本文關(guān)鍵詞：唐代騷體詩(shī)研究　出處：《長(zhǎng)江大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 騷體詩(shī) 唐代 全唐詩(shī) 題材分類 價(jià)值意義 楚文化

【摘要】：戰(zhàn)國(guó)時(shí)代的屈原創(chuàng)作了《離騷》,后演化成騷體詩(shī)這一文學(xué)樣式。而騷體詩(shī)經(jīng)漢、魏晉南北朝,在唐代得到了很大的發(fā)展。對(duì)唐代騷體詩(shī)進(jìn)行研究,不僅可以了解騷體詩(shī)作者的創(chuàng)作傾向、內(nèi)心世界與他們所生活的時(shí)代狀況,同時(shí)也可以了解唐人對(duì)楚文化的接受,拓展了唐詩(shī)研究的領(lǐng)域。也可更深入的了解騷體詩(shī)的發(fā)展歷程與變化規(guī)律。本文以《全唐詩(shī)》中記載的騷體詩(shī)為研究對(duì)象,對(duì)其內(nèi)容進(jìn)行歸類梳理,希望能從多學(xué)科的視角進(jìn)行分析,探尋唐代騷體詩(shī)的思想內(nèi)容與藝術(shù)特點(diǎn),豐富唐代騷體詩(shī)的相關(guān)研究。本文共分三個(gè)部分。緒論中主要梳理了目前學(xué)界對(duì)唐代騷體詩(shī)的研究,并對(duì)當(dāng)前的研究進(jìn)行了歸類解析。分析了其他朝代騷體詩(shī)研究的特點(diǎn),以期對(duì)唐代騷體詩(shī)的研究有一定的促進(jìn)作用。在正文中,首先界定了“騷體”的概念,并總結(jié)其特點(diǎn)。其次分析“騷體詩(shī)”的概念及其藝術(shù)特征,同時(shí)將其與“騷體賦”、“楚歌”體進(jìn)行區(qū)分。通過(guò)分析,騷體詩(shī)與其他體裁的詩(shī)歌最大的不同在于“兮”字的運(yùn)用,可以說(shuō)“兮”字是判斷是否是騷體詩(shī)的重要標(biāo)準(zhǔn)之一。同時(shí)通過(guò)對(duì)歷代騷體詩(shī)的分析,總結(jié)出歷代騷體詩(shī)特點(diǎn)。然后,從《全唐詩(shī)》中選擇唐代騷體詩(shī)并進(jìn)行大致的分類,選取典型的三類題材進(jìn)行解析:一是有唐一代盛世的描繪;二是傳統(tǒng)的文人“怨情”的宣泄;三是對(duì)婦人這一群體的描寫。第一類對(duì)頌世之歌的描寫中根據(jù)創(chuàng)作主體的不同分成兩類:一是君王;二是官吏。從兩類不同階級(jí)創(chuàng)作中展現(xiàn)出氣勢(shì)恢宏的國(guó)家景象。第二類哀怨題材的描寫,可以說(shuō)是繼承了騷體詩(shī)一貫規(guī)律。在“怨情”描寫中分為貶謫心態(tài)的描寫及作者的人生感悟。第三類對(duì)女性群體的描寫是唐代詩(shī)歌體裁中的傳統(tǒng)題材之一。在唐代騷體詩(shī)中分為兩類:一是思婦的描寫;二是傳說(shuō)、傳奇中記載的婦人。因描寫不同的婦人形象所以呈現(xiàn)了與其他體裁中不同的風(fēng)格特點(diǎn)。通過(guò)對(duì)三類詩(shī)歌的分析,總結(jié)唐代騷體詩(shī)在情感表達(dá)上具有三方面的特點(diǎn):一是句式上的變化,不在局限于特有的形式;二是詞語(yǔ)的運(yùn)用上更多繼承了《楚辭》中的語(yǔ)言運(yùn)用;三是在意象的表達(dá)上與屈騷有繼承與發(fā)展。這些特點(diǎn)對(duì)于騷體詩(shī)的發(fā)展來(lái)說(shuō)不僅有繼承更多的是促進(jìn)了騷體詩(shī)的發(fā)展,在表達(dá)上更具有時(shí)代特點(diǎn)。唐代騷體詩(shī)的創(chuàng)作主要受兩大重要因素影響:一是外部環(huán)境的影響;二是詩(shī)人的人生際遇。外部環(huán)境的影響包括:政治、經(jīng)濟(jì)、文化方面的政策。創(chuàng)作主體的際遇表現(xiàn)的不同詩(shī)歌內(nèi)容也不一樣。故唐代騷體詩(shī)在題材上顯示出了多樣性。唐代騷體詩(shī)在后世影響上,主要體現(xiàn)為對(duì)宋代騷體詩(shī)的影響。從表達(dá)內(nèi)容與藝術(shù)手法上宋代騷體詩(shī)繼承了騷體詩(shī)的特點(diǎn),但是在意境的表達(dá)上宋代騷體詩(shī)卻別具一格。唐代騷體詩(shī)的價(jià)值意義主要體現(xiàn)在四個(gè)方面,一是體現(xiàn)楚文化的文化認(rèn)同,騷體詩(shī)來(lái)源于屈騷,在創(chuàng)作過(guò)程中文人不僅吸收了藝術(shù)表現(xiàn)特點(diǎn),也將楚文化的描寫融入詩(shī)歌。這些表達(dá)豐富了楚文化研究的內(nèi)容。二是具有審美鑒賞價(jià)值。審美過(guò)程中,將作品實(shí)現(xiàn)“價(jià)值具體化”。從而達(dá)到作家與作者之間的共鳴。三是具有歷史文化價(jià)值。唐代騷體詩(shī)不僅是抒發(fā)詩(shī)人的情感,同時(shí)將更多的題材運(yùn)用到騷體詩(shī)中,為不同領(lǐng)域的研究提供了可靠的材料。四是拓展對(duì)詩(shī)人精神境界的了解。通過(guò)對(duì)詩(shī)歌內(nèi)容的分析,有助于深入了解唐代詩(shī)人的內(nèi)心世界。在結(jié)論中,從內(nèi)容、分類、藝術(shù)手法及影響等方面進(jìn)行總結(jié)。唐代騷體詩(shī)在發(fā)展軌跡上具有承上啟下的作用。唐代騷體詩(shī)繼承了“屈騷”的特質(zhì)及晉代騷體詩(shī)“詩(shī)”化的特點(diǎn)。唐代騷體詩(shī)在發(fā)展上出現(xiàn)“世俗化”特征,對(duì)后世騷體詩(shī)產(chǎn)生深遠(yuǎn)影響。本文立足于對(duì)唐代騷體詩(shī)進(jìn)行分類,深入剖析,重點(diǎn)透視騷體詩(shī)在唐代出現(xiàn)的原因及其繼承與發(fā)展,以期對(duì)唐代騷體詩(shī)研究有所貢獻(xiàn)。
[Abstract]:In the Warring States period, Qu Yuan wrote "Lisao", later evolved into Sao poetry this literary style. But Book of Songs Sao Han, Wei and Jin Dynasties, has a great development in the Tang Dynasty. The Tang Dynasty of Sao poetry can not only understand the author, Sao poetry creation tendency, the inner world and their life time, at the same time also can understand the acceptance of Chu culture of the Tang Dynasty, Tang Dynasty expanded the research field. Also can understand the development process of Sao poetry more in-depth and changes. This paper takes < Sao poetry recorded the whole Tang poetry > as a research object, its content in the hope to classify, analyze from multi disciplines from the perspective of ideological content and artistic characteristics of exploring Sao poetry in Tang Dynasty, the Tang Dynasty related research rich Sao poetry. This paper is divided into three parts. The introduction mainly combs the current research on Sao Tang poetry circles, and in the study A classified analysis. Analysis of the characteristics of other dynasties Sao poetry study, in order to have a certain role in promoting the research on Sao Tang poetry. In the text, first defines the "Sao" concept, and summarizes its characteristics. Secondly the concept of "Sao poetry" and its artistic features, at the same time with the "Sao Fu", "distinguish Chu song" body. Through the analysis, and other types of Sao poetry poetry ", the biggest difference is that using the word, can be said that the word" Xi "is judged whether it is one of the important standards of Sao poetry. At the same time through the analysis of the history of the ancient Sao poetry, summed up the characteristics of Sao poetry then, select the Sao poetry in Tang Dynasty from the Tang Dynasty" and "general classification, selects three typical subject analysis: one is to depict prosperity in Tang Dynasty; the two is the traditional literati" complaint "catharsis; three is to this woman. The first kind of group description. The song song description according to the creation of different subjects are divided into two categories: one is the king; two is the official. Show the magnificent national image from two different types of class creation. Second kinds of sad theme description, can be said to be inherited through a Sao Poetry rule. In the "complaint" description is divided into description and the author mentality of relegation life. Third kinds of descriptions of the female group is one of the traditional theme genre in poetry of the Tang Dynasty. In the Tang Dynasty Saoti poem divided into two categories: one is the description of the women thought; two is the legend, the legend of Lady records for the description. Different woman image so show a different style with other genres. Through the analysis of the three types of poetry, summarize the Sao poetry of the Tang Dynasty has the characteristics of three aspects: one is the emotional expression in the change of sentence structure, is not confined to a particular form; two Is the use of more words inherited "Chu Ci > in the use of language; three is in the image expression of Qu Sao's inheritance and development. With these characteristics for the development of Sao poetry not only inherit more is to promote the development of Sao poetry, has more characteristics of the times in the expression of Sao poetry of the Tang Dynasty. The creation is mainly affected by two factors: one is the influence of the external environment; the two is the poet's life. The influence of the external environment includes: politics, economy, culture policy. Different content of poetry creation of the main manifestations of fortune is not the same. Therefore, the Tang Dynasty in the theme of Sao poetry shows diversity the poems of the Tang Dynasty. In the later effect, mainly reflected the influence of the Song Dynasty. From Sao poetry content and artistic expression of Song Dynasty poetry inherited the characteristics of Sao Sao poetry, but in the artistic expression of Song Dynasty poetry is a poetry Lattice value. Sao Tang poetry is mainly reflected in four aspects, one is the embodiment of the Chu culture cultural identity from Qu Sao Sao poetry, in the creation process of Chinese people not only absorbed the artistic characteristics of Chu culture will also describe into poetry. These expressions to enrich the research of Chu Wen is two. With the aesthetic appreciation of the value. The aesthetic process, will work to achieve "value of concrete. So as to achieve between the writer and the author's sympathy. Three is a historical and cultural value. The poems of the Tang Dynasty is not only to express the poet's emotion, the more theme used Sao poetry, provide reliable materials for the study of different areas the four is to expand the poet spiritual understanding. Through the analysis of the content of poetry, helps to understand the inner world of the poet of the Tang Dynasty. In conclusion, from the content, classification, artistic skill and influence Summary. Sao poetry of the Tang Dynasty plays a role in the development path. The Tang Dynasty inherited the characteristics of "Saoti poem Lisao" character and Jin Sao poetry "poetry". Sao poetry appeared in Tang Dynasty "secularization" characteristics in the development, has a profound influence on later generations. Sao poetry based on the classification. On Tang Sao poetry deeply, on the perspective of Sao poetry appeared in the Tang Dynasty and its inheritance and development, in order to contribute to the study of Saoti poetry of the Tang Dynasty.

【學(xué)位授予單位】：長(zhǎng)江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22;K242

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