本文關鍵詞：烏格羅形式語言研究　出處：《西安美術學院》2017年碩士論文　論文類型：學位論文

  更多相關文章： 畫面結構 藝術形式 語言要素 審美內涵

【摘要】：在英國,烏格羅當時所處的藝術環(huán)境背景與今日的中國有相似之處。在眾多的藝術觀念里,沒有迷失,走出了自己的藝術之路,成為英國當代畫壇最杰出的代表之一。研究烏格羅可以為中國當代從事具象繪畫的青年藝術工作者提供一個成功的事例和理論基礎。本文通過三個章節(jié)來分析論述,第一章簡單的介紹了烏格羅的藝術經歷和分析他藝術風格的成因。他藝術風格的形成有當時的藝術氛圍和藝術家對他造成的外因,也有他自身的勤奮和天賦形成的內因。第二章是是本文的重點內容,主要研究了烏格羅的畫面形式。通過分析他的畫面構成,畫面結構,語言形式,用抽象的思維去解讀烏格羅的作品,更加明確了他的審美內涵。第三章闡述了自己的創(chuàng)作受到了烏格羅風格的影響以及對他藝術形式語言的理解和應用。明白了生活是藝術之源的真正含義。
[Abstract]:In England, Uglo was in a similar artistic background to today's China. In many artistic concepts, he did not lose his own art road. To become one of the most outstanding representatives of contemporary British painting. The study of Uglo can provide a successful example and theoretical basis for Chinese contemporary art workers engaged in figurative painting. Narrator. The first chapter briefly introduces Uglo's artistic experience and analyzes the causes of his artistic style. The formation of his artistic style has the artistic atmosphere at that time and the external cause caused by the artist to him. The second chapter is the main content of this paper, mainly studying the picture form of Uglo. By analyzing his picture composition, picture structure, language form. Use abstract thinking to interpret Uglo's works. The third chapter expounds that his creation was influenced by Uglo's style and his understanding and application of his artistic form language, and understood that life is the real meaning of art source.
【學位授予單位】：西安美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205
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本文編號：1412954