本文關(guān)鍵詞：20世紀(jì)90年代以來文學(xué)的媒介化生存　出處：《華僑大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 文學(xué) 大眾傳媒 生存圖景 敘事轉(zhuǎn)移 審美變異

【摘要】：20世紀(jì)90年代以來,隨著大眾傳媒技術(shù)的不斷發(fā)展以及迅速擴(kuò)張,現(xiàn)代社會(huì)成了一個(gè)被大眾傳媒所覆蓋的社會(huì),也成了一個(gè)為大眾傳媒所呈現(xiàn)的社會(huì)。傳媒以其無所不在的強(qiáng)大威力影響了社會(huì)的政治、經(jīng)濟(jì)、文化、生活等各個(gè)領(lǐng)域,也深刻地影響了文學(xué)的傳播、創(chuàng)作等各個(gè)方面。大眾傳媒不僅為文學(xué)構(gòu)建了新的外部環(huán)境,同時(shí)以功能主體的身份介入了文學(xué)活動(dòng),對(duì)文學(xué)進(jìn)行全方位滲透,形成了具有霸權(quán)意味的“媒介文學(xué)”。與大眾傳媒遇合互動(dòng)后的文學(xué)因此呈現(xiàn)出的“媒介化”特性,展現(xiàn)了一幅迥然不同的生存圖景。可以說,90年代以來傳媒在文學(xué)活動(dòng)中的地位比以往任何一個(gè)時(shí)期都要凸顯,傳媒與文學(xué)之間的關(guān)系也比以往時(shí)期都要密切,讓大眾傳媒成為了90年代以來的文學(xué)活動(dòng)中無法忽視的一環(huán)。鑒于此,本文針對(duì)20世紀(jì)90年代以來文學(xué)在傳媒語境下的錯(cuò)綜復(fù)雜表象進(jìn)行分析研究,重點(diǎn)探討在大眾傳媒時(shí)代中,傳媒對(duì)文學(xué)生存環(huán)境的影響以及文學(xué)呈現(xiàn)出的各種生態(tài)表現(xiàn)。本文分為五個(gè)部分。第一章緒論主要綜述近年來有關(guān)于“傳媒與文學(xué)”相關(guān)研究背景、研究現(xiàn)狀、研究成果等,提出論文的研究方法與方向,為研究90年代以來文學(xué)的媒介化生存研究奠定基礎(chǔ)。第二章主要論述了大眾傳媒時(shí)代中社會(huì)大環(huán)境的變化,主要從外部社會(huì)媒介環(huán)境入手,進(jìn)而論述90年代以來文學(xué)在大眾傳媒影響下呈現(xiàn)的生存景觀。傳媒的擴(kuò)張導(dǎo)致社會(huì)中的政治、經(jīng)濟(jì)、文化、生活等各方面都在傳媒的覆蓋之下,社會(huì)已經(jīng)無法離開傳媒的呈現(xiàn)而獨(dú)立存在。尤其是影視、網(wǎng)絡(luò)的迅速發(fā)展,更是推動(dòng)著文學(xué)從傳統(tǒng)陣地中走向影視、走進(jìn)網(wǎng)絡(luò),文學(xué)的生存呈現(xiàn)出影視化和網(wǎng)絡(luò)化的特點(diǎn)。第三章內(nèi)容較為系統(tǒng)地分析大眾傳媒對(duì)文學(xué)領(lǐng)域的內(nèi)部影響,主要深入文學(xué)作品內(nèi)部,進(jìn)一步具體研究90年代以來媒介文學(xué)的敘事轉(zhuǎn)移。大眾傳媒不僅改變了文學(xué)的傳播方式,還以功能主體的身份介入到文學(xué)的創(chuàng)作的中,促使文學(xué)為了適應(yīng)傳媒的發(fā)展改變著自身的敘事法則。文學(xué)敘事也在潛移默化的影響中轉(zhuǎn)向了影視化、日�；⒋蟊娀�。第四章主要闡述文學(xué)生存在大眾傳媒建構(gòu)的完全異樣的文化生態(tài)環(huán)境中,審美功能與審美維度隨之衍生出的變異。90年代以來在大眾傳媒建構(gòu)社會(huì)語境中,文學(xué)審美倫理突破了傳統(tǒng)審美的規(guī)約,開始陷入審美無序、多元、模糊的狀態(tài),表現(xiàn)出追隨世俗、走向開放、沉迷個(gè)性的特征。而余論部分則是就90年代以來文學(xué)的媒介化生存作進(jìn)一步總結(jié)論述。
[Abstract]:Since 1990s, with the continuous development and rapid expansion of mass media technology, the modern society has become a society covered by mass media. It has also become a society presented by the mass media. With its omnipresent powerful power, the media has affected the political, economic, cultural, life and other fields of society, but also profoundly affected the dissemination of literature. Mass media not only constructs a new external environment for literature, but also takes part in literary activities as a functional subject and penetrates literature in all directions. It has formed the "media literature" with the sense of hegemony. Therefore, the literature after meeting and interacting with the mass media presents the characteristics of "media", showing a very different picture of survival. Since 90s, the status of the media in literary activities is more prominent than any previous period, and the relationship between the media and literature is closer than in the past. The mass media has become a part of literary activities since 90s. In view of this, this paper analyzes and studies the intricate representations of literature in the context of the media since 1990s. Focus on the mass media era. This paper is divided into five parts. The first chapter mainly summarizes the background and research status of media and literature in recent years. The research results and so on, put forward the research method and direction of the thesis, lay a foundation for the study of the media survival of literature since 90s. The second chapter mainly discusses the changes of the social environment in the mass media era. Mainly from the external social media environment, and then discusses the literature since 90s under the influence of mass media under the influence of the existence of the landscape. The expansion of the media led to the social politics, economy, culture. Life and other aspects are under the cover of the media, the society has been unable to leave the presentation of the media and independent existence. Especially, the rapid development of film and television, the rapid development of the network, is promoting literature from the traditional position to film and television. Entering the network, the survival of literature presents the characteristics of film and television and network. Chapter three systematically analyzes the internal influence of mass media on the field of literature, mainly into the interior of literary works. Further study the narrative transfer of media literature since 90s. Mass media has not only changed the way of literature dissemination, but also intervened in the literary creation as a functional subject. In order to adapt to the development of the media, literature is changing its narrative rules. Chapter 4th focuses on the existence of literature in a completely different cultural and ecological environment constructed by mass media. Variation of Aesthetic function and Aesthetic Dimension since 1990s in mass media construction of social context literary aesthetic ethics broke through the traditional aesthetic rules and began to fall into aesthetic disorder and pluralism. The vague state shows the characteristics of following the secular, opening up and indulging in individuality, while the remaining part is a further summary and discussion on the existence of literature as a medium since 90s.
【學(xué)位授予單位】：華僑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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