本文關(guān)鍵詞：20世紀90年代以來文學的媒介化生存　出處：《華僑大學》2017年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 文學 大眾傳媒 生存圖景 敘事轉(zhuǎn)移 審美變異

【摘要】：20世紀90年代以來,隨著大眾傳媒技術(shù)的不斷發(fā)展以及迅速擴張,現(xiàn)代社會成了一個被大眾傳媒所覆蓋的社會,也成了一個為大眾傳媒所呈現(xiàn)的社會。傳媒以其無所不在的強大威力影響了社會的政治、經(jīng)濟、文化、生活等各個領(lǐng)域,也深刻地影響了文學的傳播、創(chuàng)作等各個方面。大眾傳媒不僅為文學構(gòu)建了新的外部環(huán)境,同時以功能主體的身份介入了文學活動,對文學進行全方位滲透,形成了具有霸權(quán)意味的“媒介文學”。與大眾傳媒遇合互動后的文學因此呈現(xiàn)出的“媒介化”特性,展現(xiàn)了一幅迥然不同的生存圖景�？梢哉f,90年代以來傳媒在文學活動中的地位比以往任何一個時期都要凸顯,傳媒與文學之間的關(guān)系也比以往時期都要密切,讓大眾傳媒成為了90年代以來的文學活動中無法忽視的一環(huán)。鑒于此,本文針對20世紀90年代以來文學在傳媒語境下的錯綜復雜表象進行分析研究,重點探討在大眾傳媒時代中,傳媒對文學生存環(huán)境的影響以及文學呈現(xiàn)出的各種生態(tài)表現(xiàn)。本文分為五個部分。第一章緒論主要綜述近年來有關(guān)于“傳媒與文學”相關(guān)研究背景、研究現(xiàn)狀、研究成果等,提出論文的研究方法與方向,為研究90年代以來文學的媒介化生存研究奠定基礎(chǔ)。第二章主要論述了大眾傳媒時代中社會大環(huán)境的變化,主要從外部社會媒介環(huán)境入手,進而論述90年代以來文學在大眾傳媒影響下呈現(xiàn)的生存景觀。傳媒的擴張導致社會中的政治、經(jīng)濟、文化、生活等各方面都在傳媒的覆蓋之下,社會已經(jīng)無法離開傳媒的呈現(xiàn)而獨立存在。尤其是影視、網(wǎng)絡(luò)的迅速發(fā)展,更是推動著文學從傳統(tǒng)陣地中走向影視、走進網(wǎng)絡(luò),文學的生存呈現(xiàn)出影視化和網(wǎng)絡(luò)化的特點。第三章內(nèi)容較為系統(tǒng)地分析大眾傳媒對文學領(lǐng)域的內(nèi)部影響,主要深入文學作品內(nèi)部,進一步具體研究90年代以來媒介文學的敘事轉(zhuǎn)移。大眾傳媒不僅改變了文學的傳播方式,還以功能主體的身份介入到文學的創(chuàng)作的中,促使文學為了適應(yīng)傳媒的發(fā)展改變著自身的敘事法則。文學敘事也在潛移默化的影響中轉(zhuǎn)向了影視化、日�；�、大眾化。第四章主要闡述文學生存在大眾傳媒建構(gòu)的完全異樣的文化生態(tài)環(huán)境中,審美功能與審美維度隨之衍生出的變異。90年代以來在大眾傳媒建構(gòu)社會語境中,文學審美倫理突破了傳統(tǒng)審美的規(guī)約,開始陷入審美無序、多元、模糊的狀態(tài),表現(xiàn)出追隨世俗、走向開放、沉迷個性的特征。而余論部分則是就90年代以來文學的媒介化生存作進一步總結(jié)論述。
[Abstract]:Since 1990s, with the continuous development and rapid expansion of mass media technology, the modern society has become a society covered by mass media. It has also become a society presented by the mass media. With its omnipresent powerful power, the media has affected the political, economic, cultural, life and other fields of society, but also profoundly affected the dissemination of literature. Mass media not only constructs a new external environment for literature, but also takes part in literary activities as a functional subject and penetrates literature in all directions. It has formed the "media literature" with the sense of hegemony. Therefore, the literature after meeting and interacting with the mass media presents the characteristics of "media", showing a very different picture of survival. Since 90s, the status of the media in literary activities is more prominent than any previous period, and the relationship between the media and literature is closer than in the past. The mass media has become a part of literary activities since 90s. In view of this, this paper analyzes and studies the intricate representations of literature in the context of the media since 1990s. Focus on the mass media era. This paper is divided into five parts. The first chapter mainly summarizes the background and research status of media and literature in recent years. The research results and so on, put forward the research method and direction of the thesis, lay a foundation for the study of the media survival of literature since 90s. The second chapter mainly discusses the changes of the social environment in the mass media era. Mainly from the external social media environment, and then discusses the literature since 90s under the influence of mass media under the influence of the existence of the landscape. The expansion of the media led to the social politics, economy, culture. Life and other aspects are under the cover of the media, the society has been unable to leave the presentation of the media and independent existence. Especially, the rapid development of film and television, the rapid development of the network, is promoting literature from the traditional position to film and television. Entering the network, the survival of literature presents the characteristics of film and television and network. Chapter three systematically analyzes the internal influence of mass media on the field of literature, mainly into the interior of literary works. Further study the narrative transfer of media literature since 90s. Mass media has not only changed the way of literature dissemination, but also intervened in the literary creation as a functional subject. In order to adapt to the development of the media, literature is changing its narrative rules. Chapter 4th focuses on the existence of literature in a completely different cultural and ecological environment constructed by mass media. Variation of Aesthetic function and Aesthetic Dimension since 1990s in mass media construction of social context literary aesthetic ethics broke through the traditional aesthetic rules and began to fall into aesthetic disorder and pluralism. The vague state shows the characteristics of following the secular, opening up and indulging in individuality, while the remaining part is a further summary and discussion on the existence of literature as a medium since 90s.
【學位授予單位】：華僑大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

【參考文獻】

相關(guān)期刊論文 前10條

1 萬金平;;大眾文化語境下當代文學創(chuàng)作的世俗化特征[J];現(xiàn)代語文(學術(shù)綜合版);2016年07期

2 紀潔明;;論視覺文化環(huán)境下的文學影視改編[J];陜西學前師范學院學報;2013年03期

3 楊晴;;從傳播學視角淺析網(wǎng)絡(luò)小說與電影“聯(lián)姻”的成功——以電影《致青春》為例[J];新聞知識;2013年06期

4 楊拓;;試論“電子媒介時代”的文學審美[J];江西社會科學;2011年04期

5 歐陽友權(quán);吳英文;;微博客:網(wǎng)絡(luò)傳播的“軟文學”[J];文藝理論研究;2010年04期

6 江冰;崔藝文;;論網(wǎng)絡(luò)寫作群體的形成與生存現(xiàn)狀[J];天津師范大學學報(社會科學版);2010年02期

7 賀仲明;;文學與生活關(guān)系再考量[J];小說評論;2009年06期

8 肖鷹;;媒介擴張與文學批評——當前中國主流批評癥候[J];天津社會科學;2007年01期

9 陳林俠;;二十世紀文學改編與影視編劇的命運[J];理論與創(chuàng)作;2007年01期

10 梁振華;;世紀之交中國文學影像化敘事的雙向表征[J];山東社會科學;2006年08期

，

本文編號：1417923