本文關(guān)鍵詞：藏族“凡水有靈”造物設(shè)計(jì)思想研究　出處：《湖南工業(yè)大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：“但凡遇水,皆潛神靈,造物用物,敬畏虔誠(chéng)”。十六個(gè)字,概括了“凡水有靈”造物觀的核心要義。西藏原始先民信奉“萬(wàn)物有靈”,對(duì)水的信仰尤為突出。藏民相信,西藏豐饒的資源自大海而來(lái),高原之水猶如“甘露”,可以滌除塵垢、祛病消災(zāi)、消減罪業(yè)。另外,水神、龍神與“魯”神居于地底和水中,掌管與他們生命、生產(chǎn)和生活息息相關(guān)的繁衍、財(cái)富、健康和吉祥,要有幸福的今生、極樂(lè)的來(lái)世,虔心供養(yǎng)水中神靈是必經(jīng)之道�！胺菜徐`”造物觀真正要表達(dá)的,是藏民對(duì)美好生活的積極向往,對(duì)圓滿(mǎn)生命的滿(mǎn)心期待�！胺菜徐`”造物成果分為6個(gè)類(lèi)別:⑴、水缸亭、水缸和水瓢一類(lèi)的水具;⑵、茶具、酒器和湯鍋一類(lèi)的飲具;⑶、盛水供佛、祭祀水神的瓶(杯、碗)類(lèi)法器;⑷、出自大海的各類(lèi)珍寶;⑸、利用水能的水磨、水力轉(zhuǎn)經(jīng)輪;⑹、“風(fēng)馬”色彩和圖案所運(yùn)用的“水”元素。設(shè)計(jì)者在造物過(guò)程中將嚴(yán)謹(jǐn)?shù)闹刃蛐�、豐富的層次感融入到材質(zhì)、造型、裝飾和工藝之中,藏民繼而在使用環(huán)節(jié)中灌注以?xún)x式習(xí)俗。這使得它們脫離了僅僅實(shí)現(xiàn)功能屬性的一般器物層次,在提供視覺(jué)、情感愉悅的基礎(chǔ)之上,寄托深沉肅穆的精神信仰,始終保持自我與神靈的內(nèi)在連接。這種原生態(tài)少數(shù)民族的造物觀給高原環(huán)境和生活帶來(lái)了諸多積極影響,鼓勵(lì)我們從中挖掘民族性的傳統(tǒng)精魂,以期為日益功利化、模式化的現(xiàn)代設(shè)計(jì)提供靈感與啟示。藏族“凡水有靈”造物成果的整體藝術(shù)特征表現(xiàn)為層級(jí)性、莊嚴(yán)性、秩序性和樸拙性,煥發(fā)出民族獨(dú)有的神性之美的耀眼光芒。這樣的審美特征是能工巧匠們經(jīng)由精神世界的不懈探索、大智大慧的長(zhǎng)久積累所精心追求的。設(shè)計(jì)行為通過(guò)從精神到物質(zhì),再回到精神的循環(huán),實(shí)現(xiàn)了精神信仰的實(shí)物化,旨在追求“凡水有靈”造物過(guò)程及成果中物性、人性與神性的內(nèi)在平衡與和諧統(tǒng)一�！胺菜徐`”造物設(shè)計(jì)思想為現(xiàn)代設(shè)計(jì)所帶來(lái)的啟示與三個(gè)問(wèn)題有關(guān):為誰(shuí)造物?有理想、有信仰、有自我的藏民;因何造物?靈魂的歸屬、精神的安住;如何造物?用心感受,以手塑形,由形向神,獨(dú)運(yùn)匠心,追求飽含內(nèi)在凝聚力與生命力的神性之美,做功能更佳、形態(tài)更美、精神內(nèi)核更為豐盈的設(shè)計(jì)。
[Abstract]:"Whenever the water, all hidden gods, creation, fear of pious." sixteen words, "where the water has summed up the core essence of the spirit" concept of creation. Tibet ancient people believed in the "animism", the belief of water is particularly prominent. The Tibetans believe that Tibet rich resources come from the sea. The plateau of the water like "dew" can eliminate dirt, illnesses and misfortunes, reduce crime. In addition, the water dragon, and "Lu" God is in the ground and water, and in charge of their lives, production and life are closely related to reproduction, wealth, health and good luck, to have a happy life, blissful afterlife, devotion water is the only way for God. "Where the water has spirit of creation concept really want to express, is the Tibetan people actively yearning for a better life, look forward to a successful life." where the water has spirit creation achievements are divided into 6 categories: first, the water tank and a bailer Pavilion, water; 2 A pot of wine, tea, and the drinking water; the, for the Buddha worship water bottle (cup, bowl) class of instruments; the sea, from all kinds of treasures; the use of water, water, water prayer wheel; 6, "Wind Horse" colors and patterns in the use of water "elements. Designers in the strict order of creation process, rich sense of hierarchy into the material, shape, decoration and process, and then the Tibetans in the use of links to ritual customs. Perfusion which makes them out just realize the functional attributes of the general level of implements, in providing vision, based on emotional pleasure, sustenance deep and solemn spirit of faith, always maintain self and divine inner connection. The original ecological minority creation view brings many positive effects to the plateau environment and life, we encourage mining nationality traditional spirit in order to more utilitarian, die Provide the inspiration and Enlightenment of modern design. The overall artistic characteristics of Tibetan "where the water has spirit creation achievement for hierarchy, solemn, orderly and sincere, full of dazzling light of unique divine beauty. The aesthetic characteristics of such skilled craftsmen through unremitting exploration is a spiritual world. For a long time accumulation of wisdom carefully. The pursuit of design behavior through from spirit to material, and then return to the spirit of the cycle, achieve the kind of spiritual beliefs, to the pursuit of" where the water has spirit creation process and results in the properties of the inner balance and harmony of humanity and God. "Where have the spirit of water" making design thought brought about by the Enlightenment of modern design with three questions: for whom the creation? Have the ideal, faith, self creation of Tibetans; why? Belong, the spirit of how to live; creation? Felt, in plastic The shape, shape by God, full of inner pursuit of independence Yun Jiang Xin, cohesion and vitality of the divine beauty, do function better, more beautiful shape, spirit more abundance of design.

【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J505

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