌中所包含的文化容量,以及當(dāng)時(shí)的大環(huán)境中所反應(yīng)的特殊的民俗風(fēng)貌。從宏觀上,探討了紙牌獨(dú)特的圖案造型、紋樣特點(diǎn)、布局安排等藝術(shù)形式;從微觀上,由于創(chuàng)作紙牌的作者不同所呈現(xiàn)的普通紙牌和藝術(shù)性紙牌引發(fā)我們對(duì)于民俗的新思考。最后從繁與簡(jiǎn),雅與俗,古與今對(duì)紙牌與現(xiàn)代裝飾藝術(shù)價(jià)值有一種新的思考。
[Abstract]:Chinese cards originated in the leaf play of the Tang Dynasty, which developed to its peak in the Ming and Qing dynasties, in which woodcut printmaking flourished in the Ming Dynasty, and has now evolved into playing cards, mahjong cards and so on. Although in the eyes of the public, cards are still a game tool. For recreation and entertainment, the artistic value and cultural taste of square inches are unparalleled. Cards are like a mirror in the long stream of history. It reflects the diverse society and the art culture of different periods. Its artistic form and decorative value lead us to think new about contemporary aesthetics. Whether it is the young and clumsy water margin figure drawn on the horse hanging from the folk, Or is it the figure with artistic taste drawn from the wine plate of the famous scholar, or the calligraphy art on the adult, each of which is worthy of our in-depth study? this is also a reflection of traditional culture. It is a new definition of modern design. Based on the pattern analysis of cards in Ming and Qing dynasties, this paper analyzes the surface decoration of cards. The decorative features and artistic forms of edge and back ornaments. By analyzing the classical examples of cards, the cultural capacity contained in cards and the special folklore features reflected in the general environment at that time are inferred from the macro perspective. This paper discusses the unique art forms of card, such as pattern modeling, pattern characteristics, layout arrangement and so on; from the microscopic point of view, The common cards and artistic cards presented by the authors of the creation of cards lead us to a new thinking about folklore. Finally, there is a new thinking about the value of cards and modern decorative art from the aspects of complexity and simplicity, elegance and custom, ancient and present.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J524

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本文編號(hào)：1550839