本文關(guān)鍵詞： 帽飾設(shè)計 現(xiàn)代時裝 設(shè)計研究　出處：《武漢紡織大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：帽子最初的發(fā)展主要是依據(jù)于社會的發(fā)展過程的,與社會的發(fā)展過程一樣,是一個與自然相處的過程。而這個與自然相處的過程其實從某個程度上來說,是與許多東西的條件變化相關(guān)的,比如說從大的范圍上來說,就是社會發(fā)展條件和人們的宗教信仰還有各地不同的風(fēng)土人情;從小的范圍上來說,則是氣候、環(huán)境或是思想的變化,這些在某種程度上來對帽飾的發(fā)展起到了一定的推動作用。在國內(nèi)的范圍來說,以我國最為著名的京劇藝術(shù)中,帽子只是以一種形象語言的臉譜化方式來表達(dá)所飾演人物的心理語言。但帽子在中國的地位是不言而喻的,它一直是至高的權(quán)利與地位的象征并且一直見證著歷史的發(fā)展。但在19世紀(jì)末20世紀(jì)初,隨著西方文化的滲入與傳播,他們的帽飾文化逐漸出現(xiàn)在中國人的思想中。在西方社會中,是將如京劇藝術(shù)中這種臉譜化的方式直接映射在生活中,在20世紀(jì)初,西方的帽子已不僅僅是一種趨勢和潮流,更多的則是身份地位的象征,功能性最為突出。而隨著社會的不斷發(fā)展,帽子也漸漸地從實用性和功能性的趨向裝飾性而轉(zhuǎn)變,它不再僅限于御寒或是彰顯身份的標(biāo)識,而是與服裝造型相搭配的飾品--帽飾。在現(xiàn)代社會,關(guān)于帽飾的各種不同的文化和潮流趨勢一直在不斷地影響著人們的審美觀念,隨著時代的發(fā)展,帽飾開始與現(xiàn)代時裝的造型相搭配,依據(jù)服裝的造型、面料或者某些元素來設(shè)計,并與當(dāng)下流行的時裝形態(tài)保持著高度的一致。本文論述了帽子的歷史背景、藝術(shù)特征,細(xì)致分析了帽飾的紋案類型、材質(zhì)工藝、色彩特點和構(gòu)造形態(tài)以及現(xiàn)代帽飾設(shè)計大師的個案分析。著重論述帽飾在現(xiàn)代時裝設(shè)計中的應(yīng)用,分別從帽飾設(shè)計與現(xiàn)代時裝造型的搭配、與時尚趨勢的緊密結(jié)合及與現(xiàn)代都市生活的相互影響等多方面探討,并將理論結(jié)合市場,運用于實踐。通過在研究生期間,積極地在導(dǎo)師工作室實踐學(xué)習(xí),參與工作室大量服裝的設(shè)計與制作項目,以此積累經(jīng)驗,通過這兩年的實踐研究,不斷總結(jié)分析,提升為理論輔助完成研究生畢業(yè)設(shè)計作品。
[Abstract]:The initial development of the hat is mainly based on the social development process, like the social development process, is a process of getting along with nature, and this process of getting along with nature is actually to a certain extent. It is related to the change of conditions of many things, for example, on a large scale, that is, social development conditions and people's religious beliefs as well as different local customs; From a small scope, it is the climate, environment or changes in ideas, which to some extent play a role in promoting the development of hat decoration. In the domestic scope. In the most famous art of Peking Opera in our country, the hat is just to express the psychological language of the characters in the form of facial image language, but the status of the hat in China is self-evident. It has always been the symbol of the supreme right and status and witnessed the development of history, but at the end of 19th century and the beginning of 20th century, with the infiltration and dissemination of Western culture. Their hat culture gradually appeared in the Chinese mind. In the western society, the way of facial expression, such as the art of Peking Opera, was directly reflected in life, in early 20th century. Western hat is not only a trend and trend, more is status symbol, the most prominent function. And with the continuous development of society. The hat also gradually changes from the practical and functional trend to decorative, it is no longer limited to the cold or to highlight the identity of the logo, but with the clothing style matching jewelry-hat ornaments. In modern society. With the development of the times, the hat ornaments begin to match with the modern fashion modeling, according to the style of clothing. Fabric or some elements to design, and with the current fashion fashion form to maintain a high degree of agreement. This paper discusses the historical background of the hat, artistic features, detailed analysis of the hat decoration patterns, material technology. Color characteristics and structural form as well as the case analysis of the master of modern hat decoration design. The emphasis is on the application of hat decoration in modern fashion design, respectively from the hat decoration design and modern fashion style matching. Closely combined with the trend of fashion and the interaction between modern urban life and other aspects, and apply the theory to the market, practice, through the postgraduate period, actively in the tutors studio practice learning. Participated in a large number of clothing design and production projects in the studio, accumulated experience, through the two years of practical research, continuous summary and analysis, promoted to theoretical assistance to complete graduate graduate design works.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TS941.721

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本文編號：1474606