本文關(guān)鍵詞： 清初 淮安府 詩(shī)人 詩(shī)歌 研究　出處：《延邊大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：清初是淮安府在詩(shī)歌領(lǐng)域嶄露頭角且尤為獨(dú)放異彩的時(shí)間段。本文主要從清初淮安府詩(shī)人的詩(shī)歌創(chuàng)作概況、詩(shī)歌分類與內(nèi)容分析、詩(shī)歌藝術(shù)特點(diǎn)三方面展現(xiàn)清初淮安府詩(shī)歌創(chuàng)作的繁盛風(fēng)貌。清初淮安府詩(shī)人主要包括本地詩(shī)人和外籍詩(shī)人兩種類型。本地詩(shī)人產(chǎn)生了享譽(yù)一時(shí)的詩(shī)歌團(tuán)體——望社。清初邱象隨將鄉(xiāng)邦詩(shī)文擇優(yōu)編集為《淮安詩(shī)城》,所收錄的即主要為望社成員的詩(shī)歌。本地詩(shī)人的杰出代表有"望社三詩(shī)人"(閻修齡、張養(yǎng)重、靳應(yīng)升)、"淮南二邱"(邱象升、邱象隨)等。外籍詩(shī)人按在淮時(shí)間長(zhǎng)短可以劃分為暫寓淮安詩(shī)人和常住淮安詩(shī)人兩大類,代表詩(shī)人有萬壽祺、方文、蔣i[等。清初淮安府詩(shī)歌創(chuàng)作題材與內(nèi)容豐富多樣。詩(shī)歌創(chuàng)作題材主要包括家國(guó)時(shí)事詩(shī)、宴飲酬答詩(shī)、山水田園詩(shī)三種類型。家國(guó)時(shí)事詩(shī)是淮安詩(shī)歌思想和藝術(shù)成就最高的類型,它們集中體現(xiàn)了詩(shī)人們直面慘淡人生的勇氣以及高度的責(zé)任感。宴飲酬答詩(shī)主要在眾多的集會(huì)活動(dòng)中產(chǎn)生。山水田園詩(shī)得益于優(yōu)美的自然環(huán)境。豐富的創(chuàng)作類型體現(xiàn)了淮安昔日詩(shī)教之盛況�；窗苍�(shī)歌創(chuàng)作的主要內(nèi)容包括哀嘆宗室覆滅、反映民生多艱、感慨際遇坎坷、放情山水田園四類。哀嘆宗室覆滅的詩(shī)歌內(nèi)容體現(xiàn)了時(shí)代主旋律。反映民生多艱的詩(shī)歌集中展現(xiàn)了淮民的災(zāi)難史,凸顯了詩(shī)人們對(duì)百姓的同情和現(xiàn)實(shí)關(guān)懷。感慨際遇坎坷的詩(shī)歌表現(xiàn)了亂離失意詩(shī)人內(nèi)心幽微起伏的思緒。放情山水田園的詩(shī)歌抒發(fā)了詩(shī)人們對(duì)田園隱逸生活的向往和喜愛之情。清初淮安府詩(shī)歌創(chuàng)作的藝術(shù)特點(diǎn)突出。首先,在結(jié)構(gòu)形式上突出表現(xiàn)為詩(shī)格嚴(yán)整、善寫開篇和以景結(jié)情。詩(shī)格嚴(yán)整主要是為了時(shí)局和宴飲酬答的需要。善寫開篇具體包括用夸張的手法以闊大的場(chǎng)景或廣闊的時(shí)間開篇、開篇煉字、比興開篇等。以景結(jié)情使詩(shī)歌含無盡之意。其次,在表現(xiàn)手法上主要為虛實(shí)結(jié)合、運(yùn)用典故和托物言志,增強(qiáng)表達(dá)效果。虛實(shí)結(jié)合使詩(shī)歌內(nèi)涵擴(kuò)大。引用典故主要應(yīng)用在表達(dá)隱晦意圖、高潔品格、較豐富含義處。托物言志指詩(shī)人們用象征等手法,將主觀的精神、品格、志向等寄寓到某一具體事物上。這三種表現(xiàn)手法的運(yùn)用使清初淮安詩(shī)歌含蓄蘊(yùn)藉、耐人尋味。再者,在語言風(fēng)格上主要有清婉秀麗、雄渾沉郁、平實(shí)質(zhì)樸三種類型,美學(xué)風(fēng)格多樣。清婉秀麗的語言風(fēng)格集中體現(xiàn)在詩(shī)歌對(duì)景致的描寫方面。雄渾沉郁是指詩(shī)人們將家國(guó)不幸的悲劇融入嚴(yán)肅題材、宏大的背景中。平實(shí)質(zhì)樸是因淮安的考據(jù)之風(fēng)盛行,以文為詩(shī)而形成的語言風(fēng)格。清初淮安府詩(shī)歌影響廣泛。首先,他們的詩(shī)歌成績(jī)得到了世人的的高度認(rèn)可。其次,清初的淮安詩(shī)歌引領(lǐng)了清中后期的淮安詩(shī)壇方向。在商人詩(shī)學(xué)方面,形成了賈而好詩(shī)的優(yōu)良傳統(tǒng)。在士人文學(xué)方面,具有直面現(xiàn)實(shí),體察民瘼的憂患意識(shí)。
[Abstract]:At the beginning of the Qing Dynasty is the period of Huaian government in the field of poetry emerged especially unique. This article mainly from the poetry creation of Qing Dynasty Huaian palace poet, analyzing the classification and content of poetry, poetry artistic features three aspects show the prosperous Huaian Fu Poetry Style in early Qing Dynasty. In early Qing Dynasty Huaian palace poets including local poets and foreign poets two types the famous local poet. A poetry group - Wang Qing Qiu agency. Like with the hometown for Huaian "compilation of poetry poetry preferred city >, which included mainly for at the members of the society of poetry. The poet's outstanding representative of local" wangshe three poets "(Yan Xiuling, Zhang Yang, Jin Yingsheng)" Huainan, two (Qiu Xiangsheng, Qiu Qiu "as with). According to the length of time in the Huai foreign poets can be divided into temporarily Huaian poets and poets of Huaian resident in two categories, the representative poet of Wanshou Qi, Fang Wen, Jiang i[in Huaian. Fu Poetry theme and rich contents. The main theme of poetry creation events including National Poetry, feasting in poetry, pastoral poetry three types. "Current poetry is Huaian poetry thoughts and artistic achievements of the highest type, which reflects the poets facing life of courage and responsibility for the feast poems mainly. In the numerous rallies. Thanks to the idyllic landscape and beautiful natural environment. The rich creation type reflects the Huaian old poetry of the event. The main contents of Huaian poetry including lament clan destruction, reflecting the people's livelihood more difficult, feeling the suffering a lot, pastoral meets four kinds. The collapse of the imperial clan poems embody content lament the main theme of the times. Reflecting the people's livelihood more difficult poems show the Huai min disaster history, highlighting the poets of the people's sympathy and concern for reality. Feeling fortune ridge Ke poems presented by poets heart faint thoughts. The ups and downs of the pastoral poetry to express the feeling of yearning and love of the pastoral poets the hermit life of love. The artistic characteristics of Huaian in early Qing Dynasty palace poetry outstanding. Firstly, the structure of its outstanding performance is rigorous, good at writing and begins to view the situation. This is mainly for the needs. In the situation and recognition of good writing. The Opening Banquet including exaggerates with wide scene or wide opening time, opening words, metaphor. To view the situation with the node containing the meaning of poetry. The endless time, combining with the main factors in the technique of expression, the use of allusions and by, improve the efficiency of expression. The poetry connotation expanded. The actual situation with allusion is mainly used in the expression of vague intent, Gao Jie character, rich meaning. "The poem refers to people with symbolism, will The subjective spirit, character, such as his ambition to a specific thing. The use of these three techniques in the Qing Dynasty Huaian poetry implicit and thought-provoking. Furthermore, in the language style is graceful and beautiful, vigorous and gloomy, plain and simple three types, aesthetic style and diverse. They embody beautiful language style in the poetry of the scenery description. The poem refers to the vigorous and gloomy people will family tragedy into serious themes, the grand background. Plain and simple is popular because of Huaian's textual style, writing poems and the formation of the language style. At the beginning of Huaian Fu Poetry influence widely. Firstly, their poetry scores the world highly recognized. Secondly, the Qing Dynasty Huaian poetry led the Huaian poetry direction in the late Qing Dynasty. In the merchant poetics, formed a good Jia and tradition. In the literature, with a face Well understand the reality, a sense of crisis.

【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 呂天娥;李天林;;淮安市漕運(yùn)文化特性研究[J];藝海;2016年02期

2 郭寶光;;野老生來不媚人——清初遺民方文其人其詩(shī)考論[J];江蘇師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2015年06期

3 楊冰清;;探析明末清初遺民詩(shī)人的出路問題[J];重慶交通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2013年06期

4 劉小新;;文學(xué)地理學(xué):從決定論到批判的地域主義[J];福建論壇(人文社會(huì)科學(xué)版);2010年10期

5 張強(qiáng);;淮上文獻(xiàn)述論[J];古籍整理研究學(xué)刊;2009年06期

6 朱德慈;;張養(yǎng)重生卒年歲新考[J];文學(xué)遺產(chǎn);2009年05期

7 葛恒剛;;望社創(chuàng)建時(shí)間及其文化意蘊(yùn)[J];青海社會(huì)科學(xué);2008年06期

8 張強(qiáng);;漕運(yùn)與淮安[J];東南大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2008年04期

9 周薇;;運(yùn)河與淮安詩(shī)歌[J];淮陰師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2008年03期

10 荀德麟;歷史文化名鎮(zhèn)淮安河下[J];江蘇地方志;2002年06期

相關(guān)博士學(xué)位論文 前4條

1 郭寶光;清初淮安山陽(yáng)望社研究[D];蘇州大學(xué);2013年

2 楊勝朋;清初淮安詩(shī)壇研究[D];浙江大學(xué);2012年

3 吳瓊;明末清初的文學(xué)嬗變[D];上海師范大學(xué);2012年

4 吳增禮;清初江南遺民生存境況研究[D];湖南大學(xué);2010年

相關(guān)碩士學(xué)位論文 前2條

1 張麗麗;清代前中期揚(yáng)州徽商園林與文學(xué)[D];安徽大學(xué);2014年

2 洪茂寧;清初遺民敘事詩(shī)研究[D];浙江師范大學(xué);2012年

，

本文編號(hào)：1507742